
I don’t hollaback. Podcasts @TheOtherBanana. AV: @81allout. #Klaytheist
San Francisco, CA
Joined December 2009
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southboundreview.com/film/es…
An article by Writer Tamizhprabha, on Deva - The way he brought a path breaking change in the course of Tamil cinema.
Farewell, Deva! @Lovekeegam
#Deva #TamilCinema #music
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S. Sadanandam, popularly known as Sada ‘Master’, whose guitar enriched many of the finest compositions of Isaignani Ilaiyaraaja, died in Chennai on Thursday (October 29, 2026). He was 80.
✍️@kolappan
thehindu.com/news/national/t…
Marvel of a guitarist
First- the tone, Second- absolute clarity of every note, Third- how relaxed is he(drives u mad)
because classical guitar play is anything but relaxed, with high error rate & tone mishaps that keeps you awake (unless one is Sada)
youtu.be/IsAPnRyn3Ek
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Lovely write-up on Deva, by Deepan Ramachandran, founder of the ad agency Mind Your Language (MYL).
💔
Also the "Shankar" of composing duo Aravind-Shankar who created, among other songs, CSK's anthem. #RIP
My Nana Patekar story
The year must have been 2006. My band Sankara had been having a great year. Earlier that year we'd opened for Rabbi Shergill and Indian Ocean and things were going great.
One day Koko (of Agnee fame and at the time our lead guitar player) calls us and says he guys gig tonight? Sure, we all said. Where?
Turns out it was the closing ceremony of a qualifying tournament for the World Equestrian Championships which was being held at the NDA. The venue was an open field outside NDA, overlooking Pune. A beatiful if somewhat rustic venue, but no matter there would be old monk and an animal being roasted on a spit as one has at Army parties.
Sankara, oh I wish y'all could have heard Sankara. The best damn band that India never got to know. We were all mongrel musicians (with the exception of Koko) and had somehow managed to put together a semi decent band (remember the mongrel part for later).
And our set was all originals or improvised covers of obscure songs. We'd take a Mirza Ghalib poem and set it to music and then we'd jam on it for a quarter of an hour. And all our shows were improvised as well and there was one rule - the music never stops whatever happens.
so there we were playing our set when we were told that the Chief Guest would say a few words and we turned and there on the side of the stage was Nana Patekar waiting for the band to stop so he could give his speech. But the music never stops right?
So the band, which at that point had developed some sort of weird telepathic communication system I can't fully explain dropped the volume and morphed whatever we were playing into a nice chill trip-hoppy trancy vibe and gestured to Nana to begin.
Nana steps onto the stage and in that glorious baritone of his begins to deliver his speech. What a moment it was. Gentle breeze, cool Pune evening, under the stars, smell of meat roasting, a crowd of faces shining and the gentle music underneath it all. Nana liked the vibe and rolled with it as well. He had enjoyed our little tasteful disobedience :-)
Later, during the dinner break he comes up to us and is very nice. He says "one word of advice. you all have to stay together. ladho, jhagdo lekin ek dusre se alag nahi hona. what y'all have is magic and don't fuck with it"
then he goes on to ask a favor of us. He tells us that he has a childhood friend, a classical singer. And this friend and his son used to perform together. And there had been an accident some months ago when they were on tour and the dad survived but the son died. He says that his friend hasn't sung since that day but he feels that if he meets us, his friend will sing. And would we accept an invitation to dinner at his house, along with our instruments?
which is how we find ourselves on Nana's balcony at his apartment on Law College Road where hi lived with his mother. Nana recited poetry for us. His friend was there. We drank. We played. And then Anoop asked his friend to join in on one of our songs called Lil Ojas which was straight raga Hamsadhwani and the friend turns to Anoop and says - app ki woh doosri taar thodi chadh gayi hai (your second string is out of tune)!
Goddamn mongrel musicians.
The gentleman did sing and Nana was very grateful. I never met him again even though he was lovely and would not have minded.
In that brief encounter I saw a very lovely human being. A deep soul. There are rumours that he was capable of tempers and worse but I never saw any of that in him. I met a thorough gentleman and a loving soul.
RIP Nana. Ishwar aapki aatma ko sadgati de.
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I rarely talk to filmmakers but talking to him as a critic was one of the greatest pleasures
livemint.com/mint-lounge/art…
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RIP a true greatest of all time. Singeetham Srinivasa Rao has done it all. From Mayabazar (1957) to Sing Geetham (2026). Just his films with Kamal and Rajkumar is an enviable body of work.
For most of us our demons end up overpowering our angels. There are a few whose angels are so strong that the demons don’t stand a chance. That @beemji face is the recognition that @ilaiyaraaja is the prime among the few.
I am sure many of us would have felt this way while listening to @ilaiyaraaja Sir’s music.
The emotion I see on @beemji’s face here is the same feeling many of us have experienced countless times while listening to Raja's music.
I really wish more people would talk about what a wonderful film Vaa Vaathiyar is. Props to @NalanKumarasamy for even putting this forward.
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Also the soundtrack! Mutharasan Kadhai, Uttaman Kadhai and so much more. Some extraordinary poetry from Kamal and something got into Ghibran for that operatic score. We don't get musicals like this anymore and few soundtracks today feel one with the film like UV.
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“Paandi Muni” instantly takes you back to the haunting magic of “Kottaiya Vittu” from Chinnathayi… that unmistakable Isaignani sound that feels both nostalgic and completely fresh at the same time.
50 years, and the KING is still creating magic.
@ilaiyaraaja @SathyaJyothi @gangaiamaren @darshan @subbu6panchu @saregamasouth #LeninPandian #ddBalachandran
youtu.be/r8hw-sgBpyM?si=5zsf…
The future of farming may look less like a farm and more like a factory. I went inside India's largest mushroom operation in Goa and found something that combines agriculture and the efficiency of manufacturing. We call it Agropolis. Link to the @theplateindia documentary below
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Since we are on the topic. Here's Moonrampirai BG score. (and the beautiful Vanengum) Paathu kathhukongayya! You know who you are. youtube.com/watch?v=brRpFzng…


















