Replying to @VonNosferatu
I love Stalker too. There is something special about the silence in Tarkovsky’s films. His long shots let you notice little details that you might miss in other films.
Replying to @HussardSoul
Yes, you are talking about Andrei Tarkovsky’s Ivan’s Childhood (1962). The boy, Ivan, was played by Nikolai Burlyaev. He is now 80 years old. He went on to become a well-known actor and later a film director. It’s lovely that you remember such details from the film!
On November 8, 1998, the French actor Jean Marais died.
On July 7, 1963, he came to Moscow as the guest of honor at the opening of the Moscow International Film Festival. Marais was also a stuntman and an idol to millions of women.
Many Soviet actresses wanted to meet the legendary Frenchman, including Elina Bystritskaya.
In one interview she admitted that in her youth she really liked Marais’s looks and saw him as a true romantic hero. But she knew that falling in love with an actor was like reading Dumas novels.
Years passed. The girl Elya from Kyiv met her idol in person and even offered him a cigarette. It was reportedly a Lucky Strike.
Today, both Jean Marais and Elina Bystritskaya are gone, but this photograph remains.
On November 7, 1937, exactly 89 years ago, the film “Lenin in October” was shown at the Bolshoi Theatre. The team was editing it until the very last day. And at the same time, the director was twice detained because of a suitcase of secret documents 🎬
Filming began on August 17. Director Mikhail Romm finished the editing just in time for the premiere. They worked like a conveyor belt: each scene was edited, given sound, and sent to the lab right after it was shot. When the last scene was filmed, the movie was ready.
A contest for a film about Lenin was announced in 1936, and Stalin personally supervised it. Alexei Kapler’s script sat unused for seven months, because famous writers were in no hurry. Romm was just over thirty, and he had made only one film before, “Thirteen.”
Romm was given rare historical documents for his work, including a text by Trotsky. He had no apartment of his own, so he stayed with colleagues. Arrests were common in the film world. Twice Romm was detained as a guest of people who had been arrested, together with his suitcase of papers.
Boris Shchukin first refused to play Lenin. Then he studied recordings of Lenin’s speeches and learned to copy his voice. The makeup team used darker wigs, because Lenin’s real light hair looked different on film from his familiar portraits.
There is an interesting trick in the Central Committee meeting scene.
There is no wide shot, so we never see the room. We only hear Lenin’s speech, while Vasily, the worker in the story, waits behind the door. Vasily is invented.
His real model, Eino Rakhya, was a victim of repression, and it was forbidden to name him.
The film was a huge success. Historians estimate that about 21 million people saw it in its first year. In 1938 it was released in France and the US.
The famous storming of the Winter Palace was filmed as a staged scene, because no real footage existed. But the scene was shown so often that many people took it for a newsreel.
The film was re-edited in 1956 and 1963, and Stalin was removed from it. It is a propaganda film from the time of the Great Terror. But it started the “Lenin” series in Soviet cinema.
Have you seen it? Which version? 👇
📷 Photos: stills from “Lenin in October” (Mosfilm, 1937)
Lidia Fedoseyeva-Shukshina, the beloved Soviet and Russian actress, has died at the age of 88. Her family announced the news on November 7.
She was the widow of Vasily Shukshin: actor, film director and writer.
Pictured: a scene from Pechki-Lavochki (1972). The title, a folksy Russian phrase meaning roughly “this and that,” was Lidia Nikolayevna’s favorite expression.
Vasily Shukshin gave his film that name.
Rest in peace. 🕊
YURI KAYUROV HAS PASSED AWAY. IT WAS ONLY RECENTLY THAT WE WISHED HIM A HAPPY 99TH BIRTHDAY.
A journalist once asked Yuri Ivanovich Kayurov about the 18 films in which he had played Lenin. The actor smiled and replied:
“Actually, not 18, but 19.”
The nineteenth film was shot in Mongolia. In it, Lenin met Sukhbaatar (does anyone remember who he was? — author's note).
“This was the defining role of my artistic life and career. I was given the opportunity to create a monumental figure, both on screen and on the theatre stage. I had to devote a great deal to it: my strength, my attention, my love. Nothing can be done without love. So I had to come to love this man, and that is exactly what happened to me.”
“It would have been very difficult to carry all those roles around with me. So I would finish playing a part, wash off the makeup, and the role would leave with it. All that remained of the characters was exhaustion.”
“Yes, I suppose many serious flaws may have existed. But what am I supposed to think? ‘Why did I ever play him?’ Should I deny a part of myself? No, I would never do that. What this man left behind was the first socialist state in the world. A state is, after all, a serious achievement. I simply think it did not follow the path he had envisioned for it.”
“My film fee was quite good: 25 rubles per shooting day. For playing Lenin, I was paid at a rate of 40 rubles a day. So I earned 4,000 rubles for the film, and that money allowed me to move my family from Saratov to Moscow.”
WHAT SOVIET ACTRESSES WORE TO INTERNATIONAL FILM FESTIVALS. RARE PHOTOS FROM THE PAST
From 1959 onwards, the Moscow International Film Festival was held every two years, following an order issued by Soviet Minister of Culture Ekaterina Furtseva.
She was responsible not only for the festival's programme and organisation, but also wanted to make sure that Soviet actors, especially actresses, looked just as elegant as their foreign colleagues.
Many actresses were allowed to have dresses made at the Central Committee's atelier. Some were helped to get hold of fabrics that were otherwise hard to find. But more often than not, Soviet actresses had to find their own ways of looking their best. Despite shortages and rather modest salaries, they managed to look truly stunning.
Actress Zhanna Prokhorenko made this beautiful white coat herself. She finished the very last stitch late at night, just before leaving for San Francisco, where she and Vladimir Ivashov were going to present their film Ballad of a Soldier.
Vladimir Ivashov and Zhanna Prokhorenko were abroad for the very first time. Their first stop was a shop. Just to have a look, just to try a few things on...
Vladimir Ivashov liked a beautiful coat, but he couldn't afford it. The entire Soviet delegation had been given just $300 in travel money.
BELOVED SOVIET ACTORS
All four shared the same first name — Oleg.
Oleg Borisov
Oleg Dal
Oleg Basilashvili
Oleg Yankovsky
#BelovedSovietStars
“Ivan’s Childhood.” Directed by Andrei Tarkovsky. 1962.
His first feature film. Based on a story by Vladimir Bogomolov. The war through the eyes of a boy scout. Ivan has no childhood left. It only comes back to him in dreams.
In the frame is a birch grove. Captain Kholin and the nurse Masha. Kholin was played by Valentin Zubkov. Masha was played by Valentina Malyavina. She was 20 then. She was a first-year student at the Moscow Art Theatre School. The scene was shot in a grove outside Moscow, and it was not an easy shot.
The film won the Golden Lion in Venice in 1962. For Tarkovsky it was the start of a world name.








