Thomas L-J retweeted
🐁 Claes Oldenburg, "Geometric Mouse--Scale B," 1970-1972
Coming soon to #PaceTokyo: "This & That," an exhibition of work by American artist Claes Oldenburg, opens July 17 at our gallery in #AzabudaiHills: pacegallery.com/exhibitions/…
Thomas L-J retweeted
Grand Mother Nimba - Moonlight // Digital painting // 7300 * 5282 px
Edition of 5
1st Edition listed at 19 $NEAR
Minted on @mintbase
#NEAR #NEARisNOW (perhaps tomorrow ?)
Thomas L-J retweeted
I believe @digital_objects is expanding philosophy in a direction that Bernard Stiegler would be quite proud of.
Happy to see the Hegel revival continue …
Happy to announce that Machine and Sovereignty is open access, you can 1) download it from academia.edu/125110843/Machi… or philpapers.org/rec/HUIMAS or 2) read it directly from University of Minnesota Press’s Manifold (manifold.umn.edu/projects/ma…), or 3) order a physical copy
Thomas L-J retweeted
Good evening 🥰 🥰
I wish you a beautifull day full of love
@FotaleArts #tezoscommunity #nftmagazine
With
THE FLOWERS OF LIFE
5/5 editions
6 tzs
LINK:objkt.com/tokens/KT1LkExe1F6…
Thomas L-J retweeted
NAKED FLAMES
is a new exploration of something I was inspired by in 2018 combined with the ideas from my last project, PAINTING WITH FIRE: A HISTORY IN GANS. The first piece Robbie Barrat released on SuperRare was Ai art from a model trained on public domain paintings of nudes (1700s to 1900s) from wikiart .
I wanted to play with mixing these paintings of nudes with images of fire to fuse the ideas of technology as fire with the human form
DEEP FLAME
Thomas L-J retweeted
Latest update (5:36am, Oct 10) ⬇️
Sorry, but DDOS folks are back and knocked archive.org and openlibrary.org offline.
@internetarchive is being cautious and prioritizing keeping data safe at the expense of service availability.
Will share more as we know it.
