
Music producer, audio engineer, and trombonist from Louisiana. For custom beats or mixing and mastering services, email me: [email protected].
Joined March 2021
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blck prty retweeted
POV: you’re the most underrated producer in the game making beats like this😈🟪 #blckprty #producerlife #rnb
blck prty retweeted
Did Proton and I cook with this one? 1000 likes on this post and we’ll meet up to make a music video!😈🔥 #newmusic #unreleased #hiphop
blck prty retweeted
Full-time producer and published audio engineer looking for serious artists to work with in Louisiana. Tap in if that applies to you✌🏻
blck prty retweeted
POV: you’re the most underrated producer in the game making beats like this😈🟪 #producerlife #hiphop #blckprty
blck prty retweeted
no longer letting producers send me beats but if yall got a YouTube page with beats reply under this tweet wit ur YouTube
blck prty retweeted
#Producers Tap in 7Pm Twitter Spaces for “The Producer Lounge”!
blck prty retweeted
How to Take Back Your Ownership 🔓
Step 1: Understand the value of your work. Your beats, songs, and ideas are assets—not disposable.
Step 2: Learn the business. If you don’t know what you’re signing, they’ll make sure it benefits them, not you.
Step 3: Never sign away your publishing or masters without a HUGE payout—or better yet, don’t at all.
Step 4: Use split sheets to lock in your percentages before the song drops. No excuses.
Step 5: Register your work with a PRO (ASCAP, BMI, SESAC) to claim your royalties.
Step 6: Demand transparency in every deal. Ask where the money is going and who’s getting paid.
Step 7: Track your credits. If you’re not credited, you don’t exist when the royalties hit.
Step 8: If someone says, “We’ll figure out the splits later,” they’re lying. Handle it upfront.
Step 9: Walk away from bad deals. No placement is worth giving up your future income.
Step 10: Pass it on. The industry thrives on silence. Break the cycle.
blck prty retweeted
Live Music Reviews with CEO @abebatshon teapawt.net/i/broadcasts/1nAKEpYgB…







