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writer poet spoken-word performer

Toronto
Joined June 2012
Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)Photo by TOpoet (@TorPoet)
On 07 November 1972, Bette Midler unleashed her debut album, The Divine Miss M, upon an unsuspecting America, and popular music was never quite the same. We put this one on the turntable and didn’t take it off for the next 6 months. It was something new, fun, and terrifically gay. Here was a brassy, bawdy, gloriously vulgar redhead with the voice of an angel, the mouth of a longshoreman, and the risqué wardrobe of a wildly flamboyant bordello madam. At New York’s Continental Baths, with Barry Manilow at the piano, where she had been belting out torch songs and dropping double entendres as shameless as her audience dropping its towels, Bette single-handedly launched a new age of nostalgia and resurrected old-fashioned showbiz glamour with enough camp to make the Boy Scout Annual Jamboree look like a church picnic. Bette and the Baths—it was a match made in heaven. Or at least in a steam room. Transferring her already legendary act to vinyl, for the LP, with Barry shaping the sound, Bette recreated forgotten oldies, reinvented girl-group classics, and made "Boogie Woogie Bugle Boy" sound as though Patty, Maxene, and LaVerne had spent a particularly memorable weekend in P-town. The album became a smash, went platinum, and earned Bette the Grammy Award for Best New Artist. America had discovered its newest sweetheart—but one more likely to tell a dirty joke than kiss a baby. And the gays sanctified their very own goddess. Fifty-four years later, The Divine Miss M remains a monument to talent, theatrical excess, and the enduring proposition that good taste is terribly overrated.🏳️‍🌈
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What would our Sunday afternoon tribute to the disco hits of the 70s and early 80s be without including this definitive anthem from 1976. Those opening horns always sent us surging toward the dance floor, boyfriend for the night in hand 🏳️‍🌈
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It was sexy, it was exciting, it was a hellava good time. 50 years on, I can still see the boys packing the dance floor in their button-up 501s and sweat-drenched tank-tops, with muscles rippling and mustaches bristling, lifting the roof off with every “ooh-ooh”. From 1977, the Disco-era dance-floor classic …. 🏳️‍🌈
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Sun-baked days and disco nights. Besides becoming a dance floor favorite in gay bars worldwide, this one achieved crossover hit status, peaking at number five on the Billboard Hot 100 - from 1978: 🏳️‍🌈
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Sempé - Château
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He Was America's First TV Star of Color. They Just Didn't Know Which One. In 1944, a Black Baptist preacher's son from Columbia, Missouri named John Roland Redd married a white Disney artist named Beryl DeBeeson in a ceremony in Tijuana, Mexico. They had no choice in the venue. Interracial marriage was illegal in California. Before they crossed back into the United States, they needed a plan. Redd had already spent several years passing as Mexican , under the name Juan Rolando , to join the white,only Los Angeles Musicians Union and get work as an organist on local radio. It was either that or not work at all. But his wife had another idea. Most Americans knew almost nothing about India. They could give him an exotic appeal that would open doors a Black man from Missouri could never walk through. Together they built Korla Pandit: born in New Delhi to a French opera singer and an Indian Brahmin government official, educated in England, arrived in America at twelve. Redd adopted the turban, the jeweled pin, the silk brocade jacket. In 1948, while performing at a Hollywood furrier's fashion show, he caught the attention of television pioneer Klaus Landsberg, who offered him his own program , with one condition. Landsberg had decided that Pandit should never speak on camera. He was to play, gaze into the lens, and let the music carry everything. Pandit agreed on the spot. On a night in February 1949, Adventures in Music debuted on KTLA in Los Angeles , one of the first programs in American commercial television and the first all,music show the medium had ever broadcast. Over the following years, Korla Pandit appeared in 900 episodes without speaking a single word on air. He also played live accompaniment for Time for Beany, the beloved puppet show. Audiences across California became transfixed by his hypnotic gaze and the strange, sensuous quality of his playing. He was recording and touring into the 1990s. John Roland Redd died in October 1998. His true identity had been so thoroughly maintained , in public, in private, with his own children , that the full story only surfaced in 2001, when journalist R.J. Smith published an account in Los Angeles Magazine based on family interviews and surviving records. The condition Landsberg had imposed , stay silent , turned out to be the perfect cover. You cannot be asked about your homeland when you refuse to speak. He was not allowed to be who he was. So he became someone no one could question.
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TOpoet retweeted
It's a strange world.
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Think people can notice my soft bulge?
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Starting in 1609, owning this drum was a crime punishable by death in the Kingdom of Denmark-Norway. In 1767, while hundreds of them were being thrown into the fire, a Norwegian priest sketched and documented one. When the Norwegian priest and linguist Knud Leem (1697-1774) arrived in Finnmark (Northern Norway) as a missionary in 1725, he formed a deep bond with the Sámi people.He wore their clothes and learned their language.For years,he observed shamanic sessions and personally drew what he saw. The engraver O.H.von Lode transferred these drawings onto copper plates. Published in Copenhagen in 1767, the book contained over 600 pages of parallel Danish-Latin text and 100 copperplate engravings. It's the most comprehensive Sámi ethnography published in Northern Europe in the 18th century. The symbols on the drum's membrane were drawn with a red dye made from alder bark. This color symbolized blood. A single drum could hold up to 150 symbols. The noaidi (shaman) would place a brass ring called a 'vuorbi' on the membrane and beat the drum.The symbol where the ring stopped was the answer to the question asked: the location of a lost reindeer, the luck of a hunt, or which sacrifice to offer... On Northern Sámi drums, the membrane was divided into three tiers by horizontal lines: the upper tier was the realm of the gods, the middle tier was the human world, and the lower tier was the realm of the dead. In 1692, an almost 100-year-old Sámi shaman named Anders Poulsen had his drum confiscated and stood trial for witchcraft in Vadsø (Northern Norway). Poulsen played his drum in court. He called out to his gods, asking them not to be afraid of the Norwegians in the courtroom. In his 16-page testimony, he explained every single symbol on the membrane one by one. Before he was convicted, he was murdered in his cell with an axe by a mentally ill person named Villum Gundersen. He became the last victim of the Finnmark witch trials. Missionary Thomas von Westen had about 100 drums collected all by himself. He sent them all to Copenhagen. In the Great Fire of Copenhagen in 1728, 70 of them burned to ashes. Today, only 71 original Sámi drums are preserved worldwide. After a 330-year exile, Poulsen's drum was returned from the National Museum of Denmark to the Sámi Museum in Karasjok (Northern Norway) in 2022. It's the first piece of Sámi cultural heritage to return to Sápmi from abroad. Its Sámi name is *ruoktot*: meaning coming home..
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This legendary composer counted every single coffee bean. Out loud, and in front of his guests... Ludwig van Beethoven, composer of the Ninth Symphony, the Moonlight Sonata, and approximately one thousand pieces of music that still make people cry 200 years later, refused to let anyone else make his morning coffee. Not because he was a control freak. Well. Also, because he was a total control freak. But specifically because he had a rule: exactly 60 beans per cup. No more, no less. And he counted them himself, one by one, every single morning. His biographer Anton Schindler documented it in 1840: "He allowed sixty beans for each cup, and lest his measure should mislead him to the amount of a bean or two, he made it a rule to count over the sixty for each cup, especially when he had visitors." He had a cook and employed housekeepers. He had the staff, but he still counted the beans himself. Modern coffee science says 60 beans weigh roughly 8 grams, which is almost exactly the dose in a Nespresso pod. The man who composed the Fifth Symphony accidentally invented the perfect espresso ratio in 1810 by counting beans like a man who had completely lost the plot. His doctor eventually banned him from coffee. Beethoven ignored this completely and kept drinking it until the very end. © Eats History #archaeohistories
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15,000 Marines. 120,000 Chinese soldiers. 35 below zero. And the one thing that kept them alive was a bag of candy.... In November 1950, during the Korean War, 15,000 U.S. Marines were surrounded by 120,000 Chinese soldiers at the Chosin Reservoir in North Korea. It was 35 below zero and the C-rations frozen solid in their cans. Jeep batteries splitting from the cold. The ground too hard for bulldozers. You have maybe heard what happened next. Marines radioed for 60mm mortar rounds using the code word Tootsie Rolls. A radio operator in Japan without the code sheets heard Tootsie Rolls and sent exactly that. Pallets of candy dropping into a frozen battlefield. It gets told as one of the great accidental miracles of the war. The historians looked into it. There is no military record of that airdrop anywhere. What actually happened was this: Before the encirclement, Marines had trucked in a large PX shipment to sell to troops once the fighting settled down. When it became clear there would be no settling down, General O.P. Smith ordered the entire supply distributed to the men free of charge. The official Marine Corps history records the value of that candy at exactly $13,547.80. Most of it was Tootsie Rolls. And then the Marines figured out what to do with them. At 35 below, the bars had to be thawed in armpits and mouths before they could be eaten. They became the primary food source for thousands of men for days. Veteran Tom Elliott wrote after the war that they used bayonets to chip pieces off frozen bars and spent 20 minutes thawing each piece in their mouths before they could chew it. Someone also discovered that warmed, pliable Tootsie Roll could be molded into bullet holes in fuel tanks and radiators, where it would refreeze solid and hold. They fought their way out over 17 days. The road south was lined with wrappers. The survivors called themselves The Chosin Few. Tootsie Roll Industries still sends them boxes of candy every year. The box says: Tootsie Roll salutes The Chosin Few. We are proud to have been with you. © Eats History #archaeohistories
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Toilet paper was first used in China in the 6th century AD (some sources even trace it back to the 2nd-century BC). In the Western world, however,using paper for hygiene didn't become widespread until the 16th century. The first commercial toilet paper went on sale in the US in 1857. The gap between China and the West: roughly 1000 years.
Replying to @RTSG_Main
The production of toilet paper in the U.S. started in 1857. The Soviet Union began producing tiled paper in 1969. That is a 112-year difference between communism and capitalism.
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Double Dildo and Two Stone Eggs (113 BC); found in the tomb of Prince Liu Sheng, Prince of Zhongshan, of the Han Dynasty ..... This artifact is an example of ancient Chinese funerary art and sexual aids. It provides insight into the cultural practices and beliefs surrounding sexuality and the afterlife during the Han Dynasty (206 BC - 220 AD). According to researchers, these could have been used to train these muscles independent of a partner. The artifact is a significant archaeological find, offering a glimpse into the personal life of a Han Dynasty prince. Sexuality in the Han Dynasty was diverse and relatively tolerant, particularly among the elite, with many emperors engaging in male-male relationships alongside their wives. While Confucianism emphasized familial obligations, procreation was not sole measure of sexual conduct, allowing for private homosexual relationships that were more accepted than in later dynasties. Han society also saw unique practices like Taoist spiritual intercourse and the acceptance of male concubines.  The Han Dynasty was notable for its relatively high tolerance of same-sex relationships, especially among the nobility and imperial court. A significant number of Western Han emperors were recorded to have male lovers, with some sources suggesting a high degree of acceptance for this aspect of their lives. The infamous story of Emperor Ai's relationship with Dong Xian, a male favorite, illustrates the close bonds that could form between rulers and their male partners. Unlike in later periods, male homosexual behavior in the Han Dynasty was not strongly associated with effeminacy or sin, and it was generally kept private.  Confucian values heavily shaped Han society, emphasizing filial piety and the family as the fundamental unit. Sexual relations were primarily understood through the lens of marriage and the continuation of the family line through heirs. Evidence suggests that homoeroticism also existed in the lives of women, though records are less abundant than for men. Some Taoist sects engaged in sexual intercourse as a form of spiritual practice, an early example of what would develop into more complex Taoist sexual yoga. The practice of having male concubines was common among the wealthy elite and royalty, seen as a natural extension of the harem-like system.  Today, many replicas might be found in museum gift shops or specialized online stores focusing on ancient history or archaeology. National Museum, Beijing #archaeohistories
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Elini vicdanına koy serisi... Sert bir vicdanınız var, bunun azabını yaşayacak olana şimdiden sabırlar. @gayarabul @gayroskop
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4000 year old cave paintings from Australia 🇦🇺 These remarkable cave paintings, located in Australia’s Kimberley region, are among the most ancient and enigmatic forms of human expression. Often referred to as the “Wandjina” or “Bradshaw” paintings, they depict figures with large eyes, halo-like heads, and elongated bodies. To Indigenous Australians, these are sacred images, representations of ancestral beings who shaped the land, the sky, and the moral order of their world. While modern observers sometimes interpret the figures as resembling extraterrestrial beings, scholars emphasize that they hold deep spiritual meaning tied to Dreamtime, the Aboriginal cosmology describing creation and continuity. The pigments used have survived millennia, a testament to both technique and reverence. These paintings are not merely art but living connections to one of the world’s oldest continuous cultures. The Wandjina figures are unique among ancient art for their lack of mouths — according to legend, they speak through the rain and thunder, symbolizing the power of nature and creation. #archaeohistories
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马年大吉,祝大家马屌多多🐴🍆
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10 Van Gogh Masterpieces you (probably) don't know. 8 and 9 are Van Gogh’s most famous lover and a good friend. 1. The White Orchard
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Hairy guys need love too
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