
Photographer + Director @settastudio Dystopian Luxury Art - DGA https://xitter.cf/t.co/3e72LIiISy
New York City
Joined October 2010
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#TheArtAnglePodcast: This week on the podcast, W. David Marx, author of Blank Space: A Cultural History of the Twenty-First Century, joins senior editor and co-host Kate Brown to discuss his cultural history of the past 25 years and how creativity stagnated.
Listen to the podcast: bit.ly/49TXOmQ
Tim Saccenti retweeted
Loraine James - Disaster Report 4
Made today, free download
dropbox.com/scl/fi/oopva51tv…
🤍
A new year begins, and with it, new worlds to explore.
Thank you for supporting the science that brings us closer to understanding our place in the cosmos.
Here’s to discovery in 2026! ✨
👉 Give now: tinyurl.com/newworlds-6
Wild that current photo shoots, that would have been the third-best editorial in a regular issue of The Face in 1996, are being hailed as the greatest images of man kind .. we really lost the connoisseurship audience.. (though happy peeps are looking at art at all!)
For the new Timmy Chamolot movie I realize I have been exposed to the non stop promo for it but have yet to have been served an actual trailer in my algo .. ? How?
Tim Saccenti retweeted
fatboisharif.bandcamp.com/al…
GOTH GIRL ON THE ENTERPRISE OUT NOW ON @POWRecordings
@Passionweiss 😈 😈
ME AND @Roper_Williams RETURN WITH SOMETHING ELSE TO BE STUDIED FOR YEARS TO COME 💜🤯😎
Tim Saccenti retweeted
"The wealthy creative classes can play in musty and decaying garments as a means of detachment, but these goods just reinforce the stigma of poverty for those lacking capital. Minimalism is always a privilege; in signaling, the poor can't afford to look generic." — @wdavidmarx
Is there an entire generation of youth who are going to grow up with their idea of New York City culture being mainly whiny influencers?
Tim Saccenti retweeted
The Generative Museum is now live!
Featuring works by Morehshin Allahyari, @hollyherndon & @matdryhurst, Joe Namy, and Ahmet Ögüt, alongside the generative exhibition Unseen Forces 1.0 (desktop viewing only).
Experience the virtual exhibition online at epoch.gallery.
Tim Saccenti retweeted
I spill the beans here: nostossocialstudio.com/p/liv…
Tim Saccenti retweeted
189 of 246 Funk You Up by The Sequence
Two Lone Swordsmen remix
Released on "Still / The Joint : Sugar Hill Remixed" vinyl/CD boxset on Castle Music in 1999
youtube.com/watch?v=yG73Wbaz…
Tim Saccenti retweeted
188 of 246 Together More by Scott Fraser Ft. Louise Quinn
Andrew Weatherall remix (with Nina Walsh)
Released on 12" only on Bird Scarer in 2019
another of my own youtube uploads for this series...
youtu.be/U0VMHkjc-zM
I have great relationships luckily with managers so we make it happen, but the language of visual art and communication is so different from the business side that I feel for them.
Tim Saccenti retweeted
first festival i ever did live virtual performance at, using an early mocap suit donated by a now defunct company — played with icons Rabit + House of Kenzo, which would eventually travel to Unsound Krakow
Performed after shabazz palaces and before thom yorke
Tim Saccenti retweeted
Honored to curate @RGB_MTL for the 4th time! This year, I'll be exhibiting special works by:
Simon Lazarus 84 · Mark Dorf @mrkdrf
Sub net @whoissubnet · Rick Silva @ricksilva +
Kelly Richardson @richardsonkelly
Powered by @tezos + @objktcom
Aug 22 + 23 · Info below 👇
Tim Saccenti retweeted
RGBMTL drop sold out in 17 mins ♨️
Big thank you to everyone who supported, for real ▫️
—
Happy to (barely) mint pieces by @Nicolas_Sassoon / @p1xelfool Gozo @uncertaingaze @Salawaki_3000 @YMMSH2 + sisterwife Lorna Mills @lm_netwebs
Link to @objktcom curation page below ↓
Tim Saccenti retweeted
ATLAS ONE
–
Finally making new work after 2 years 🥀
With an edition of 25 created for the #RGBMTL fundraiser tomorrow (8/5), hosted by @objktcom. The @tezosfoundation will match proceeds, which goes to support the IRL event ▫️ Audio on 🔊
Full artist lineup + mint info below👇
New Burial @Hyperdub is also somehow the best Burial.. Thank you..













