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Joined July 2022
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Our most recent #Oscar predictions and some major changes across the board!
Listen to our Awards Tape episode where we break it all down: therollingtape.com/the-award…
The Rolling Tape retweeted
THE DEBUT is Jessie Eisenberg’s best and most personal work yet. Unhinged and
zany beyond belief, but never loses focus for a second. Moore is as good as they say she is and then some. #pff35
Jesse Eisenberg for THE DEBUT ahead of the Closing Night screening for the 35th Philadelphia Film Festival
full red carpet interview by @dtjcinema to come!
The Rolling Tape retweeted
just got to hear Jessie Eisenberg and Terry Gross chat about The Debut… and also Zombieland (2009) #pff35
The Rolling Tape retweeted
#Wildwood functions as a direct response to the uncertainties in both the industry and the world at large. Not only is it defiantly hand-crafted, but it’s about being brave in a world that has lost its magic.
My review for The Rolling Tape:
therollingtape.com/wildwood-…
The Rolling Tape retweeted
I’m so excited to introduce Behind The Bylines! In this conversation series, I’ll be spotlighting some fantastic creatives, so please check out the show when it releases on @therollingtape ✨
Coming soon to The Rolling Tape! 👀
A new series from @GabeReels highlighting diverse voices in the film criticism realm.
ICYMI we’re chatting #Whalefall and #YouCanSeeEverything on this weeks pod review! 👀
therollingtape.com/ep-211-yo…
Coming soon to The Rolling Tape! 👀
A new series from @GabeReels highlighting diverse voices in the film criticism realm.
The Rolling Tape retweeted
I literally had to sleep off the feeling of watching JOSEPHINE. Unlike anything I’ve watched before and Mason Reeves is giving a lead child performance for the history books. Director Beth de Araújo holds nothing back.
The Rolling Tape retweeted
BEHEMOTH! takes a windy road to finding its identity often veering between multiple tones (at times slapstick comedy, others a caper) until it finally settles as something vigorously original. Represents the social mechanics of a niche industry. Pascal is physical and brilliant.
The Rolling Tape retweeted
for @therollingtape i wrote (spoiler-free!!) about YOU CAN SEE EVERYTHING and Nathan Fielder’s genius in identifying two sides of the human experience.
therollingtape.com/review-na…
The Rolling Tape retweeted
on street fighter for @therollingtape therollingtape.com/review-st…
The Rolling Tape retweeted
Lukas Dhont lustfully renders human intimacy in COWARD, this time at the intersection of extremes. The body as a fragile vessel for enacting violence, but also for inspiring hope. A bloody and beautiful examination of performance art saving oneself while also serving the machine.



























