
Just a Canadian trying to make it in this silly country Certified train enjoyer, accidental #Canucks fan staunch 🇨🇦 nationalist and DomSoc member
British Columbia
Joined July 2022
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🍁 A Smartass Username 🍁 retweeted
Vancouver defenseman Filip Hronek tonight with a candidate for the greatest pass in the history of hockey. @OctagonHockey
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chanting “you eat crayons” at my traitor ex-captain with thousands of fellow ottawans will become a core memory for me, i’m having the time of my life
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If America had built 1,000 nuclear reactors by 2000 and continued expanding, nuclear power would supply ~90% of our electricity today, even with dramatically higher demand from electrification.
We wouldn’t just have cheaper, abundant electricity. We’d have an entirely different industrial economy. Never forget what they stole from you.
Ralph Nader, 1997: “When we came out against nuclear power in the early '70s, the government had predicted that there would be 1,000 nuclear plants by the year 2000 in the United States, and there's 109 and shrinking, as more and more get shut down.” pbs.org/wgbh/pages/frontline…
Apparently Scott Greer - and numerous other conservative "influencers," "podcasters" and other assorted fauna - need this explained to them: fanfiction is the garden in which potential writers first cultivate their talents.
Fiction writing is an incredibly difficult art to master; which is why the average age of debut novelists is 35, and the average age of an author releasing their first best-seller is around 50. It requires intellect, life experience, well-honed technical mastery, and the ability to hold an entire world in one's head, complete with a full cast of imaginary friends that have lengthy conversations with one another. Jumping feet-first into the deep end is effectively impossible; which is why the vast majority of writers start with fan-fiction - even many "original" works are just filing the serial numbers off something else and leaning heavily on genre conventions. It allows the nascent writer to develop their skills in an otherwise stable framework; affords them an opportunity to crawl before they walk.
The "Malfoid" phenomena stands out because Harry Potter is the first long piece of fiction (seven books!) that an entire generation read in young adulthood, and perhaps the last work of fiction that achieved nigh-universal readership among an entire generational cohort. For that same cohort, having a story written (or re-written) *for them* is like tasting chocolate for the first time in thirty years, given the publishing industry has been, like so many other institutions, completely captured by the DEI left and has relentlessly purged white male authors from its ranks; leaving what few remain struggling to rise above the churning ocean of half-assed trash that chokes Amazon self-pub.
That you and so many other "conservative influencers" knee-jerk response is to sneer at this development reveals a thunderous and damning ignorance on your part of something the left understands innately - the power of narratives. As @Devon_Eriksen_ has explained before, narratives are fundamental to how we mentally model the world. Motives and desires, emotions and reactions, even basic physical cause-and-effect requires a narrative; even if it's as simple as "if I push on this door hard enough, I can open it, and get at the grain that's in the tack room." My goats have figured out that much; which is why they break into the tack room daily even if they can't see the grain, or even the bag that usually has grain in it through the wire mesh.
Because of this, narratives are incredibly powerful influences on our thinking - and this is precisely why the left wing is utterly obsessed with controlling every narrative they can get their hands on. It's why they go well out of their way to hunt down anyone in the arts with even the slightest conservative thought and drive them out by any means necessary. Its why they take pains to fill elementary school libraries with sordid books explaining masturbation techniques - they understand that narratives are how children learn almost everything they know of the world; and why so much of their attempts at "serious" art are about as sophisticated as aesop's fables for left-wing values: they absolutely view it as a tool for controlling minds. If you doubt the deliberate intent behold the majority of what they produce, look no further than the coercion California's state government applied to video game giant Blizzard and the results thereof - video games are the one major media form leftists don't have a total stranglehold on, and they're trying to change that.
And *why* do leftists have total control of film *and* the publishing industry? In large part thanks to people like you. People who see the first licks of flame among folks who might not have read any fiction in years, drawn in by fond familiarity and a re-write promising a *very* conservative kind of tale; of the power of herteronormative love and good overcoming evil - and promptly unzip and piss all over it. People who can't tell the difference between the synopsis I just gave and 200 pages of lesbian romance featuring a Donut Steele self-insert mary sue. People who can watch normies, desperate for a good story that isn't more DEI wankfest slop, organically pursuing something similar to what leftists do via cold calculation when they infest a previously-great franchise, gut it, and wear it like a skinsuit, but can't appreciate the downstream political implications of that. People who can't grasp that the average normie doesn't want to read your 187 IQ political essay, but just want some honest-to-god entertainment. People who actually think "This is John Gault speaking" is the best part of Atlas Shrugged and wish the rest of the story hadn't been wrapped around it.
I suspect people like you are not ensouled. You have no sense of wonder; no imagination, no ability to lose yourself in a great story. You never stayed up as a child reading under the covers with a flashlight well after your bedtime; transported by the tale. And so you cannot recognize that quality when you see it; can neither understand how "kiddie stuff" can contain it, nor recognize true art in its larval form. And indeed, this would dovetail well with how podcasters and influencers act in general; not true believers in anything they say, but grifters, who've figured out that the stupid screaming rubes want their biases confirmed and all you need to do is push the button to make more money come out of the 'chute; viz. Tucker Carlson.
And above all, what you can't understand is that good art is, by and large, conservative. Because conservatives write stories, not aesops; they concern themselves with human characters and thus care about the truth of humans' character, rather than treating truth as a blank slate that can be filled with any arbitrary lie desired, and wiped clean and re-written on the spot as desired. People like you seem to think that "conservative" art is a character stopping, turning to the camera, and saying "women's rights," except maybe it's "gun control bad."
This borderline-sociopathic lack of empathy leaves you unable to grasp fiction at its most basic level; you might think the classics are important because something something conservative values something something basis of western civilization, or because that one dude sounded real convincing playing a mafioso, but nothing more. And so you sneer out the side of your mouth at creators; confident that you're the Big Serious Adult having Big Thinky Thonks on your podcast, while the youth that will be voting in three years are glued to whatever they can find on Netflix and having that beamed straight into their cerebellums.
Art is a vehicle for thought, and most art is not War and Peace by dint of the basics of supply and demand - it takes a year to write a *good* novel and a day to read it. But because it's not Serious enough for you, you cede that ground to the collectivists, willingly, and merrily piss on anyone inspired to change that.
Stay in your lane, Scott.
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The book came far faster than he expected, the next day at dinner it soared in being carried not by owls, but by two huge rock buzzards that bawked and screeched angrily during transit. The huge birds wer necessary, as he tome was gigantic, easily weighing twenty pounds and was two feet tall, six inches thick and a foot-and-a-half wide. Despite it’s size and the ornery nature of the huge birds, it landed with surprising grace on the table. Neville was quick to procure the birds two large spent bones from some of the serving trays to feed the enormous birds, who took them with a snap of their
beaks and flapped up into the sky.
It was hard to avoid questions, as the huge ornate grimoire had the name “LONGBOTTOM” inlaid in silver text upon a leather cover, but it quickly died down, allowing him to rush it off to the library. He knew the historical section by heart now, and slid a few choice books and scrolls from their positions for reference, then sat down in front of the huge book.
“Come out, Luna, I know you are there.” he said in a flat, determined tone. There was a pregnant silence before he heard footsteps from behind them.
“How did you know I was there?” she asked in a tone that tried to hide embarassment with amusement
“Where else would you be? Come sit down, you might as well make yourself comfortable” He said flatly as he began to carefully open the huge book. The earliest pages were almost indecipherable due to the cruel passage of time and its effect on language, though magical script carefully provided translations whenever his eyes followed the ornate words.
Luna pouted a bit, but pulled up a chair to the table next to him to look at the tome, only to pull out a strange pair of glasses, each with unusual crystalline lenses, her voice came out filled with interest, "I can't make out any of the words, it just looks like scribbles."
"You aren't a Longbottom. The book is designed to only be read by memebers of the family, and in this case, only by the eldest son. It's pretty common in old families to help keep secrets this way."
There was a pause, "So if I married into the family I could see it?" She asked quizzically
"Yes." he responded, alarm bells going off in parts of his brain he wasn't particularly used to.
The ancient book was clearly a work of art, the sort of thing that any of the great families would own and cherish. The writing was ornate, drawn by a careful and skilled hand as it described the great exploits of notable Longbottom's going back into history, though Neville wasn’t lingering there, he carefully turned the majority of the pages over, then scrolled past the most recent exploits of his parents, and finally to the section he wanted to see, The family tree.
Wizarding families are enormously complex affairs, especially pure blooded ones that date back into the past. While this book obviously focused on the Longbottoms, the inter-marriage between the various ancient houses was impossible to ignore. He had to sort through page after page of side-families, associated families, offshoots, entire ancient families that were so entwined that their entire genealogy was listed just to be safe. About three quarters of the way through the section he found the ‘Main’ family lineage that the book took extra care in displaying. Starting with the most recent, a sparkling red line glowed that demonstrated the unbroken patrilineal line of the family that terminated in his name. The various siblings, cousins, second cousins were also listed, and each name had a birth date, death date (where applicable) and notes about their lives and jobs when it was deemed necessary.
He shuddered a bit, as an only child, the line of his family nearly terminated with him thanks to the Death Eaters and Voldemort. Feeling the weight of his ancestors on top of him always made him uncomfortable, but it wouldn’t stop him now.
He followed the glimmering red line from page to page, and it surprised him just how many ancestors he had, the centuries began to tick by as the page turned, over and over, the 1900’s gave way to the 1800’s, he then started going back two pages, then three, as the turn of the first millennium crossed he slowed, until he came to the seventh century, taking the pages carefully
Then as he crossed to the page that would take him to the sixth century, the pages suddenly turned up blank. He stared at the empty sheets of paper, confused, moving back to the sheets that had the family tree and back finding the terminator page at roughly 595 AD. Frustration hit him like a wave as he grit his teeth, “No, no NO Not now! What happened to the rest of it?!” he said loud enough for one of the library ghosts to shush him from across a bookshelf.
Luna was staring at the pages, seemingly irritated at the complete lack of information that should have been there. The book showed no signs of stopping it’s encyclopedic knowledge of the family tree, so why stop there. In Neville’s hand started turning blank page after blank page, tears were streaking down his cheeks from months of constant stress and frustration when something fell out of the pages, a small envelope addressed to “My Grandson.” His shaking hands broke the wax seal and opened the letter.
“To my beloved Grandson.
I want to first apologize to you, for I was never a particularly good grandmother to you, nor a good mother to my son. The demands of the family regularly got the better of me, and keeping the lineage intact has always fallen to the women of the family. If you are asking for this book, it can only mean that something terrible has happened and that you require the information within this book to assist you. I cannot deny the scion of the Longbottoms this, as is demanded of me of my duties as matron to the line, and as will be the duty of your future wife.
The final pages of this tome are hidden from prying eyes, and only the first born son of the lineage may reveal what is there. I do not know, I was not told, as it was not my place to know. I was only told that you would know the password, and the knowledge within is for your eyes only. The safety of our family hinges on your secrecy.
I love you, Neville. While I have never shown it, I am proud of you and hope you will forgive me for my failings.
Love,
Augusta Longbottom”
Nevilles eyes welled with tears and his heart swole with emotion. This letter was the first thing about the world that felt good and his soul could only take so much. He crumped to the floor and sobbed, gribbing the letter to his chest. Luna’s silence helped, he probably couldn’t handle another deeply confusing or disturbing conversation in that moment, he let the emotions finally run dry before rising up, and Luna finally spoke.
“What password was she referring to?” she asked, as Neville carefully moved the pages to the first blank one and pulled out his wand, tapping the page gently and saying..
“Pendragon.”
The page suddenly shimmered and burst into a roaring flame curling into a blackened heap and then suddenly unfurling and restoring itself as if time went in reverse, at the base of the page a pulsing red dot shot upward and stopped, a name emerged, “Hereward Langbotem” he said quietly, with black lines flowering out to show siblings and his wife, it shot up once again, and pulsed “Oswald Langbotem” with its accompanied branches,
“Seabert, Selwyn, Tate, Wylfred…” Neville’s voice trailed off at the writing that pulsed hugely and the name slowly emerged
“Arturus Pendragon… married to Gwenhwyfar… His father… Uther Pendragon.”
Neville sat back, his eyes wide open as he stared at the wall.
“But why the name change?” he asked the air, only for Luna to respond
“I told you to ask yourself why a king, embroiled in a war would have his newborn son close and in the open.” Luna said calmly, “Arthur was betrayed by Mordred and Morganna LeFay, that is well known history. Merlin himself battled against her constantly. They almost certainly sped him away to a minor lord or even a commoner to raise. Langbotem means 'bottom of a valley" which probably suggests where the family lived... it's the modern equivalent to 'Jones' or 'Smith'" she explained
“But Arthur was a muggle,” He said rubbing his temples, before looking down at the book, ink welled up around the name of Arturus and Gwenhyfar that made his eyes open wide
“Gwenhyfar was a witch.” he said quietly, there was an amusement to his voice, a lot of old wizarding families would not be happy with such knowledge that the scion of their family line was a muggle.
“He could have also been a squib, there isn’t much difference and they may not have made the difference back then… He did know about wizards, and Merlin knew him and actively worked with him.
“Okay but… What does this have to do with m-” he stopped himself, he already knew the answer at this point, him asking was simply another cop out attempt to run away. He clenched his eyes shut to push down and force away the fear, “Better question… What does this mean?”
She stared at him with that characteristic ‘bigger than worlds look’ as if such a question was absurd, but she responded nevertheless, “You can feel evil as it acts. You feel the suffering of those around you as it happens. What do you do to an evil when it is in your presence?”
Neville gulped. He was afraid of that answer. He said nothing, though he was careful to close the book and stare at it as his mind processed the gravity of the situation and the knowledge in his mind. His hand felt the crisp parchment of the letter his grandmother sent him, he was ALMOST willing to ignore Luna’s phrenology calipers comparing the distance between the tip of his nose and his forehead.
‘The question never really was why me… was it’ He thought, his hand slowly tightening around the letter, ‘it was always me because it had to be me.’
He looked down at himself, a rather weedy young man who has had the roundness of youth get burned away by the onset of young-adulthood. He still was physically weak, fragile and scared. Not quite so short, sure, but was this really the king everyone had been waiting for?
“Interesting, your forehead suggests a distinct attraction to blondes, I was expecting something more interesting than that.” she said as she twirled her own long straight hair, peeking at it and then blushing pink again.
Neville didn’t respond, he just stood up and began walking.
“Neville? Where are you going?” She asked
“To find Ron and Seamus”.
#Malfoid
Man, sometimes I doubt the old "Talk to the duck" problem-solving method and then I keep doing it and it keeps working
Twitter being full of Malfoid gave me a win at trivia night. Name two of the three unforgivable curses and I got it.
I've never read any of the books lmao
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Muggleborns in the 10s would have brought 40K armies with them and used spells to enchant them like their chess pieces, and that would hit Ravenclaw like crack hit the black community.
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During the “golden age of illustration,” children were depicted with anatomic accuracy that was faithful to the stage of life they were in, and in poses that were natural and believable for a child. Jesse Wilcox Smith, Elsa Beskow and Mary Cassat are examples of artists who did such work and they were able to do so because they not only observed children closely, but also loved them.
However, modern illustrations of children feature joints that don’t articulate–elbows and knees don’t exist– and facial expressions that are emojis rather than anatomically correct changes that belie bone structure and fat distribution underneath.
As a circle with a triangle under it depicts a woman on a bathroom stall, so modern illustrators depict children with large heads, goofy bean mouthed expressions and noodle arms and legs. In essence, children are no longer depicted as human beings but rather emoticons of human beings.
And the reason for this is not merely due to changes in “artistic styles”, but rather the far more oily and avaricious greed of publishers, the sloth and incompetence of modern artists and most heinously, a modern disdain for children.
- An excerpt from my latest essay, soon to be published.
🍁 A Smartass Username 🍁 retweeted
Английский язык очень бедный, вопреки распространённому мнению. Например, у него нет многих слов, важных для русского человека, например:
опущенный — male victim of a rape in prison;
фуфлыжник — male victim of a rape in prison;
гребень — male victim of a rape in prison;
обиженный — male victim of a rape in prison;
зашкваренный — male victim of a rape in prison;
петух — male victim of a rape in prison;
козёл — male victim of a rape in prison;
вафлёр — male victim of a rape in prison;
люся — male victim of a rape in prison;
пинчь — male victim of a rape in prison.





























