Word Wizard. Lover of a good story. And slimes— I love slimes. Currently learning Japanese!
Joined December 2012
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Zero Rewind retweeted
>says she's aroace and that she "wants to die alone with her cats"
>Her latest videos are about romance tropes, anime crushes and one is simply titled "WIFE"
Zero Rewind retweeted
I am not trust a woman who starts the video off by mocking his "Straight white maleness"
Then proceeds to pretend like she isnt airing dirty laundry out in the most disingenuous overtly one sided and unfair way imaginable.
and reacting like he just told you he is a sex offender
Zero Rewind retweeted
Hey @TeamYouTube @YouTubeCreators
Please take a look at this. This creator had her channel wrongfully terminated because of another creator who STOLE her art work and basically scammed her. Please have a human review this issue! It's very unfair to this artist. 👇🏽
Hi @TeamYouTube, my account was wrongly terminated due to a system error.
An uploader stole my original character design (my YouTube avatar) and used AI to generate a comic. When I filed a copyright takedown, he submitted a Counter-Notification full of fake information,
Zero Rewind retweeted
Oh, no. This one really does hurt. Patrick Stewart has passed away. Rest in peace, Captain.
Zero Rewind retweeted
Tons of artists on here will say things like, ‘You’re just greedy and don’t want to pay artists fairly,’ while demanding $100–$200 an hour from successful indie VTubers who only make like $2–$4 an hour
Meanwhile, they’re all circlejerking about how their art is actually cheap 😭
Zero Rewind retweeted
First Mission: The Ghost Ship (Part 3) #Amalgaverse
[An away team made up of Colonel Jack O’Neill, Dr. Daniel Jackson, the android/AI Rommie, and Dr. Rodney McKay has been dispatched to investigate a seemingly derelict freighter. On board, they discover a service android named Maia who is suspicious of our team’s intent.]
“Daniel,”says Jack, cocking his head towards the android. “You want to get in here?”
Daniel steps up to address the android: “Hi, Maia. I’m Daniel. My friends and I have boarded your ship to render assistance after picking up your distress call. So we’re only here to help. No plundering and/or pillaging.”
“And yet you are armed,”notes Maia.
“A precautionary measure for our protection,”Daniel assures her. “We had no idea what to expect when we boarded.” A beat. “I’d like to propose we work together to bring your ship’s systems back online. How does that sound?”
Maia responds: “Your heart rate has remained stable, your respiration even, and your galvanic skin response showed no spike. I detect no physiological markers of duplicity.” A pause. “Your eyes also read as sincere. And a very clear blue. I find that difficult to disregard.”
“Yeah, he gets that a lot,”notes O’Neill as McKay rolls his eyes.
“I am inclined to believe you,”Maia continues. “But your body tells me only what you believe, not what your companions intend.” Her gaze turns to Rommie: “An android keeps a record of all it witnesses. Allow me to interface with your colleague so that I can confirm what you have told me. Do that, and I will help you access the bridge and ship’s systems.”
Do you allow Maia to interface with Rommie?
YES
NO
CHOOSE!
[Check below for our Previously On recap - or click through the quote tweets for every stage of our adventure to date.]
First Mission: The Ghost Ship (Part 3) #Amalgaverse
[An away team made up of Colonel Jack O’Neill, Dr. Daniel Jackson, the android/AI Rommie, and Dr. Rodney McKay has been dispatched to investigate a seemingly derelict freighter. On board, they discover a containment field housing a dormant android and must decide whether or not to awaken it.]
Captain’s Log, supplemental. The away team is still aboard the derelict freighter. The anomaly’s pulses have been playing havoc with our communications, and their reports reach us in fragments, when they reach us at all. A simple boarding has turned complicated, and I won’t have a clear picture until I can raise them again.
Onboard the ship –
You let the containment cycle finish.
The field drops and the android comes online, her impassive gaze clocking the weapons trained on her.
“Greetings, I am a level-5 service android entrusted with operations aboard the freighter Waldorf Astoria, on its twelve hundredth and fourth voyage. My designation is Maia 3352 and I am property of Traugott Corporation, as is the Waldorf Astoria. Any attempt to unlawfully acquire, interfere with, or damage this vessel or its contents will result in swift legal action. You are strongly advised to disembark.”
She waits. Your move. What do you do?
A – Put her back under. Flip the containment field back on and return her to stasis.
B – Let Daniel talk to her. Explain the situation, and suggest you work together to restore ship functions.
C – Have Rommie attempt a neural link to seize control of the android. Fast, if it works, but forcing a peer AI is a gamble.
CHOOSE!
[Check below for our Previously On recap - or click through the quote tweets for every stage of our adventure to date.]
Zero Rewind retweeted
She tied her two young children together in the basement. Then she threw her body on top of them.
A tornado was heading straight for their home.
When it hit, the house collapsed.
Two steel beams crushed Stephanie Decker’s legs. Seven ribs broke. Her legs were almost completely severed.
But underneath her were her two children.
Alive.
Then they realised something horrifying:
Another tornado was coming.
Stephanie couldn’t stand. Couldn’t run. Couldn’t free herself.
So she pulled the blanket over her children, wrapped her arms around them and covered them with her broken body.
Again.
The second tornado passed.
Neither child had even a scratch.
Stephanie survived, but lost both legs.
People called her a hero.
She simply said:
“I call myself a mom.”
Zero Rewind retweeted
women can never be held accountable for their actions. from murdering 3 children in cold blood to ketamine gangbangs. they are just helpless innocent babes in the woods, perpetual victims of the universe. the only crime they can truly commit is being attractive in a sports ad
Zero Rewind retweeted
Okay, can I get a job as a software engineer?
No, we have infinite hordes of Indian H1-Bs for that.
How about something in the manufacturing industry?
No, we exported that to China.
What about one of those new jobs the Trump administration is so proud of creating?
Sorry, 94% of those are for women.
What if I went to college and got another degree?
We've kinda been focusing our admissions on underrepresented minorities lately. You know, the ones who make up 70ish percent of the global population.
So, what exactly do you want me to do?
Well, we do have one opening for a young White man.
Oh? What's that?
We need someone to play a lazy welfare slob in a political ad.
Ummmm... okay, I guess...
Here, smear this Cheeto dust on your shirt.
Zero Rewind retweeted
Men love women with natural beauty.
In fact, there is an entire make up industry surrounding getting the 'natural look' for this very reason.
Zero Rewind retweeted
Cue old man voice: "In my day, we would produce 20, sometimes 40 episodes of television a year, and the wait between seasons was sometimes shorter than the midseason break." #SaveStargate @bradtravelers
A new report from Luminate has found that long gaps between seasons of streaming TV shows are leading to major losses in viewership.
More than a 1 year gap is seen to largely cause a significant loss in viewership.
(Source: luminatedata.com/reports/202…)
Zero Rewind retweeted
For thousands of years, they walked over untold riches. Pure, clean waters. Fresh, free food. Plains filled with game, stretching as far as the eye could see.
Not once did they think to break ground, ride the waves, brave the deserts. Content as they were to chase gazelles with pointed sticks and dance about the dying flames. It was not until the White man arrived that those riches became known, it was when the White man left that they believed those riches to have vanished.
But they are still there, waiting to be seized, waiting to be harvested and used. But the people of Africa do not. Content, as they are, to chase gazelles with sharpened sticks and dance about dying flames, now fuelled by the scraps we left behind.
