PhD Sociology @LaStatale Digital Sociology/Cultural & Diaspora Studies/Sociology of Migration MS @UniPadova MS @dohainstitute Ex-@KAICIID Research @UMontreal
Milano🇮🇹 Köln 🇩🇪 Riyadh
Joined November 2014
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A PhD is less a crown of finality than a key to a room that only grows larger the more you enter.
I stand humbly at the threshold, grateful for the mentors who lit the way and the questions that still beckon. I cherish not just what I've learnt but the abyss that lies ahead.
Heartfelt congratulations to @Alrabeo on earning Doctorate degree in #sociology from the @LaStatale.
A good rabbit never gives up!
سعيدة بأن أشارككم مقالي «الراب في المنفى» في مجلة «قلمون»، وهو خلاصة لأطروحتي للدكتوراه. أتناول فيه تجارب الرابرز السوريين في ألمانيا: كيف تبقى سورية حاضرة، وتصبح ألمانيا مكانًا للحياة، وكيف يتشكّل الانتماء بينهما.
damascusinstitute.org/wp-con…
الحـــــروب في عصــــر الذكــــاء الاصطناعــي rasanah-iiis.org/?p=38276
ألف مبروك للسعودية 🇸🇦 وباكستان 🇵🇰 على توقيع اتفاقية الدفاع الاستراتيجي المشترك. كلي فخر وسعادة بهذه الخطوة التاريخية ✨ باكستان زندہ باد!"
#السعودية_باكستان
From #Syria with joy — Pakistan zindabad! 🇵🇰 Big love to #SaudiArabia 🇸🇦 and #Pakistan for this show of unity🤝. Alf Mabrook 🥰 #Saudipak
TBH, @SattarBuksh gave me great memories & tasty food ☕💚. @Starbucks never did (I stopped having their coffee years ago). Congrats on the big win — always on your side! 👏 #SattarBuksh
gulfnews.com/world/asia/paki…
I’ve been researching Syrian rappers in Germany and how rap becomes a space where questions of exile, identity, and belonging are negotiated. A few reflections:
#EuroArabRap #SyrianRap
Syrian rap in Germany is not only about music. It is about the politics of voice in exile, the right to be heard, and the creativity of communities building life across borders.
#EuroArabRap #SyrianRap
This research speaks to wider questions in migration and diaspora studies, popular music and hip hop scholarship, gender and cultural production, and digital ethnography.
#EuroArabRap #SyrianRap
Digital platforms—YouTube, Instagram, Spotify—are central. They are not just channels of distribution but also stages where rappers interact with audiences, self-curate, and build transnational networks.
#EuroArabRap #SyrianRap
The scene is heavily masculinized, but female rappers are claiming space. Their presence highlights both exclusion and the possibility of reshaping rap in exile through gendered voices.
#EuroArabRap #SyrianRap
Artists navigate labels like refugee, migrant, Arab, or outsider. Through lyrics and performance, they contest marginalization while creating hybrid, transnational identities.
#EuroArabRap #SyrianRap
When Syrians arrived in Germany, rap travelled with them. It now moves across Arabic, German, and English, connecting diasporic communities and engaging with host society debates around “refugees.”
#EuroArabRap #SyrianRap
Rap in Syria started underground, limited by censorship, but carried political and social weight. After 2011, it became a language of resistance and survival under conflict and displacement. #EuroArabRap #SyrianRap
إذا فادي صقر، المسؤول عن مجزرة التضامن، يُعتبر 'مجرم صغير'، فمن هو 'الكبير' إذا؟ ومن يضع هذه المعايير الفضفاضة؟ هل قيمة الجريمة تقاس بعدد الضحايا أم بمكانة المجرم؟ هذا تمييع للعدالة، وإهانة لحقوق الضحايا.
#العدالة_الانتقالية_مطلبنا
يعني الحكومة أعطت الأمان لمجرم حرب، حتى لو تعاون معها كما يُقال؟ هذا لا يلغي حق الضحايا، ولا يسقط مبدأ جبر الضرر لذويهم. العدالة الانتقالية ليست منّة من الحكومة السورية، بل حق لا يسقط بالتقادم.
#العدالة_الانتقالية_مطلبنا
#فادي_صقر
#Transitional justice matters. #Syrians don’t want war criminals released and forgiven. #Ahmad al-Sharaa is popular, let’s hope he doesn’t lose the trust people still place in him.
Releasing and forgiving war criminals is not what Syrians want. It’s a betrayal of memory, truth, and accountability. #TransitionalJustice #SyrianSurvivors
Countless #Syrians have endured torture, loss, and exile. They live for the day when justice is no longer delayed or denied.