
Actor/ Writer Creator of Harriet Tubman : Demon Slayer! CEO of @KingwoodComics I identify as Michael Jackson cuz my pronouns are HE-HEEE.
New Jersey, USA
Joined March 2009
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Thank you @joblocom !
You can also pre-order the comic and other Kingwood goodies in here! 👇🏿👇🏿👇🏿
kingwoodcomics.com/product/k… – at Los Angeles, CA
sleeping peacefully tonight knowing i contributed to Clayface’s win this weekend because i am not a Snyderverse chud
WakandaVision retweeted
Men these days are different. The moment you say no, they’re gone. No begging, no pleading, no chasing. This generation of men will accept your rejection so fast, you’ll start wondering if they ever wanted you in the first place.
Readers added context they thought people might want to know
This post from the Nigeria-based @Pats_Aura account uses a woman's profile photo and implies a female perspective on dating while similar threads are followed by promotions.
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WakandaVision retweeted
RIP Tetsuya Chiba. 🕊️
Thank you for giving us 2 of the most iconic tropes in media. xitter.cf/leonestan1/status/2037…
WakandaVision retweeted
Will Smith's TV aunt was making about $250,000 a year. In 1993, she lost all of it. Will went on the radio and said she'd gone "from a quarter of a million dollars a year to nothing."
She had a newborn baby at home. She didn't speak to him for 27 years.
In the video below, Janet Hubert finally says it to his face: "You took all that away from me with your words."
In 1993, she was offered a new contract. About two and a half months of work a year, less money, and no other jobs allowed.
Her husband was out of work. She says the marriage was abusive. She said no.
The new season opened with a joke. Jazz said something was different about Aunt Viv since she had the baby.
On that Atlanta radio show, Will added: "She's mad now, but she's been mad all along."
The word that followed her was "difficult." For a Black woman in Hollywood, she says, it's "the kiss of death." She says she lost "everything. Reputation, everything."
The case for Will: he was in his early 20s, carrying his first show. The contract came from the producers, not from him. And she turned it down.
27 years later, he told her: "The person I want to be is someone who protects you, not someone that unleashes dogs on you."
He went on to make $20 million per movie. She waited 28 years for her next recurring TV role.
So did Will Smith ruin Aunt Viv's career, or did she ruin it herself?
WakandaVision retweeted
Meanwhile at the Trump rally tonight some legend in the crowd told him to: “Shove that ballroom up your fat ass!!” 😂
WakandaVision retweeted
BEST HECKLER EVER at Mississippi Trump rally:
“Shove that ballroom up your fat ass”.
WakandaVision retweeted
A guy who used to sleep in his car in a Chicago alley, strung out on heroin, made his first movie a few blocks from that same alley. The movie was The Dark Knight, and he played the Joker's henchman, standing a few feet from Heath Ledger.
He only got the part because Christopher Nolan rejected him first.
Dastmalchian was doing small theater gigs around Chicago and paying rent as a telemarketer and a movie theater usher when the casting call went out. He read for one of the guys in clown masks who rob the bank in the opening scene. He was pretty sure he'd booked it. A week later he found out they'd already shot it without him.
A few months after that, his phone rang with a completely different role. Thomas Schiff, the paranoid schizophrenic who hides in the police honor guard at the commissioner's funeral with the Joker. That's who you're looking at in the photo. It was the first movie set he'd ever walked onto, and on his last day of the shoot he walked past the alley where he used to sleep, five years after he got clean.
The movie made a billion dollars and he still couldn't find an agent. He moved to LA with The Dark Knight on his résumé, and the small agencies and management companies he went to turned him down anyway.
So he wrote about the car. Animals is about two heroin addicts living in a beat-up car by the Lincoln Park Zoo, and he cast himself as the guy he used to be. It won a special jury award at SXSW in 2014 for courage in storytelling, and his son was born about a month later.
Denis Villeneuve kept hiring him, for Prisoners, Blade Runner 2049 and Dune, and one of the first things Denis asked him was what working with Nolan was like. Fifteen years after The Dark Knight, Nolan brought him back for Oppenheimer and wanted to know what working with Denis was like.
Nine days ago he opened as M. Bison in Street Fighter, the main villain of a big Paramount release, playing the part Raul Julia made famous.
If Nolan had said yes the first time, he'd have made his movie debut as a dead guy in a clown mask.
David Dastmalchian once revealed he had never acted in a film before Christopher Nolan put him on set with Heath Ledger for 'THE DARK KNIGHT' (2008).
It was his first film role, and suddenly he was surrounded by Heath Ledger, Christian Bale, and Gary Oldman—some of the most accomplished actors in the industry.
You might imagine a first-time actor feeling intimidated, wondering whether he belonged there or desperately trying not to make a mistake. But Dastmalchian discovered something important about Nolan.
Despite being one of the least experienced actors on set, Nolan made him feel “valued, validated” and treated his voice as an actor as something they could explore together.
Dastmalchian also pushed back against the urban legends surrounding Ledger's Joker performance.
“Contrary to the urban legends that surrounded Heath's performance as the Joker, when he was on set he wasn't twisting himself into knots with some kind of maniacal method-acting bologna.”
Intimidation can make you focus on yourself instead of the scene. Am I good enough? What does the director think? What does the other actor think? Suddenly, you're watching yourself perform instead of actually living the moment. The bigger the opportunity feels, the more you need to focus on what's happening right in front of you.
Years later, Nolan cast Dastmalchian again in 'OPPENHEIMER'. By then, he'd worked with filmmakers like Denis Villeneuve and James Gunn. But the experience of making 'THE DARK KNIGHT' meant even more because Dastmalchian had previously struggled with homelessness and heroin addiction. Filming took place just two blocks from an alley where he had once slept in his car. The film “didn't just revive his career, \[it\] gave him back his future.”
The biggest opportunities don't require a different kind of acting. They require you to trust the work you've already done.




































