I think about this scene on a daily basis

RFK: "There's five hundred million Arabs in the world. And yet they don't produce science. They don't win the Novel Prize. They don't win the Fields Prize. They don't win the Wolf Prize. They don't produce literature."

I’ve asked this before but is there any historical event that is like the Opposite of 9/11. Like something so good that happened that it changed the world forever

A Pacific franchise spanning five nations will lodge a bid to become the NRL’s 20th franchise - becoming the first NRL club to play home games in the United States, Samoa, Tonga and the Cook Islands. Known as Mana Pasifika, the team would be based in Auckland and play NRL home matches in Christchurch, Dunedin, Wellington, Hamilton and Whangarei before taking two games a year to Pacific nations. dailytelegraph.com.au/sport/…

Boland Dropped 🤬🤬🤬🤬....... What the fuck. I seriously want SA to fucking pump us. I'm sick of this fucking woke captain picking his mates. If south Africa make a road they will win the test. Be fucking smart.

PNG is killing teams and bringing greed into the game bring pay to play

Peter V’Landys and his @NRL are spitting in the face of every fan that has invested financially and emotionally in their club When the governing body starts handicapping every club for the benefit of one, you know the game has had it’s soul sold to the highest bidder

“Krissy Barrett Is An Useful Idiot”. Want to support me? Links in bio to my Patreon program and merch.

The sequel to The Social Network has made less money in its entire run, worldwide, than the original made in its first three days. Sony's now yanking it from almost 2,000 theaters. And the reason goes back to a stopwatch. When Aaron Sorkin wrote The Social Network, his script came in at 162 pages. Hollywood figures about a minute of screen time per page, so Sony was looking at a movie close to three hours long about college kids building a website. The studio was nervous about the length before a single scene got shot. So David Fincher came over to Sorkin's house with a stopwatch. He had Sorkin read the entire script out loud, as fast as Sorkin heard the lines in his own head, and timed every scene. The whole thing came in at one hour and fifty-nine minutes. Then he made the actors talk that fast on camera. Remember the opening scene where Jesse Eisenberg gets dumped in a bar? That took 99 takes over two days. It's why everybody in that movie talks like they've had four espressos, and it's a big reason two hours of guys arguing in deposition rooms plays like a thriller. The Oscars tell you who made that work. The movie won three. Sorkin got one for the script, and the other two went to the people who controlled how fast it felt, Trent Reznor and Atticus Ross for the score and Kirk Baxter and Angus Wall for the editing. None of them worked on the sequel. Fincher wasn't involved and Eisenberg turned down Sony's money. Sorkin ended up directing it himself, and the cinematographer, Jeff Cronenweth, was the only other big name from 2010 who came back. You can feel it in the reviews. Even critics who liked The Social Reckoning said it's buried in Sorkin monologues. It opened to $5.5 million on a reported $30 million budget and dropped 69% the next weekend. Sorkin is still about as good as anyone alive at writing dialogue. On the first movie, Fincher's whole job was deciding how much of it you'd actually have to sit through, and how fast. This time around, nobody was holding the stopwatch.

Best blowjob actress name suggests plese

EXCLUSIVE: Raiders withdraw $4m offer to Hudson Young. @9NewsSyd @NRLonNine