AI-powered Visual Creator , HF's Ambassador , Ai Educator Turning ideas into short-form stories that feel alive.
LV
Joined October 2024
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PARALLEL — a film I made as a tribute to a feeling.The words are fifteen years old. I wrote them long before I knew who they were for. The feeling is much newer, and this film is what I did with it instead of keeping quiet.Five minutes. Everything human in it is real, and everything around it was made. We shot it on phones — an office, a room, the two of us filming ourselves separately, never in the same place, meeting only at the very end of the film. That is the whole shape of it, and it happens to be true offscreen too.Real: our faces, our hands, the dance, the voice. I trained my voice and sang the song myself, the whole thing, before a single note went into Suno.Made: a birch grove at dawn, the meadows, a gazebo over the water, and the sky over the river that goes purple only at the end.The method, in one line: your own footage is the character sheet. I cut my own clips into video reference elements and locked both faces — mine and Adam's — to them. Nothing about us was invented. The model only carried what we actually filmed into places that don't exist.
What kept it honest:
→ one file, one job, one prompt line
→ write the result, never the negation
→ change two things per pass, not five
→ check every output against the source, every single time
#Seedance 2.5, omni-reference, video edit in @higgsfield_ai . @suno for the track.Full pipeline breakdown, if you want to make one too: one-room-film.higgsfield.app
And the warmest thank you to @AvarenFocus . He filmed his part, he cut the final edit, and he stayed in it with me while it was still shapeless. Some things are easier to build than to say out loud — so I built this one. It's as much his as it is mine.
French Wall-e or how to find a friend in the end of the world ❤️
youtu.be/A14HI1p3Dyo?is=C1Op…
MORTAL KOMBAT: RE-IMAGINED — ARC 1 youtu.be/92ep4djK3Vw?si=wadh… via @YouTube
Singuratate Capella retweeted
Impossible rule Weekly Challenge on Higgsfield.
Laughter killer ! enjoy the video ~
This video was made for our 1,000 Hours in Power Users Live stream. ❤️🔥
But really, it was made for the community, about the community, and because of the community.
Reaching 1,000 hours live would not have been possible without all of you — the people who kept showing up, streaming, watching, creating, helping, laughing, testing, supporting each other, and keeping the Power Users Live room alive for so long.
The video is built around the people who directly helped carry this room. Each character sheet was made for a specific person, with small details, traits, moments, and little “perks” connected to who they are in the community.
There are more than 30 character sheets in the project. Some parts were made by @PeterKL87 , some by me, and @AvarenFocus also helped with the final #edit and music. A lot of it came together overnight, with very little sleep, but a lot of #love for this server and everyone inside it.
The #stream itself was a beautiful moment. And honestly, I’m just very grateful that we have a community where people notice each other, support each other, celebrate each other’s strengths, and help each other keep growing.
When someone is not around, someone else usually shows up. When someone gets stuck, someone else offers a hand. When someone creates something, there is always someone there to watch, react, give feedback, or simply say: “keep going.”
That kind of genuine human connection, mixed with the ability to make art together no matter what, is something really special.
I love this #Discord. I love this #community.
Thank you for being here, for being yourselves, and for making this place feel alive. 💚
@higgsfield #Higgsfield1000
Singuratate Capella retweeted
THE WORLD ENDED.
THE ROUTINE DIDN’T.
— BY YOUR SIDE
@higgsfield_ai
#Higgsfieldfilmfestival
I got In the Mood for Love (2000) in our Film DNA Roulette challenge, and what started as a reference exercise turned into a much bigger experiment than I expected.
I basically sat down during a 24-hour stream, opened Seedance 2.5, and started taking the film apart piece by piece - color, framing, rhythm, use of space, the way time passes, when the camera moves and when it simply watches.
At first, there wasn’t really a #story. I was mostly playing with the language of the #film itself - testing the pacing, the framing, the colors, the way it handles #time - and somewhere along the way the story just started appearing on its own.
I think that was actually the most interesting part for me.
I’m usually the opposite of a slow-film person 😅 My brain constantly wants something to move, change, happen. So staying inside this much quieter rhythm for so long felt a little unusual.
But after spending enough time with it, I started enjoying all those tiny things I would normally rush past. A different light already tells you that time has moved forward. Clothes and color can quietly show how two people are changing. The same type of shot repeated a few times starts to mean something different each time. And when the camera is restrained for most of the film, even a very small movement suddenly has weight.
There’s almost this funny point where you stop thinking, “nothing is happening,” because actually quite a lot is happening - it’s just not being explained to you.
And I really liked that you could remove almost all dialogue and still understand the emotional movement of the story.
I collected the whole process here - what I took from the original film, what I tested, what worked for me, what I changed, and how the final story slowly came together:
film-dna-workshop.higgsfield…
I probably still won’t become a person who watches five extremely slow films in a row 😅 but experimenting in this kind of rhythm was surprisingly nice.
Now I want to try the same thing with something completely different and see what it does to the way I build a story. @higgsfield_ai
I’ve been experimenting a lot lately with AI Employees inside @higgsfield #Supercomputer, and these four videos are all outputs from one of the Employees I’m currently building and training.
The idea behind this one is pretty simple: give it a brand, product, or website, and let it handle much more of the advertising workflow itself - research the brand, understand its visual DNA, look at the competitive space, choose a direction, build the concept and pre-production, and then move into actual video generation.
What I find especially interesting is that this isn’t really about making AI “press one button and magically create an ad.”
It’s much closer to building your own production logic.
You can teach an Employee how you want it to research, how much freedom it should have, which models and workflows to use, what makes a concept good enough to move forward, how strict it should be about product consistency, when it should create storyboards first, how it should approach camera language, and even how it should QC the final result.
And then you keep refining it.
Some of these workflows can easily take 10–20 minutes from the initial task to finished generations, especially when #research and pre-production are involved. But the interesting part is that I don’t really have to sit there and manually execute every stage anymore.
And because Supercomputer can run multiple tasks at the same time, the equation changes even more.
Instead of spending those 10–20 minutes producing one direction manually, I can launch several different tasks or creative directions in parallel and come back to a much larger pool of material in roughly the same window of time.
That’s probably the part I’m enjoying the most right now: not just saving individual clicks, but multiplying how many ideas I can actually explore.
The Employee itself is still very much a work in #progress. I’m constantly changing instructions, testing where it needs more #control and where it actually performs better with more creative freedom. Some decisions still need human judgment, and there are plenty of things I want to improve.
But these four #videos came out of that process - different directions, different executions, all produced through the same evolving system.
And the #results are already making me very curious about where this way of working goes next.
AI Employees become much more interesting when you stop treating them like assistants and start treating them like #workflows you can teach, test, and continuously improve.
🤖 Made with AI
Also worth mentioning: these individual generations don’t have to remain separate videos. They can be stitched into a longer piece directly through the Supercomputer/Higgsfield workflow, or downloaded and taken further into your usual post-production.
This becomes especially interesting with Seedance 2.5, where a single generation can already be much longer. So instead of thinking only in terms of isolated clips, you can treat the outputs as scenes or building blocks for a larger video.
Singuratate Capella retweeted
🎬 NEW CHALLENGE: @higgsfield CINEMA STUDIO 4.0 IS OUT
Create a video that shows, says, or celebrates “Cinema Studio 4.0 is out.”
Animation, realism, anime, cinematic, surreal, nostalgic, experimental, anything goes. We want the most creative, original, niche, and memorable interpretations. ⭐
Prize pool: 25,000 Higgsfield credits
[ We might increase the pool depending on the progress of the challenge ]
Winners will be chosen purely based on the quality and creativity of the video, not engagement. Multiple entries are also permitted
To enter👇
1. Post your video on X
2. Tag @higgsfield
3. Use #CinemaStudio4
4. Comment the link to your post under this announcement so we can track your submission
And it is not only about the credits. 👀 We are also watching for standout creators who could be a great fit for our CPP program.
📅 You have 1 week to submit
Good luck 🧩
A short film I made during the weekly Higgsfield challenge The Jury Character.
The challenge was about building a story around an assigned jury character, and I spent quite a while trying to figure out what kind of plot would actually work. In the end, I decided to base it loosely on real events and shape it into a compact cinematic story about a caring husband who turns out to be something very different from what he seems.
For this piece, I played with different editing techniques, pacing choices, and story structure - not as a long film, but as a small practice piece to test how far we can push a simple character-based prompt into something with tension, mood, and a twist.
It’s also a fun one because @singuratatecap (me) and @PeterKL87 , appear in the film. Thank You, hun <3
Just another experiment in using weekly challenges as a way to practice storytelling, character work, and cinematic AI video production.
The same creative process that produced The Interviews also led to something completely different.
While the interviews allowed the characters to speak for themselves, Specials brought them into the same world and turned that exploration into a complete cinematic story.
This became an experiment in connection: making individual characters, scenes, dialogue, movement, sound, and atmosphere feel like parts of one film rather than separate generations.
Working within 90 seconds forced me to be deliberate about every moment. How quickly can a world be established? How much does the audience actually need to know? What deserves time, and what can be communicated through a glance, a transition, or a single visual detail?
The real challenge wasn’t simply creating strong shots. It was making every shot belong to the same story.
One starting point took me down two very different creative paths:
The Interviews explored who these characters are.
Specials explores what happens when they share the same world.
Here is the second film born from this project — Specials.
Every week, we run a new creative challenge in the #Higgsfield Discord #community. For me, these challenges are not only about producing a final submission — they are an opportunity to research, test ideas, explore different visual directions, and see how far one theme can develop.
This week’s theme was One of the Sins, inspired by the Seven Deadly Sins.
I began by researching how each sin has been represented across literature, cinema, art, and popular culture. Then I started experimenting visually: first exploring all seven sins through different styles, then imagining them as cities, and eventually turning them into individual characters.
That was the moment the project unexpectedly split into two completely different directions.
While I was still searching for the story for my challenge film, I became curious about something else: if each sin were a real person, how would they speak? How would they explain themselves? Would they recognize what they are — or justify every part of their nature?
That question became The Interviews.
Seven characters. Seven voices. Seven completely different relationships with their own flaws.
This #film was not the original destination of the project. It emerged naturally from the research and became its own creative experiment — one that allowed me to explore character, dialogue, personality, performance, and visual identity in a completely different way.
This is one of the things I love most about our weekly community challenges: you may begin with one assignment, but the process can lead somewhere you never planned to go.
Here is the first result of that journey: The #Interviews — Seven Deadly #Sins.
300 hours of Power Users Live — and honestly, this milestone says so much about what the @higgsfield community has become. ❤️🔥
Power Users Live is not simply a room where someone turns on a stream and others watch. It is a shared creative space built and kept alive by the community itself.
People come here to create together, test new models and workflows, exchange ideas, share discoveries, ask questions, give honest feedback, solve problems, and help each other push projects further. Someone may join looking for an answer and stay to help another creator. A casual conversation can turn into a new idea, a collaboration, a live experiment, or an entire workflow that others can learn from.
That connection is what makes this community so special.
We have creators with completely different styles, backgrounds, experience levels, and ways of working — filmmakers, storytellers, artists, advertisers, experimenters, educators, and people who are only beginning to explore AI. But inside this space, everyone contributes to the same creative movement. We learn from each other’s successes, mistakes, experiments, and perspectives.
Power Users Live reflects what our community is really about: not creating alone, but growing together.
Every stream, every shared screen, every piece of feedback, every answered question, every spontaneous conversation, and every person who stays in the room to support someone else has helped build these 300 hours.
The number itself is incredible, but what matters even more is everything that happened inside those hours — all the ideas exchanged, projects created, connections formed, and moments when one community member helped another move forward. 💚
And, of course, a milestone like this deserves a proper celebration.
As promised, @PeterKL87 will host a special 24-hour marathon in the Power Users Live Room to celebrate reaching 300 hours. 🎬🔥
Thank you to everyone who has streamed, created, shared, taught, learned, watched, talked, supported others, or simply joined the room and became part of its energy.
This is not something one person created. We built it together.
300 hours connected by creativity — and this is only the beginning.
