
@USC alum Words: @thecontinent_, @FT, @guardian, @Variety, @IndieWire, @NotebookMubi, @Filmkrant, @okayafrica. @RottenTomatoes certified. @CriticsChoice member
Lagos
Joined April 2011
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That Marissa Mayer girlboss NYTimes article not doing her plenty favors. Like girl u won at life already, take your billions and go away. Forever.
I always liked watching Francis Duru onscreen. Solid actor, and seemed so unassuming. May his soul rest in peace.
Not enough people talking about Mason Reeves in Josephine probably because she's a child actor. Phenomenal work.
Stumbled on heavy police presence at a church yesterday in SF and when I inquired why got the saddest story. This woman who retired as a top cop and head of a swat team decided to leave her husband (also an ex cop) and he killed her and their daughter in their home. Just tragic.
He killed himself too btw. Anyway SFPD pulled out the stops to give her a proper service. Ann Mannix is her name.
nbcbayarea.com/news/local/sf…
Hear me out: A chance to put both Cate and Kate in a film.
Todd Haynes and Cate Blanchett are planning to reunite with an adaptation of Jean Genet's 'The Maids': thefilmstage.com/todd-haynes…
I'd put We belong together 1, Untitled 2 and u got it bad 3 but decent list I suppose...
COMPLEX ranked the best R&B songs of the 2000s
1. Usher – “U Got It Bad” (2001)
2. Mariah Carey – “We Belong Together” (2005)
3. D’Angelo – “Untitled (How Does It Feel)” (2000)
4. Alicia Keys – “You Don’t Know My Name” (2003)
5. Ashanti – “Foolish” (2002)
6. The-Dream – “Rockin’ That Shit” (2008)
7. R. Kelly – “Ignition (Remix)” (2002)
8. Beyoncé – “Me, Myself and I” (2003)
9. T-Pain feat. Yung Joc – “Buy U a Drank (Shawty Snappin’)” (2007)
10. Ne-Yo – “So Sick” (2005)
11. Amy Winehouse – “Back to Black” (2007)
12. Usher – “U Don’t Have to Call” (2001)
13. Sade – “By Your Side” (2000)
14. Mýa feat. Jay-Z – “Best of Me, Part 2” (2000)
15. Aaliyah – “Rock the Boat” (2001)
16. Amerie – “1 Thing” (2005)
17. Rihanna feat. Jay-Z – “Umbrella” (2007)
18. Chris Brown – “Yo (Excuse Me Miss)” (2005)
19. Erykah Badu – “Didn’t Cha Know” (2000)
20. R. Kelly – “I Wish” (2000)
21. Usher – “Confessions Part II” (2004)
22. Janet Jackson – “Someone to Call My Lover” (2001)
23. Ginuwine – “Differences” (2001)
24. Monica – “So Gone” (2003)
25. Beyoncé – “Single Ladies (Put a Ring on It)” (2008)
26. Ashanti – “Rock wit U (Awww Baby)” (2003)
27. Destiny’s Child feat. T.I. & Lil Wayne – “Soldier” (2004)
28. Jagged Edge feat. Run – “Let’s Get Married (Remix)” (2000)
29. Ciara – “Promise” (2006)
30. Carl Thomas – “I Wish” (2000)
31. Ne-Yo – “Miss Independent” (2008)
32. Faith Evans – “I Love You” (2002)
33. Mary J. Blige – “Family Affair” (2001)
34. Jazmine Sullivan – “Need U Bad” (2008)
35. Jill Scott – “A Long Walk” (2000)
36. Lloyd feat. Lil Wayne – “You” (2006)
37. Kelis – “Milkshake” (2003)
38. Case – “Missing You” (2000)
39. Maxwell – “Pretty Wings” (2009)
40. Bobby V. – “Slow Down” (2005)
41. Fantasia – “When I See U” (2007)
42. Joe – “Stutter” / **Joe feat. Mystikal** – “Stutter (Double Take Remix)” (2000/2001)
43. Anthony Hamilton – “Charlene” (2004)
44. Robin Thicke – “Lost Without U” (2006)
45. Keyshia Cole – “Love” (2005)
46. Cassie – “Me & U” (2006)
47. Michael Jackson feat. Marsha Ambrosius – “Butterflies” (2002)
48. Justin Timberlake Feat. T.I. – “My Love” (2006)
49. Pretty Ricky – “On the Hotline” (2007)
50. Pharrell feat. Jay-Z – “Frontin’” (2003)
Mr Dua Lipa's taking it.
The four finalists for James Bond are:
• Callum Turner
• Josh O’Connor
• Jack Lowden
• Mystery Actor
Final screen tests are set to take place next week.
🔗 deadline.com/2026/10/james-b…
Hollywood is purging everyone sis.
Hollywood Is Purging Its Women Execs vanityfair.com/story/layoffs…
Wilfred Okiche retweeted
UPDATE: The couple's attorney, Kenneth Mollins, says Douglas Elliman has fired the real estate agent.
##
A Long Island couple is suing after they said they received a text message from a real estate agent while searching for an apartment in Queens that said, “ugh they are black.”
According to the lawsuit, the realtor apparently texted the couple instead of the owner of the apartment in Flushing.
Lisa Renee Olaso said she and her fiancé had driven up from Delaware to view the apartment, as they were relocating to New York. They have since found a home in Commack.
She said she received the text message as they were getting out of the car to meet the agent. When she confronted the agent, the agent tried to unsend the message but was unable to. She said the agent apologized, “and I appreciate that, but it doesn’t change the pain.”
“It doesn’t take away people who on social media had to read that and see that we’re still having to deal with this unnecessary discrimination, prejudice and racism in 2026,” she said.
The couple said they’re not looking for money but for their story to be told. “This is why I wanted to talk to an attorney to just see if there is any way to avoid anyone feeling the way I feel right now and the way that I felt when that took place,” Olaso said.
The lawsuit was filed in Queens alleging violations of state and federal discrimination laws.
1010 WINS has reached out to the realtor and her company for comment but has not heard back.
🎤 Sophia Hall reports
📸 Sophia Hall
🎤 @sophiabhall1 reports
📸 Sophia Hall
Wilfred Okiche retweeted
There should be an app where you upload your bills and bored billionaires swipe right to pay them.
Wilfred Okiche retweeted
A judge in New Mexico ordered Meta to pay a $25 billion judgment for deceiving users about how it handled their personal data, a penalty the state’s attorney general said appeared to be the largest of its kind ever issued. wapo.st/4BzR36G
I see how this conclusion was arrived at.
Paweł Pawlikowski’s latest film, “Fatherland,” which won the Best Director prize at this year’s Cannes Film Festival, is about the novelist Thomas Mann’s return to Germany, in 1949, to receive an award. “If Pawlikowski’s aim was to portray Mann (played by Hanns Zischler) as a terminal bore and a pompous ass, he succeeded brilliantly,” Richard Brody writes. Pawlikowski tweaks the facts of Mann’s life to fit his style—and the style he rarifies in this film is one with little room for variety or range. “It is a cinema of prefabricated meaning and predetermined mood,” Brody writes. Read his full review: newyorker.com/culture/the-fr…
















