☆ she/her ☆ 18 ☆ Vintage telly enjoyer ☆

Kembel, 4000
Joined July 2024
Phoebe 🐼 retweeted
The science-fiction serial A for Andromeda by astronomer Fred Hoyle began #OTD 65 years ago. The @RadioTimes cover featured Esmond Knight, Mary Morris, Peter Halliday and, in her first major role, Julie Christie. 🚀
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AI has no place in Doctor Who or the fandom. Doctor Who has always been about human creativity. Give me bubble wrap monsters. Give me silly cardboard alien designs. It may have its faults, but it’s human art. I am and will always will be against gen AI. It has no place here.
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I’m not an RTD2 hater overall, but I do think one of the main issues was the hubristic assumption that they’d get a third series. So colour me surprised that RTD doesn’t think a one-series render is ‘worthwhile
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Phoebe 🐼 retweeted
Fascinating article featuring Jacqueline Hill and her many outfits! Thanks to @FeastofSteven for sending this in!
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Phoebe 🐼 retweeted
Gorgeous Jacqueline Hill in The Blue Parrot (1953)
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Phoebe 🐼 retweeted
I like when a movie is so old that the story behind it is like "This film was long thought lost but the original reels were found in an old woman's sausage cabinet which allowed us to produce the restoration you see today."
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Phoebe 🐼 retweeted
The ending to The Time Meddler is pure televisual magic
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From Film Review, September 1966 #DoctorWho #DrWho
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Phoebe 🐼 retweeted
I think they honestly should retcon the Billie Piper cliffhanger with the original ending. I believe it would leave the show in a better place. The next era gets an easier clean slate, & the EU gets to continue 15’s adventures off-screen. Ncuti has even hinted before he’d do BF.
I’m still annoyed about the whole Doctor Who situation. Not that RTD2 didn’t work, but how it was handled: promising a Christmas Special then cancelling it, shoehorning Billie into The Reality War, leaving plot points unanswered, and not releasing The War Between internationally.
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Here’s a #DoctorWho photo restoration and colourisation for a nice rehearsal shot from ‘The Daleks’ Master Plan’. William Hartnell, Peter Purves and Jean Marsh face the Daleks on the pursuit ship exterior set in TC4 on Friday 26th November 1965, during camera rehearsals for Episode 5, ‘Coronas of the Sun’ I’ve only ever seen this image looking an utter mess. The b&w copy attached here is the best I have in terms of detail, but it’s caked in dirt, dust and scratches, plus the contrast is shot to hell. Other lo-res online copies supplied the extra picture information around the edges. And then I spent my entire life making it look half-decent. (Well it felt like my entire life anyway.)
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Everyone should purchase Doctor Who Magazine. I'm in it.
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Phoebe 🐼 retweeted
Brand new Ace Odyssey with @sophie_aldred has materialised and stepping aboard this week is the legend that is Peter Purves! iTunes-> podcasts.apple.com/gb/podcas… Spotify-> open.spotify.com/episode/5xE… Audible-> audible.co.uk/pd/B0HCM5TFR4?… #DoctorWho @purves_peter
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Nooo RIP Tom Chadbon
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The retcon begins
Not quite sure why this graphic from inside the latest DWM wasn't the cover instead, but here's a little rough edit attempt of it as such!
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Nobody's saying they're perfect but the rise in price has coincided with a noticeable boost in resources. At the start of this decade the line was clinging onto life with nought but kitbashing and rereleases and now we're getting completely original sculpts (1/?)
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Phoebe 🐼 retweeted
I deeply miss the world before AI existed. I’m so exhausted from side eyeing videos, recoiling at tacky fonts, sepia tinted art, the messy blobs and blips of unmatched colors. It’s slowly sucking all the creative life out of the world while it physically destroys it.
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Phoebe 🐼 retweeted
Steven leaves in the Savages. Really struggled to get this poster right but I feel like it came out OK! Announcement about the future of this account coming soon #doctorwho #dwsr #fanartfriday #digitalart #graphicdesign
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'Sometimes I think we're all being put out to tender'
Strictly Come Dancing will be put out to tender by the BBC, next year. Bosses hope production will remain the same, but in the scenario that it moves to a new production company, the show and people working on it should ‘hopefully remain largely unchanged.’
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