Screenwriter, rewriter, marketer, crocheter and filmmaker.
Surrey, UK
Joined August 2014
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Huge thanks to the Drawing Room in Chesham for the awesome set with @mickelsonmusic tonight. Great to hear live music again. Mr M you are a poet. And the t-shirt rocks.
Natasha Moore retweeted
At the end of #SelfCareWeek we bring you these reminders for the festive season 💙 There is no right or wrong way to do Christmas while grieving. Whether you throw yourself into festivities or hide away from them, remember to eat, drink, rest & reach out to the WAY community 🦢
Natasha Moore retweeted
Being kind to yourself isn’t always extravagant, it isn’t always bubble baths & spa breaks. Sometimes it’s acknowledging that you’re doing the best you can & reminding yourself to eat, drink and rest. It’s giving yourself the space for survival 💙
Too many of us have lost people this year. Today we remember our friend and colleague, Marc. Thank you for your calm insight and thoughtful help. You are missed.
"With Marc, directors have lost a great communicator, a problem-solver, a champion, and a friend." We pay tribute to Marc Abbs, Senior Communications and Digital Manager of Directors UK, who passed away this summer. directors.uk.com/news/rememb…
Natasha Moore retweeted
I'm learning how to sew this week so that we don't throw as many things away. When was the last time you mended something? 🧵 - Orinoco
Something interesting for those of you working in docs.
Today we launch the @FwdDoc Toolkit for Inclusion & Accessibility: Changing the Narrative of Disability in Documentary Film in association with @TheDocSociety and supported by @NetflixUK! fwd-doc.org/toolkit #RepresentationMatters #Documentary #Film #Accessibility #Disability
ALT The cover of a PDF document. The top half of the page is bright yellow with logos for Little By Little Films, Doc Society and FWD-Doc. The date, ‘February 2021, Edition 1’ sits next to the logos. Below reads, “FWD-Doc in association with Doc Society supported by Netflix presents ‘A Toolkit for Inclusion & Accessibility: Changing the Narrative of Disability in Documentary Film’”. The bottom half of the page is a horizontal poster advertising the film ‘Crip Camp, A Disability Revolution’: 1970s sunny outdoors, a young Black man, Alan Freeman, has a guitar over his shoulder and he stands, smiling, behind a white man, Neil Jacobson, who is using a wheelchair.
Have to share. The amazing writing on Cobra Kai has made the redemption of character Johnny Lawrence possible and welcome and it's delivered gloriously in @wiliamzabka 's beautiful nuanced performance. Well deserved!
Congratulations to @WilliamZabka for kicking butt, taking names, and receiving the honor of Zero to Hero at the #MTVAwards: Greatest of All Time! 👊🏆
Check out Emma's research on post production sound. It's important reading.
My research was made possible through support and mentoring from #LennyHenryCentreForMediaDiversity Until now, the issues faced by anyone working in sound were frankly ignored. The centre is offering grant opportunities to people to undertake this type of research. Info below
Fantastic to be part of this #audienceaward Thanks to all the team @ERFilmFest for the great festival!
Presenting the 2020 @ERFilmFest Award Winners @SpinningPath @SimeonCostello @Script_Chick @EmmelineHartley @KBshortfilm @uwe_animation #mattthomas @blockbfilms @DayYouLongFor #jamesox #jeanclaudedreyfus @DandCFilm @sdc_digital @sdcollege @davecrispin @TorbayCulture @The_Shorely
Chuffed for the team. We've had so much audience love, we're a bit overwhelmed. Thanks to everyone who voted. Big love from the 16 Days team to you all and our lovely filmmaking colleagues too! Yay! @JustinShevlin @Lookinsrogers
The 2020 Virtual @ERFilmFest Audience Award goes to @Script_Chick and your team for your film 16 Days.
Congratulations:) @DandCFilm @sdc_digital @davecrispin @Devon_Hour @TorbayCulture
It was lovely to be in such good filmmaking company. Whatever happens at 5pm with awards, well done all. The films were great. Gotta get me a drone for the next one :0)
What a bunch of wonderful, eye-popping, mind-spinning films! Thank you @ERFilmFest! Thank you filmmakers! Thank you advertisers, supporters, judges and volunteers.
And thank you John! 🥳
Loving this. Pattern link please @cultcrochet!
The very funny @benwillbond and his Captain doll! #Ghostsbbc #Ghosts #benwillbond #HorribleHistories
Lovely!
So we started making these today...Countdown @ERFilmFest Awards look out for your screenings links email tomorrow , register via the ERFF website @blockbfilms @AvernusFilm @SpinningPath @EmmelineHartley @ItsJustaBoy1 @Sara_Huxley @_SarahEastwood @SimeonCostello @Script_Chick
Thrilled for our film #16Days to be part of this festival.check out the festival trailer below.
@ERFilmFest 2020 new trailer: Register now to watch the main day live stream film screening & awards ceremony eventbrite.co.uk/e/english-r… @EmmelineHartley @EggtoothProject @Script_Chick @_SarahEastwood @SpinningPath @blockbfilms @Mini_Prods @AvernusFilm @ImJamieBamber @ItsJustaBoy1
Everyone has mental health, and it's important to share that it's ok and normal to not always be ok, to ask for help, space and support.
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Directors are problem solvers by nature. Good to see this resource that supports them in creating a safer environment in #covid times.
Today we’re releasing Working Under COVID: Advice for Factual Directors, a new resource that provides a framework for safe shooting through all stages of production: directors.uk.com/campaigns/w… #DUKfactual
Natasha Moore retweeted
Had the enormous pleasure of interviewing Rose Glass about her extraordinary debut feature SAINT MAUD for @Directors_UK. It’s out in UK cinemas on Friday, so if you can support her movie, British film and CINEMA ITSELF, you won’t be disappointed. An incredible piece of work.
Natasha Moore retweeted
Think character. Think plot. Think theme. But when you sit down to write a scene… feel. #screenwriting