transfem pocha π /SA modder?/ πΊπ¦ & π΅πΈ/ unhinged Granger 3600lx driver/COD:Zombies fan/member of the defunct #scratgang/ Pronouns:(she/her)
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ALT Panel 1: Audrey quietly leaves Val's apartment, closing the door with a soft click so as to not wake her up. It's a sunny morning outside, illuminating the apartment building's outdoor second floor in a soft cool light. Panel 2: As Audrey turns around and begins walking towards the staircase down, we see that they have three tiny yellow flowers growing out of their head. Each of the flowers is saying something, but it's too quiet to be discernible. Panel 3: Audrey is now sitting at a bus stop, holding their purse in their lap, with the river that runs through their town in the background. The flowers have grown bigger and now have smiling centers in the color of Audrey's skintone. We still can't quite hear them. Panel 4: Audrey is now sitting on a bus, staring blankly forward. The flowers are now very prominent, having eyes and mouths and look distinctly like Audrey's. They're louder than ever, but we still can't make out what they're saying.
ALT Panel 5: Audrey's apartment from inside. Pink walls and a pale yellow floor. A wall-mounted coat rack and a wooden shoe rack on the floor. A grapefruit-and-yellow striped welcome mat. A cabinet next to the door with stacked mail, and a bin with discarded mail next to it. Panel 6: Audrey bursts through the door, still staring blankly forward. The flowers are huge now and look like the reflection Audrey saw of themself with five-o-clock-shadow in the morning, albeit still with yellow petals. They're saying "TRICKING HER!", "WEIRDO!", and "PERVERT!" Panel 7: Audrey, with eyes staring blankly forward as if to avoid acknowledging them, grasps the flower stems at their bases as they continue chattering, and ... Panel 8: ... rips them out, taking a bit of hair along with them. The flowers become silent.
ALT Panel 9: The background becomes pitch black as Audrey stares down at the flowers in their hands with a wide-eyed quiet malice. Panel 10: One of the flowers, the only one facing Audrey in their hand, looks Audrey directly in the eyes and speaks: "You can rip me out all you want, Adrian. I'll grow back." Panel 11: "My roots are still there," it finishes, as Audrey drops the flowers into the dark abyss that has become their surroundings. Panel 12: We zoom out to see that Audrey is standing on a cliff and dropping those flowers off of it -- but at the bottom is already a sea of dead flowers that has accumulated over the years.
ALT Panel 13: Audrey looks forward blankly, clearly hurt but unsure of what to do. Panel 14: A memory comes back to them, of looking in the mirror that morning. In the memory, they are hairier than they were (even having chest hair), their face is more chiseled, and their brow is more prominent. Panel 15: Audrey puts their hand over their eyes, rubbing them, as the memory swirls in their head. Panel 16: They part their fingers slightly to allow their eye to see between them and say to themself, "gym."
ALT Panel 1: A sunrise is coming over a hill in the background, with several darkened residential buildings in the foreground. A mess of telephone & electrical wires runs along several poles between them, which also have street signs attached towards the bottom. The bright sunlight glistens on the wires and illuminates the edges of the buildings. Panel 2: Audrey's slightly weary-looking left eye opens, the pupil now reflecting the light of the sun coming through the window. Panel 3: Audrey's foot, dressed in a sock that looks like a tabby cat's foot, touches the floor gently, as they have now gotten up and are walking towards the bathroom on the other side from the bed in Val's studio apartment. Seemingly Val had never woken Audrey when they fell asleep on the beanbag. Panel 4: Audrey stands in the darkness of the bathroom, looking at the mirror, their features completely coated in darkness with only the slightest illumination from the entrance doorway.
ALT Panel 5: Audrey turns the lights on with a "click", triggering the flourescent hum of Val's lights and revealing their face, which has grown a small coating of facial hair, like a five-o-clock shadow. The eyeliner of their right eye is also smudged because they slept on that part of their face. Panel 6: Audrey's cat-socked foot now gently touching the floor as it walks the other way, back towards the bed and beanbag. Panel 7: Audrey withdraws several items from their red purse, all between the fingers in one hand. These items are: a eyeliner pen, a shaving razor, a green tube with a gold cap which is mascara, a black shaving cream packet, and a pink makeup removing wipe packet. Panel 8: Closeup of Audrey carefully and thoroughly shaving , having applied the foaming shaving dream to the bottom half of their face.
ALT Panel 9: Closeup of Audrey applying mascara to their eyelashes, squinting slightly. In their pupil, you can see a reflection of their silhouette in the mirror they're looking at, applying the mascara. Panel 10: Audrey look at themself in the mirror proudly, smiling, holding the sink by its sides and leaning forward on it, and says "THERE you are!" All that makeup stuff they were using is resting in the basin of the sink. Panel 11: Audrey tilts their head slightly, closes their eyes, smiling, and says "Geez. Feels like I'm trying to hide a zombie bite." Panel 12: Audrey quietly waltzes over back to the beanbag and bed, saying "A zombie virus that turns you into a man. What a terrifying concept." A thought bubble rises above them, featuring pink humanoids with the venus symbol running away from blue, sharp-teethed zombified humanoids with the mars symbol. One of the pink ones is being bitten by one of the blue ones and their arm has turned a blue that is spreading to their body.
ALT Panel 13: Val sleeps in her bed, illuminated by the morning light coming through her blinds, uncharacteristically peaceful. Some dust particles glisten in the beams of light. Panel 14: Audrey leans forward to look at Val and says "YOU'RE not bitten, Val. You have no idea how beautiful you are." Panel 15: Audrey raises their hands menacingly and opens their mouth wide with a zombie-like stare as the background turns crimson and their eye and teeth take on a yellow glow. Panel 16: Audrey curls up their fingers, withdraws their hands, and smiles, saying "naw just kiddin'" quietly to themself.
ALT The Greatest Beer Run Ever
ALT Skydance was still working on big franchise films with Paramount, but the relationship grew increasingly sour. Several people told me about a project Skydance had decided to adapt in 2019: The Greatest Beer Run Ever, about a man who goes to Vietnam during the war to cheer up his friends by bringing them beer. Paramount rejected the idea, twice, prompting David to ask for a βcome-to-Jesus meeting,β as one Paramount executive put it. David and the Skydance team asked if the Paramount executives thought they had bad taste in movies. βThe short answer is βyes,ββ the Paramount executive told me. Source: βThe Son King of Hollywood With help from his billionaire father, Larry, David Ellison is trying to become the biggest studio mogul in history.β By Reeves Wiedeman (Vulture)
ALT A two-part image. The top shows an ancient stone pyramid with the text, "why did humans stop building world wonders?" Below is a boxed display of Monster Energy Vanilla Shot cans with the text, "we didn't.
