
Writer. Book Reviewer. Proofreader for @LightspeedMag and @FantasyMagazine . Yes, I'm gay. He/Him. Gravity doesn't care who you fall for.
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ALT “What does a handsome activist such as yourself do with his evenings?” He smiled, then frowned. His ears were way too big, and absolutely perfect. “Hang out with my boyfriends, mostly.” “Boyfriends,” I said. “What fun.” “It is, mostly,” he said, rubbing a hand through red-blonde hair, and like the human cinnamon bun that he was he utterly failed to keep me from seeing in his face how ambivalent he was about the relationship. “I apologize,” I said. “I would not have asked you out if I had known you were partnered.” “It’s okay,” he said. “We’re open. Was that what that was? You asking me out?” His grin was boyish, mischievous, and made me feel a little feral.

ALT The cover for Uncanny Magazine Issue 66, "Listen To Me And I'll Tell You A Story" by Ejiwa "Edge" Ebenebe: In the depths of the sea a little girl sits on what looks to be a giant pink/green octopus tentacle. Several other tentacles extend in the background, curling in the depths. Towards the front and surrounding the little girl is a school of pink fish, some of them stop to listen as she holds one finger up. She looks like she is about to start telling a story. On the lower right corner, another school of fish is making its way over the tentacles, towards the edge of the cover. The quote reads: "'…but what is it like, having a war criminal as your past life?' Sadie Salazar, Licensed Life Speaker, should have been professionally above the prurient interest lighting her hazel eyes, and much too old for the giddy excitement that lifted the corners of her full lips."

ALT A stack of the books in the Wayward Children series by Seanan McGuire, including Be Sure - an omnibus of the first three books. The rest of the books in the stack are: In an Absent Dream, Come Tumbling Down, Across the Green Grass Fields, Where the Drowned Girls Go, Lost in the Moment and Found, Mislaid in Parts Half-Known, and Adrift in Currents Clean and Clear.

ALT The cover for Uncanny Magazine Issue 60, “La Musica” by John Picacio: A woman faces the observer head on; her headgear is made of a split violin, followed by brass instruments twisted into what becomes a crown. Below her, the piano keys frame her collar, reminiscent of a ceremonial outfit. Piano keyboard keys swirl below her. She exudes confidence, power and beckons the onlooker closer. The names of the contributors, as well as “Uncanny September/October Issue 60,” are atop the image in white letters.



















