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Joined December 2014
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Paul Thomas Anderson uses action, behavior, and sound to carry scenes without extra dialogue. Three ways to try it.
studiobinder.com/scriptwriti…
#Screenwriting #Filmmaking
Phantom Thread amplifies Alma's toast-scraping, letting us hear how irritating Reynolds finds it. Sound effects and a character's response can communicate tension before dialogue names it.
Spielberg’s storyboards helped turn ideas into a plan his crew could film.
Start storyboarding: studiobinder.com/storyboard-…
#Storyboarding #Filmmaking
For The Lost World, Spielberg tested suspense in storyboard form. He could add shots or change the sequence before filming. Review what each panel lets the audience know and when.
Movie food has to survive close-ups, continuity resets, and repeated bites. Here's why one dish can need several versions.
studiobinder.com/shot-list-s…
#Filmmaking #FoodStyling
For The Guilt Trip, food stylist Chris Oliver used grilled watermelon as steak for Barbra Streisand. Testing edible substitutes with the actor helps make repeated bites manageable.
Three ways sound designers invent sounds. Start writing your scenes:
studiobinder.com/scriptwriti…
#SoundDesign #Filmmaking
Ben Burtt sped up tank recordings for WALL-E’s treads. The resulting sound kept the mechanical character of the source while making it feel appropriate for a smaller machine.











