Easy 2.75- 3
Without any doubts velli chuseyochu
#SceneDiwali #Scene
#Scene Fresh in Treatment, Mediocre in Impact!
A dark crime comedy with a unique treatment and plenty of quirkiness that works in parts but also backfires when it goes too over the top. The comedy is hit or miss, and while the plot feels innovative, the investigative portions never become as engaging as they should. Feels very low stakes and stays more on the lighthearted side than expected.
Music leans heavily on EDM and works only in parts. Suriya, Nazriya, and Naslen deliver solid performances. Setup had the potential to become something genuinely impactful and unique, but the film never fully gets there. Strictly Mediocre!
Rating: 2.25-2.5/5
Rey potti na ****** @ARMurugadoss
Oka star hero ni petti cat and mouse thriller ila thiyyali ra
Nuvvu vunnav ladies tho nighty veyinchi maku rod dhimpav
Without sugar velli....
#Scene
Suriya bracelet gift iche scene within 2-3 seconds lo audience emotions shift cheyadam.
dark humour worked perfectly for me... @jithumadavan
#Scene
Every time Suriya and Naslen face off, the anticipation hits differently.
The way the director builds up each scene makes us automatically feel the hype. @jithumadavan
#Scene
Maddddd stuff ra @jithumadavan
Peak second half experience for me after ages
Scene >>>>> aavesham
Performer Naslen lived up to the hype 馃挴馃敟馃敟
#Scene
Hero ki vunna defect sm lo leak avvaledho naku kanipinchaledho
Theatre lo reveal bagundhi
#Scene seen.....
came with low expectations satisfied with first half 馃憤馃徎
#Scene
Ranbir getting appreciation feels so personal 馃
#RamayanaPartOne
Visuals antha bagunnaya prathi okaru leputhunaru
#RamayanaPart1
Genuine reviews evadina ivvandra
Motham paid tweets 馃檹馃徎
#RamayanaPart1
Urstrulysrinivas retweeted
When someone commits a heinous crime, the first response should be empathy & an attempt to understand the larger problem. Not finding a convenient scapegoat in cinema.
It is becoming increasingly clear that your concern is not for the victims or their families, but that you're using a horrific tragedy as a dirty excuse to settle your personal scores.
This is especially directed at those failed frustrated jobless male/female actors, few directors, producers & parasites, who suddenly appoint themselves as social reformers whenever an opportunity arises to take a dig at someone else's work.
A tragedy deserves empathy 馃檹, not opportunism. Learn the difference.












