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v1.2 of A NOCTURNE, my hard sci-fi Forged in the Dark rpg about being horrifying space bastards, is out now over on my itch page! Includes an all-new craft type, the God-machine, plus new sexy artwork and suchlike. Nab it for just €15 you filthy animals thysane.itch.io/a-nocturne-p…
a yet further reminder that all my posting action mostly happens over there now and this place is mostly turning into a kind of retweet-fueled aesthetic-tumblr-like-object, while it lasts
rewatched CHILDREN OF MEN again tonight. It's incredible in its own right but also every time I watch it, it becomes more and more familiar; this is still in our future and it can be prevented, but the margins get smaller and smaller every year
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putting together a Patreon update for later tonight or perhaps tomorrow, here's a wee preview of what's in store for my patrons
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as a reminder here is my Patreon where you can access designs-in-progress! patreon.com/c/calumgrace
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Tales of Sorrow and of Ruin update: I'm putting the Burren in there because the Burren rules en.wikipedia.org/wiki/The_Bu…
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kind of actually wildly interesting that most film people seem to be not liking Gladiator II at all, but a growing crowd of historians I follow are enjoying it a whole lot, inaccuracies be damned.
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getting in some hardcore digital painting practice (lighting, colour, figure reference) for the first time in literal actual years, doubling as doing up a portrait of Kattikali, a Pathfinder 2e character I've been noodling around with. She's a Vudran cleric of Diomazul.
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clawed my way to level 3 in Morrowind + Tamriel Rebuilt, doing dirty work for the Fighter's Guild and the East Empire Company, shanking counterfeiters in the sewers of Old Ebonheart and murdering an outlander debtor in a basement bar in the temple-city of Almas Thirr. Good shit.
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Having perhaps too much fun with this quasi-ancient-Ireland fantasy setting
people who support my patreon and have thus theoretically taken a glance at my WIP Tales of Sorrow and of Ruin: thinking of stripping out the setting creation stuff (maybe put it in a supplemental thing?) & giving the game a default bronze age ireland-inspired setting. Thoughts?
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Jon, my dude, cinema itself is a dream. Films are mass illusions. The light comes from the same place the music does.
I asked Jon M. Chu about the colour in Wicked. Read the whole response here: theglobeandmail.com/arts/fil…

























