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The team behind @tktxyz. Coming soon ๐ŸŽŸ๏ธ

Joined October 2024
Photo by TKT Machine Inc (@tktmachine)Photo by TKT Machine Inc (@tktmachine)Photo by TKT Machine Inc (@tktmachine)Photo by TKT Machine Inc (@tktmachine)Photo by TKT Machine Inc (@tktmachine)Photo by TKT Machine Inc (@tktmachine)
๐—˜๐˜ƒ๐—ฒ๐—ป๐˜ ๐—ฝ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐—ฒ๐—ฟ๐˜€ ๐—ฎ๐—ฟ๐—ฒ ๐—ฐ๐—ฎ๐˜‚๐—ด๐—ต๐˜ ๐—ถ๐—ป ๐˜๐—ต๐—ฒ ๐—บ๐—ถ๐—ฑ๐—ฑ๐—น๐—ฒ ๐—ผ๐—ณ ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ผ๐—ป๐—ฒ ๐—ฒ๐—น๐˜€๐—ฒ'๐˜€ ๐—ฝ๐—ฟ๐—ผ๐—ฏ๐—น๐—ฒ๐—บ๐˜€. But right now, they can't control who actually shows up, can't stop scalpers from inflating prices, and can't prevent bots from buying tickets. On top of that, producers can't build real relationships with their fans. Someone buys a ticket and may or may not show up, but there's no way to build on that success or create any continuity. They're back to square one every time. ๐—”๐—ป๐—ฑ ๐˜„๐—ต๐—ฒ๐—ป ๐—ถ๐˜ ๐—ฎ๐—น๐—น ๐—ด๐—ผ๐—ฒ๐˜€ ๐˜„๐—ฟ๐—ผ๐—ป๐—ด, ๐—ฒ๐˜ƒ๐—ฒ๐—ฟ๐˜†๐—ผ๐—ป๐—ฒ ๐—ฏ๐—น๐—ฎ๐—บ๐—ฒ๐˜€ ๐˜๐—ต๐—ฒ๐—บ. This is why we're building TKT. We're giving producers the tools they should have had all along. If youโ€™re tired of managing everyone else's chaos, let's talk.
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How many times have we all seen concert tickets disappear in seconds, only to reappear on Facebook Marketplace at insane prices? ๐—ง๐—ต๐—ฒ ๐—ฃ๐—ต๐—ถ๐—น๐—ถ๐—ฝ๐—ฝ๐—ถ๐—ป๐—ฒ๐˜€ ๐˜„๐—ฎ๐—ป๐˜๐˜€ ๐˜๐—ผ ๐—ฑ๐—ผ ๐˜€๐—ผ๐—บ๐—ฒ๐˜๐—ต๐—ถ๐—ป๐—ด ๐—ฎ๐—ฏ๐—ผ๐˜‚๐˜ ๐—ถ๐˜. Senate Bill 2873 proposes making ticket scalping a โ‚ฑ500,000 crime with a 10% markup limit. Government agencies could prosecute scalpers and corporate offenders directly. Whether this bill passes or not, it signals where one of Southeast Asia's most passionate entertainment markets is going. When governments start considering half-million peso penalties, you need verification, traceability, and producer controls built into your event ticketing from day one. We're building for where this industry is clearly headed.
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Industry data shows that on average, ๐Ÿฐ๐Ÿฌ% of ticketing website traffic comes from bots. ๐——๐˜‚๐—ฟ๐—ถ๐—ป๐—ด ๐—บ๐—ฎ๐—ท๐—ผ๐—ฟ ๐—ฎ๐—ฟ๐˜๐—ถ๐˜€๐˜ ๐˜€๐—ฎ๐—น๐—ฒ๐˜€, ๐˜๐—ต๐—ฎ๐˜ ๐—ป๐˜‚๐—บ๐—ฏ๐—ฒ๐—ฟ ๐—ท๐˜‚๐—บ๐—ฝ๐˜€ ๐˜๐—ผ ๐Ÿฒ๐Ÿฌ-๐Ÿต๐Ÿฌ%. In one case study: 8.3 million bot requests tried to break in. One scalper attempted to use their presale link over 31,000 times to grab extra queue spots. About 95% of all traffic was bots and scalpers. Only 138,000 actual fans made it through. Current platforms treat symptoms, not the disease. They'll block obvious bots but can't distinguish between a genuine fan and a sophisticated scalper with clean credentials. That's exactly what we're building at TKT. Not just bot detection, but a system where authentic fan behavior gets rewarded and producers maintain control over their entire ticket ecosystem. If you feel as strongly about this as we do, follow along. Fan or producer, you deserve better.
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Every major concert now sells out in minutes. โšก๏ธ Here's why you can't get tickets anymore: โ†’ Over 40% of ticketing website traffic comes from bots, not real fans. โ†’ Professional scalpers deploy automations that buy thousands of tickets in seconds, faster than any human can click "purchase." โ†’ These tickets immediately appear on resale sites at 5-10x markup. Real fans get locked out while bad actors profit. That's the problem we're solving. We built TKT to put tickets back in the hands of real fans: โ†’ Smart verification rewards authentic fan engagement โ†’ Artists can control resale prices and terms โ†’ Technology blocks bots by design We're starting in Southeast Asia's fast-growing live events market, working with artists and venues who want to serve their actual fans. Ticketing is broken. We're building the fix. Follow our journey to make ticketing fair again. What's your biggest ticketing challenge? Share your story to help us get it right. ๐Ÿ”— forms.gle/unzwv29WkNusBJBq6
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