“In the Flux of Us: The Art of Algorithms” 2026.04.25-2027.04.18 at New Taipei City Art Museum. NOW: "Within: The Anatomy of Constraints" by Aleksandra Jovanić

Taiwan
Joined November 2021
"Within: The Anatomy of Constraints" is a continuation of @alexis_o_O Jovanić’s generative art explorations of analogies between human conditions and code development. In both systems, constraints form an unavoidable interplay between limits, confinements, and restrictions on one hand, and structures, direction, and emergent conditions on the other. Often, developing a coded system and building a physical world become an attempt to find a balance between freedom and imposed rules, chaos and order, variation and limitation, randomness and control. The careful introduction of constraints in the code defines the parameters and orchestrates visual creation, imposing a structure while allowing chance and unpredictability to influence the final output. (1/3)
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Variations and stylizations of her signature algorithmic lines, shaped by formal constraints, begin to resemble skeletal, neural, and vascular systems, recalling the illustrations found in scientific books. The body-like forms become condensed into scientific diagrams, layouts of anatomical dissections of plants, animals, and human bodies. Through animation, a few elements move around each other, amplifying questions of containment and dependency. (2/3)
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Instead of imposing a single explanation or establishing a direct correspondence between these systems, these visual outputs question how we recognize patterns, construct connections, and assign meaning. The work asks how pliable our perception can be and how quickly a diagram, a system, or a collection of lines can begin to feel like evidence of something we already believe we understand. ◗ Within: The Anatomy of Constraints ◗ Aleksandra Jovanić ◗ 2026/9/22 - 11/22 ◗ NTCAM: Lobby
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The interactive work "Constellation Array," designed by artist @Newyellow and curated by @VolumeDAO, is currently on display at Taipei Songshan Cultural and Creative Park's Tsutaya Books, echoing the exhibition "Synchronic Constellation: Cross-Boundary Perspectives in Art" currently showing at the Museum of Contemporary Art Tokyo (MOT). (1/x)
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Visitors can scan a QR code to draw shapes and choose colors on their phones, adding their own brushstrokes to the array on the live screen. Each trace retains its own form, while its color interacts with neighboring works, rippling and shifting in response to fluctuations — presenting the ever-forming connections between individuals. Completed works will appear as tokens in a dedicated collection on our digital creation platform partner, @objktcom (2/x) .
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The main historical period discussed in the "Synchronic Constellation" exhibition is the Japanese colonial era, during which Taiwanese artists encountered various humanities and artistic movements that traveled from the West to Japan and then from Japan to Taiwan, with these currents interacting with and influencing one another's creative work. This exhibition presents many precious documents from both Taiwan and Japan, while the Constellation Array echoes this global cross-current in the form of a satellite exhibition and audience-driven co-creation, reflecting how each unit — the individual, the land, the cultural sphere — took root and developed over time. photo by @newyellow2 (3/3)
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VolDAO retweeted
大廳計畫 | 在變動之中生成:演算法的藝術 NTCAM Screening — In the Flux of Us: The Art of Algorithms ◖ 陳芷渝 Chih Yu CHEN ◗ 2026/7/14 - 9/20 @chihyu_chen_ @VolumeDAO – at Taoyuan County, Taiwan
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The most interesting things often happen in doorways, along boundaries, in those moments where paths meet and overlap. “In the Flux of Us: The Art of Algorithms” reimagines the entrance space and screens of the New Taipei City (@NewTaipeiGov) Art Museum (NTCAM) — a threshold between arrival and departure, once only a passage — as a space meant not only to be passed through, but inhabited. Here, meaning begins to unfold. (1/7) #exhibition #art
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For those who visit in person, printed editions of each generated output can be ordered and collected, allowing participation to take on a tangible form. The work passes through its audiences in different ways, leaving behind fragments to carry forward. (6/7)
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This is an invitation — to engage, to sense, and to partake in its unfolding. To inhabit the experience. Open from 2026.04.25 to 2027.04.18 at New Taipei City (@NewTaipeiGov) Art Museum. (7/7)
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We’re delighted to kick off our first exhibition of the year. In the Flux of Us: The Art of Algorithms Aluan Wang, Chih-Yu Chen, Aleksandra Jovanić, Kazuhiro Tanimoto, Lin Jinyao April 25, 2026 - April 23, 2027 New Taipei City Art Museum
We are glad to share that Polypaths SE by @IOivm will be shown in the exhibition In the Flux of Us: The Art of Algorithms at the New Taipei City Art Museum, from April 25 to July 4, 2026, alongside works by @chihyu_chen_, @alexis_o_O, Kazuhiro Tanimoto, and @jinyaolin. Thanks to @VolumeDAO for the curation. When works of art cease to be defined as static arrangements of objects, unfolding instead through a continuous process of flux, is the audience obliged to remain a mere spectator? Indeed, when the audience is no longer just passively viewing the work, but begins to shape its outcome and direction—becoming a form of participation—within this state of flux, might we be able to coexist with the artwork, thereby generating a mutual, collective meaning? With these questions in mind, NTCAM Screening — In the Flux of Us: The Art of Algorithms, curated by Volume DAO, reimagines the museum's entrance space and LED screen as a site for artistic emergence. By transforming the threshold between arrival and departure, a simple passageway becomes a fertile ground for experimentation, where the meanings of such artworks might begin to reveal themselves. The audience is invited to become one of the triggers in the work’s generation. By using their mobile phones to adjust the parameters of the piece, the work is no longer simply displayed or viewed, but gradually unfolds and takes shape through the process of participation. This year-long NTCAM Screening program invites five artists: Aluan Wang, Chih-Yu Chen, Aleksandra Jovanić, Kazuhiro Tanimoto, and Lin Jinyao. Through their diverse generative and algorithmic practices, the works encompass simulations of natural phenomena and painterly techniques, generative experiments within digital media, and reflections on the organic relationships between the artificial and the natural. Here, the artworks are not regarded as static objects, but rather as continuously evolving states; within the operational contours sketched by algorithms, and at the intersection of viewing and participation, they gradually develop through the interplay of time, rules, and randomness. In doing so, moments of poetic resonance are captured, generating a performative space unique to each moment, while at the same time opening new bridges of perception and imagination across different systems, media, and artistic practice. Exhibition dates: Aluan Wang | 4/25 - 07/04/2026 Chih Yu Chen | 06/11 - 09/20/2026 Aleksandra Jovanić | 09/26 - 12/06/2026 Kazuhiro Tanimoto | 12/12/2026 - 02/19/2027 Jinyao Lin | 02/20 - 04/24/2027 In the Flux of Us: The Art of Algorithms Aluan Wang, Chih-Yu Chen, Aleksandra Jovanić, Kazuhiro Tanimoto, Lin Jinyao April 25, 2026 - April 23, 2027 New Taipei City Art Museum No. 300, Guanqian Road, Yingge District, New Taipei City Curated by VolumeDAO
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Developing a project for women × coding × art in Taiwan — looking for insights and experiences! This project aims to build a supportive community for women in Taiwan working with creative coding — through learning, sharing, and collective growth — while also opening pathways to international exchange I’d love to hear from you if you: - Have experience with code + art programs or communities - Know relevant organizations or resources and are open to making international connections - Want to get involved, support, or share any advice (Currently in the research phase — any info, experience, or advice is deeply appreciated 🙏) A small personal note: I’m quite introverted by nature, but I’m sharing this in hopes of reaching more people who might resonate with or support this project I’m applying for a government program with plans for an international visit in 2026 Regardless of the outcome, I’ll continue working on this — even if it means moving a bit more slowly
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✅山古志デジタル村民 NishikigoiNFT発行からまもなく4年! 多くの出会い、時には切ない気持ちを抱えたり葛藤や摩擦…色んな事がありましたよね。リアルとデジタル、ネイティブとヨソモノの共創って、言うほど簡単じゃないけれど… 今や、山古志にとって最も大切な日 「10.23」を、ともに創る仲間となった山古志デジタル村民! 挑戦し続けるカッコいい山古志の皆さんに魅せられた、大切な仲間です😊
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VolDAO retweeted
■ Now Playing at Tamagawa Takashimaya S・C @tamataka_sc facade LED cube ■ "Layers of Air and Light" by @misaki_mofu Light and air drifting through Futakotamagawa - Tamagawa breeze, reflected light, gentle moments in between ■ Through Feb 28, 2026
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VolDAO retweeted
Lately I’ve been painting with code instead of a brush. I used to be obsessed with how pigments spread in water and colors melt into each other. Now I’m simulating those molecular dances through algorithms—and it’s even more addictive. Brush trails emerge from mouse velocity, ink seeps into “paper” when it slows down, textures and reflections recorded in every frame. Replaying the same path with a different seed—each run looks familiar, yet never the same. It’s not about replacing ink painting. It’s about keeping those fleeting mistakes and hesitations alive.
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2025 Official Update is available!🚀 - POPs - new OP family! - DMX workflows in POPs - Laser overhaul - Color Space/HDR support - ST2110 - New python tools - Export geo sequences - File metadata support - 3D textures in TOPs Too many new features to list! derivative.ca/community-post…
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