don't go wasting your emotion | latest writing @harpers @newyorker @nybooks @thenation @thedrift_mag | WHY TREES out 1.19.27
Brooklyn
Joined July 2012
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Hannah Gold retweeted
Earlier this year, Sarah Chihaya was diagnosed with MSA—a terminal neurodegenerative disease. Right now, she can no longer read or write—this will be her last piece. And it's a brilliant one about Emily Brontë and unknowability. thenation.com/article/cultur…
Hannah Gold retweeted
Very pleased to have in my possession an ARC of @togglecoat’s short story collection, Why Trees, out in January
Hannah Gold retweeted
(I should audit this...)
Incredibly excited to be teaching a class on the great Joyce Carol Oates at the Center for Fiction this fall ~ starts in three weeks ~ a mix of close reading and creative writing exercises ~ more info here!
centerforfiction.org/group-w…
Incredibly excited to be teaching a class on the great Joyce Carol Oates at the Center for Fiction this fall ~ starts in three weeks ~ a mix of close reading and creative writing exercises ~ more info here!
centerforfiction.org/group-w…
Hannah Gold retweeted
I like how this shows the *emptiness* of the type of book that mostly serves as an ad campaign for the brilliance of the MC. It’s not just that the posturing is annoying! It’s that there’s often nothing else there. You can be annoying if you back it up! xitter.cf/NewYorker/status/20672…
“The Vivisectors,” by Missouri Williams, critiques the hollowness of contemporary life. But it’s tricky to gauge the book’s level of self-awareness. newyorker.com/books/under-re…
Hannah Gold retweeted
“The Vivisectors,” by Missouri Williams, critiques the hollowness of contemporary life. But it’s tricky to gauge the book’s level of self-awareness. newyorker.com/books/under-re…
Hannah Gold retweeted
"I needed to read it to stay upright during the day and to stay lying down at night." Sarah Chihaya on reading Anne Carson's "The Glass Essay" every day for a month after a breakup. yalereview.org/article/sarah…
Hannah Gold retweeted
If I can be earnest, there are few people writing today whose work I love as much as Hannah's. As someone who edited her, I found her style pleasingly, beautifully distinctive, full of flourishes and surprises—no one's doing it quite like her. I can't wait to read these stories
