Jason retweeted
messaging my wife a link containing proof of her husband cheating on her from an anonymous instagram account and then when she clicks on it texting her to let her know she failed the family phishing test and she has to retake my cybersecurity course
Every major model release has been uncharted territory for software development
Building a parallel product track with the latest and greatest agent-optimized tools is likely faster and more efficient than refactoring a legacy codebase
"Your speed is my opportunity"
Replying to @ctatedev
Great progress, native sdk is getting really good too. Hope you guys continue on that too
First of Kind: The @rauchg interview
Season 3 starts now. I sat down with Guillermo in San Francisco to talk about layout shift, random acts of AI, and a dragon painted in a single stroke.
00:00 Human Effort Is Still Underrated
00:44 Chief Executive, Chief Designer
02:33 Two Bets: Software and English
05:15 Gmail Was My Siren Call
11:06 Exposure Hours
14:49 Layout Shift / One Stroke Dragon
17:10 No Random Acts of AI
25:17 Can Agents Have Taste?
30:15 Software Factories and Manufacturing Agent Customers
34:59 Everything Is Communication
38:04 A New American Story
41:52 Lifemaxxing
Guillermo Rauch is the founder and CEO of @vercel. Growing up in Argentina, he taught himself English in order to teach himself programming, then went on to create @nextjs and other foundational technology for the real-time web.
In our conversation, Guillermo explains why he designed Vercel’s first command line before writing any code, why layout shift erodes trust, and why his company won’t commit any “random acts of AI.”
G is not just a chief executive. He’s a chief designer.
—
Guillermo Rauch: One Stroke Dragon
First of Kind, S3:E01 @firstofkind
Hosted by @soleio and produced with @room3nyc
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@framer @noondesign @bot @tryramp @vercel @meetgranola @profound
Replying to @scottcabrinha
this one made me take a step back
xitter.cf/webmaster/status/20854…
Jason retweeted
Lesser known academic theory about horror/sci-fi movies is that they’re often used to externalise society's deepest traumas into monsters and dystopias.
So I used Argon to tap into cultural symptomatology and psychoanalytical film theory to create this website which traces 100+ horror/sci-fi works and the social themes that they actually mirror across 7 eras.
Enjoy your days upto the Halloween with this project!
culturalcanary.ai.studio
Used Gemini for deep research, Argon in Antigravity used Nano Banana to generate the movie figurines + create the build, AI Studio to add the final finishing touches.


















