Dutchyyy retweeted
Beat Craver Vol. 1
A collection of ideas I made between 2019–2020 that I posted online but never officially released.
Finally opening up the archives. Exclusively on YouTube and Bandcamp.
Listen Here: kaelinellis.com/beat-craver-…
Dutchyyy retweeted
this whole distrokid fiasco should show people how brittle and fickle streaming services are.
like most things in modernity, they are stripping away the humanity of music discovery. automation and algorithms are replacing word of mouth and genuine music conversation. it's sad
Dutchyyy retweeted
Marble Madness proved you didn't need complicated graphics or gameplay to make a game ridiculously addictive
Dutchyyy retweeted
VOL. 1 of THE GATALOG is OUT NOW on 2×LP 🔫
Neon Green Smoke w/ OBI: 500x
Classic Black w/ OBI: 200x
• US: @coalminerecords or @GetOnDownTweets
• EU/Overseas: HHV.de
All orders NOW shipping 🚀
VOL. 2 drops December 18 🎁
Dutchyyy retweeted
I respect anyone who can take a rough chapter of their life and turn it into something that helps somebody else through theirs.
Dutchyyy retweeted
Underground hiphop has introduced me to people I would’ve never met otherwise.
Different countries, different lives, same love for a dusty sample and some honest bars 👊
Dutchyyy retweeted
Replying to @Xcelencia @Dutchmassive
Dutchyyy retweeted
People say that they are disappointed that they dont own a house at this age but I definitely thought I'd have an NTS show by now.
(a house would be cool too, I'm sure).
Dutchyyy retweeted
I also got these, be careful out there. Report for phishing
Dutchyyy retweeted
Talking Heads - “Once In A Lifetime”
Brian Eno borrows Fela Kuti's and Tony Allen's rhythmic genius for Talking Heads’ most enigmatic Song.
When I first heard the Talking Heads classic “Once In A Lifetime” (1981), I immediately knew that it would have a profound effect on me musically (and culturally). Although at that time I’d only had some minimal familiarity with African multiple rhythmic styles, I hadn’t yet gotten into Fela Kuti, the towering Nigerian figure and creator of Afrobeat. So hearing “Once In A Lifetime” was like being smacked with five walls of rhythm, all at once.
Also, “Once In A Lifetime” is one of those examples of when musical borders collide beautifully.
Dutchyyy retweeted
Consistency has no value, and now even those willing to compromise and pivot to content farm, what's actually being achieved on that quest for "success" or growth, when you have the data available these platforms don't even show that content to the audience you already have?


























