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Santa Monica, CA
Joined December 2014
How do you turn a script into a shot list? Start with what the audience needs to see.
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Paul Thomas Anderson uses action, behavior, and sound to carry scenes without extra dialogue. Three ways to try it. studiobinder.com/scriptwriti… #Screenwriting #Filmmaking
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Phantom Thread amplifies Alma's toast-scraping, letting us hear how irritating Reynolds finds it. Sound effects and a character's response can communicate tension before dialogue names it.
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Choose a dialogue-heavy moment in your script. Try replacing one line with an action, reaction, or sound, then check whether the scene still communicates the idea you need.
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Spielberg’s storyboards helped turn ideas into a plan his crew could film. Start storyboarding: studiobinder.com/storyboard-… #Storyboarding #Filmmaking
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For The Lost World, Spielberg tested suspense in storyboard form. He could add shots or change the sequence before filming. Review what each panel lets the audience know and when.
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The second unit began Raiders’ truck chase before Spielberg arrived in Tunisia, using his boards as a guide. Clear action and framing help crews understand what to prepare.
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Movie food has to survive close-ups, continuity resets, and repeated bites. Here's why one dish can need several versions. studiobinder.com/shot-list-s… #Filmmaking #FoodStyling
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For The Guilt Trip, food stylist Chris Oliver used grilled watermelon as steak for Barbra Streisand. Testing edible substitutes with the actor helps make repeated bites manageable.
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Add the food's condition to each setup in your shot list. Specify which version needs to be ready, whether it's untouched for an insert or partly eaten for the next angle.
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Three ways sound designers invent sounds. Start writing your scenes: studiobinder.com/scriptwriti… #SoundDesign #Filmmaking
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Ben Burtt sped up tank recordings for WALL-E’s treads. The resulting sound kept the mechanical character of the source while making it feel appropriate for a smaller machine.
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Before shooting, identify sounds that require something from the set: a specific recording setup, access to a location, or playback for a performer. Flag those needs while the crew can still prepare for them.
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