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Here's a behind-the-scenes look ahead of @OffKaiExpo! I'll be joining @BigNoseBug's panel tomorrow, June 21st at 1:30pm PST, alongside @MissLalaVT and #NilbogLive. We'll be diving into the cartoony side of VTubing and how our backgrounds in animation and film shape our approach
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LIFE LENGTHENS WHEN RHYTHM IS REMEMBERED
What he is pointing at is an old esoteric move: reading the body as the temple the myths were written inside.
The scene he treats as a map is the Egyptian weighing, usually told as a judgment after death. He turns it inward and says the same image is a living circuit.
The seated figure becomes the circle of Willis, the arterial ring at the base of the brain that feeds the mind. The ascending path becomes the current between heart and head. The three tassels become nerve stems. The feather becomes action returning with the blood. In that reading, βdeathβ is not the point. Misalignment is.
Speech, intention, food, and thought sit on the scale the way the heart sat before Maβat. What you utter and what you swallow either tune the instrument or detune it. The twenty-eight-day ring and the twenty-one-day renewal are the lunar and blood mysteries written onto bone: seven, three times, the spine as a procession of figures, white and red as the two bloods that cleanse and carry.
Whether or not the glyphs were drawn as an anatomy chart, the teaching underneath is older than the chart. Life lengthens when rhythm is remembered.
That is also why a reading like this rearranges the Bible. Esoterica has long treated scripture as encoded physiology: the temple as the body, the river from the throne as the current through the heart, the lampstand as the lighted mind, the seven as the stations of the spine.
If the cycle begins on the day you are born, then astrology here is not fortune-telling. It is a clock for the missing notes, the colors, stones, and minerals he says the sunlight has to pass through because three signs were not seated in you at birth. Bare feet on the ground, face toward the sun, stone on the skin: crude language for a precise idea, that the soul stays in the body by staying in correspondence with earth, light, and season.
To be "demood" in his phrase, is to fall out of the signs of nature and then call the static a demon. The hidden thing is not a secret society. It is that renewal was never only moral. It was circulatory. Every twenty-one days the blood offers a small resurrection. Every twenty-eight, the wheel turns.
The one who can hear their own frequency, and feed what the cycle is asking for, is already inside the scripture the page was trying to describe.
You can just make multimillion dollar movies for a few thousand dollars now.
TALES OF GRIMWICKE β Chapter I is 22 minutes of AI fantasy animation inspired by the many anthropomorphic animal stories I read as a kid, with a dark twist:
The model: Seedance 2.5 (@ByteDanceSeed_ ) via @Segmind_ai. 847 takes generated, mostly 30-second multi-shot prompts, over 5 hours of footage. 127 clips made the cut. About $4.5k in generation, four weeks from first take to publish.
Characters and locations came out of @midjourney. Using MJ for the location plates was a revelation: the cinematography and art direction are a level above, and it renders far better as a plate than Nano Banana or GPT Image. Nano Banana (@GoogleDeepMind run on @fal) did the heavy lifting editing those plates, building anchor frames and turning MJ characters into turnaround sheets. Then I let Seedance do as much of the framing and camera operating as possible. That gave the best results.
A lot of what I do in my Unreal Engine films came with me: a handheld, imperfect camera operator instead of smooth moves, focus hunting, and above all weather and atmospherics. The model does water, snow, smoke and rain really well, and leaning into that is what keeps it from looking like a Temu Pixar film.
The tools I built: a portal (Node on @flydotio) that holds the bible, the refs, every prompt and every take, with a Claude agent (@claudeai) that writes the prompts to the house rules. A Premiere Pro (@AdobeVideo) panel that browses the archive, drops selects on the timeline, versions the project, strips music, and sends fixes back to Seedance. Everything is done in 720p with no upscaling, because it looks terrible. Narration is my own voice through @ElevenLabs speech-to-speech. Music from @Artlist_io.
None of this would exist without @PJaccetturo and @Kavanthekid. Their narrative work, Nexus and Chronicles of Bone, proved long-form AI film was possible, and their podcasts, newsletters and X posts, updated constantly as the workflow changes under everyone's feet, showed how to actually do it.
Chapter II is currently in the works and I will release it initially on my YouTube channel, The Darkest Age (@CharlieDriscollAI). Consider subscribing there to see it as soon as it drops!
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The Trailer 01: ππ‘π πππ₯π₯ ππ¨π₯π₯π¬ π₯π¬π°
ποΈ @KingJames
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I'm comfortable retiring #24.
Nick Chubb deserves it.
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π¨π½ READY FOR DISCLOSURE? DR. STEVEN GREER DELIVERS A MESSAGE TO WORLD LEADERS ABOUT EXTRATERRESTRIAL LIFE! ππΈ








































