30+ • EN/SP • multifandom • books • pfp by narren • minors DNI
previously debwriting
Joined May 2026
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deb retweeted
Smth I find funny about the whole "writers are demanding 500 kudos to update" (which isnt a thing) is that there's a pretty popular art trend/meme where the artist will require x number of ❣s and RTs to progressively undress a character and no one bats an eye at it. so lol
I have seen AO3 fanart in that 'dead wife flashback' style. The people are not alright, someone bring her back from the war.
deb retweeted
In all this vast world, there's only you.
My show piece for the #Binquan Gallery & Meetup on the 14th.
See you there 🫶! #ทั่วใต้หล้าใจข้ามีเพียงท่าน #ปินเฉวียน #八仙 #宾权
asked my mom to get my godparents in madrid to get me the la bola negra artbook, and then when I told her it's about lorca's works, she said he wrote a poem about her land, santiago, and sure enough he did
what I always find interesting about our optimism is also that millennial friends are some of the most cynical people I know, and after going "hehe might kms if it gets worse" we just dust ourselves off and go "fuck tomorrow better not suck too, or else" and or else never comes.
having a movie gap friendship will really torture a mf
(me I am the mf, I am the one being tortured)
deb retweeted
“movie too monumental too sweeping too pretentious” lobster too buttery steak too juicy etc
“La Bola Negra,” a new film by Javier Ambrossi and Javier Calvo, dramatizes gay repression and liberation across three interconnected stories. At first, the year is 1937 and viewers are thrust deep into the Spanish Civil War, where a Nationalist soldier and a wounded Republican freedom fighter exchange furtive glances. By the end, it’s 2017, and a Madrid-based historian need only look to Grindr to satisfy an urge. The movie “wants to be a sweeping historical epic of gay longing—a film about what it means to be a man who desires other men in times of war and peace,” Justin Chang writes. Instead, the directors have produced “a film that insists, arrogantly and aggressively, on its own monumentality”. Even compelling performances from Glenn Close, Penélope Cruz, and Lola Dueñas fail to rescue the extravagantly overwrought film. Read Chang's full review: newyorker.com/culture/the-cu…
Hualian having sex is a bathtub after reuniting is now canon and I wrote about it back in the day?? heck yeah
