
Official account of #BitesizeBreakdown. Your home for the latest film/series reviews, interviews, articles, and more!
Toronto, Ontario
Joined March 2020
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Replying to @NCFilmCritics @EdwinArnaudin @AshevilleMovies @NickyD715 @FrontRowEllie @jtberry97 @jessup_music @DenofGeekUS
Amarú Moses, writing for Bitesize Breakdown, praised the film’s “harsh, cruel, tense, and heart pounding” tone, though he warned it can take a few minutes to get used to Nolan’s modern dialogue compared to the ancient prose. @knick888221 @bitesizebreak
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Can I speak freely? You Can See Everything doesn't just deserve the Best Picture nomination... It deserves the win.
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Alexander Skarsgård takes on another unconventional role & Olivia Colman continues to be one of the most reliable actors working today with WICKER. A love story on the surface, there's a lot to be said here about status, tradition & patriarchy. #Wicker
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KLARA AND THE SUN: Taika Waititi’s tendency to riff on a level that’s freaking sublime can’t help but overshadow his genuine sincerity, which leads him to beat us over the head with the most obvious sentiments. A nice but superfluous wash.
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WICKER: While not the sultry romp that’s marketed, we do get a funny tale of sexual awakenings and societal norms holding people back from true happiness, although the emotional core does get lost. Features Alexander Skarsgård doing a Ron Swanson impression.
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WILDWOOD: A serviceable story brought to life with expansive world-building and epic scope that make up for its unremarkable character writing, but the groundbreaking stop-motion animation steals the show, evolving an already miraculous style even further.
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In a lot of ways, WILDWOOD feels like LAIKA's magnum opus. The story may be a touch simple but the animation is breaktaking and does things I've never seen before. There is still room to grow, but visually, this the greatest stop-motion animated film of all time. #Wildwood
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YOU CAN SEE EVERYTHING warrants all its hype and then some. Nathan Fielder has crafted a wholly unique way to tell Elizabeth Holmes' story that will make you think, make you uncomfortable, and make your jaw drop. You have to see this to believe it. #YouCanSeeEverything
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YOU CAN SEE EVERYTHING: One of the most unpredictable experiences in recent memory, mixing Fielder and Oppenheim's best sensibilities to test whether someone can truly be their worst selves. The result is an exhilarating masterpiece that you'll need to see everything to believe.
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VISIONQUEST is a delightfully strange addition to the MCU. Filled with plenty of heart & grief, this series dives into the ramifications of the events of WandaVision & gives James Spader a new version of Ultron that he absolutely shines at portraying. #VisionQuest
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MATCHBOX: THE MOVIE is overall a disappointment. This is a children's movie masquerading as a film for adults as it's overflowing with tropes and clichés and a reversion to the type of actor John Cena began his career as. #MatchboxTheMovie
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SENSE AND SENSIBILITY: Avoids the stuffy period fluff by being so pure that you feel the sisterly bond through every heartbreak and laugh with one another, captured with vibrant natural colours and featuring a star is born performance from Esmé Creed-Miles.
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Do you want to know what the view is when walking the Green Carpet at Zurich? #ZFF2026
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Anna Kendrick gets her turn with the giant Toblerone!
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Danny Boyle on the future of 28 YEARS LATER: "The third one WILL happen because people keep asking for it. The script from Alex Garland is incredible. I just don't know when yet." #ZFF2026
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VERITY: It's hard to hate a film when you had so much fun with it, but easy to call it bad when the fun was at its expense. The psychosexual tension came off more like a soap opera, with flat acting that resulted in unintentional laughter throughout.
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VERITY is like a worse version of The Housemaid. It's filled with terrible dialogue, stilted performances, brutal camera shots, an uninspired score & a dumb "twist." This was my introduction to Colleen Hoover and it will likely be my farewell. #VerityFilm
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Alexander Skarsgård and Olivia Colman (with her new hairstyle!) bring WICKER to Zurich. #ZFF2026
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Director Kane Parsons brought a special screening of his hit horror movie BACKROOMS to Zurich! #zff2026
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Martin McDonagh, writer-director of WILD HORSE NINE, practicing his Oscar pose at Zurich! #ZFF2026
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