phd candidate @ univ. of iowa; author; editor; teacher; tutor; artist; postmormon; socialist. my books, articles, podcasts, albums, & videos are @ https://teapawt.net/t.co/1ECAfPyZSL.
Iowa City, IA
Joined June 2012
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chris wei (he/him) retweeted
Rejoice. KEN RUSSELL’S THE DEVILS is here to stay.
Experience the uncensored director’s cut only in theaters: thedevils.movie
chris wei (he/him) retweeted
looks absolutely incandescent on the big screen. an experience that can't be overhyped.
“A film unlike anything that has come before or after it. You won’t be the same afterward.” @dreadcentral
Nine more days until KEN RUSSELL’S THE DEVILS is unleashed into theaters for one week only: thedevils.movie
chris wei (he/him) retweeted
I think two character decisions always impress me about Mad Men: making this guy kind of wise and not a total asshole, along with making Pete a sincere anti-racist. Other shows will just let the archetypes do the typing for them.
chris wei (he/him) retweeted
when you've seen films like this it really makes you wanna find whoever normalised the idea that any films that are old/foreign are inherently pretentious and beat them to death with your bare hands
chris wei (he/him) retweeted
At 28 years old, Derek Jarman designed the sets for KEN RUSSELL'S THE DEVILS – the first film he ever worked on.
Tickets on sale now for the restored director's cut: thedevils.movie
all bangers lately, turns out the trick to cinematic satisfaction is to watch shit that comes out between 1971 and 1988
chris wei (he/him) retweeted
ECLIPSE SERIES 50: SARA GÓMEZ'S REVOLUTIONARY CUBA • Coming to Criterion in December! criterion.com/boxsets/9119-e…
A true cinematic revolutionary who used the camera as her tool in the fight against oppression in all forms, the Afro-Cuban filmmaker brought the stories of ordinary Cubans to the screen with a bracing immediacy and insight.
chris wei (he/him) retweeted
Here’s 32 good to great movies from just the last 18 months
chris wei (he/him) retweeted
a modest proposal: letterboxd.com/danimal1/list…
chris wei (he/him) retweeted
Every now and then this country shows glimpses of the actual greatness it’s capable of
chris wei (he/him) retweeted
Mosfilm’s YouTube channel is a goldmine of restored Russian cinema, where you can watch for free online classics.
Tarkovsky’s masterpieces, Kalatozov’s 'I Am Cuba', Klimov’s 'Come and See', Eisenstein’s 'Battleship Potemkin', and many more.
youtube.com/@Mosfilm_eng/vid…
chris wei (he/him) retweeted
la cinefilia no es disfrutar del cine no lo digo yo lo dijo sontag
chris wei (he/him) retweeted
*taps the sign* Please watch this @imPatrickT video. He explains it so well that I really have nothing to add.
chris wei (he/him) retweeted
Carpenter's bitterness is 100% deserved. He's a master at doing so much with so little & everyone wrote his work off as schlock til fairly recently. He peaced out & said " You get nothing from me again. Royalty checks for video games & synth music with my son til I die." Love him
chris wei (he/him) retweeted
There are various issues to disagree with here, but the basic point remains that Wilson is a very poor film reviewer being asked, again and again, to review a film that she has not understood particularly well.
In Christopher Nolan’s “Odyssey,” viewers see inside the Trojan horse, but they “do not see inside the characters or their world,” Emily Wilson argues. theatlantic.com/ideas/2026/0…
