Exhibition
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An Exhibition of Auto-Destructive Art
自己破壊芸術展
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5 days left
Open again from Wednesday 🗓️
exonemo @exonemo
"Hatch/et" (2026)
"断末魔ウス" (2007)
A system reaching its goal is what triggers its own destruction. And a mouse broken for good, next to a cursor that repeats the motion forever
0xDEAFBEEF @_deafbeef
"Entropy" (2021)
The information is intact. The degradation is written into the transfer history, and people price the token by it anyway
0xFFF @0xShiroi
"Diminishing Returns" (2026)
Using the system is what wears its paths down
Zeroichi Arakawa @arandoros
"assumevalid" (2026)
"upgradeTo(Leviathan)" (2026)
A network that no longer verifies its own records, and a hundred citizens whose implementations are switched one by one
Jonah Brucker-Cohen @coinop29
"Alerting Infrastructure!" (2003)
Every visit to a website becomes damage to the building it represents. Here it is the pillar in the gallery
Akihiro Kubota @hemokosa
"Collapsed Constellations" (2026)
"Poesia Povera" (2026)
Computation proceeds by consuming entanglement. Poetry proceeds by cutting away
Toshi @toshiaki_takase
"@toshiaki_takase: Room" (2026)
Deletion hollows out an identity, and each deletion is kept as a separate record
OPEN ⚠︎ Oct 14, 15, 16, 17, 18 ⚠︎
🗓️ 14:00 - 19:00
📍 NEORT++
two.neort.io/exhibitions/aut…
Exhibition
━━━━━━━━━━━━━━━
An Exhibition of Auto-Destructive Art
自己破壊芸術展
━━━━━━━━━━━━━━━
0xDEAFBEEF @_deafbeef
"Entropy" (2021)
Every transfer degrades the work, though nothing is actually lost
0xFFF @0xShiroi
"Diminishing Returns" (2026)
Thirty-two contracts. Every transfer wears down the connection it uses
Zeroichi Arakawa @arandoros
"assumevalid" (2026)
"upgradeTo(Leviathan)" (2026)
A blockchain that verifies nothing, and a hundred citizens switched one by one into a single body
Jonah Brucker-Cohen @coinop29
"Alerting Infrastructure!" (2003)
Visits to a website become damage to the building that website represents
exonemo @exonemo
"Hatch/et" (2026)
"断末魔ウス" (2007)
A computer guessing a passcode, and a mouse that cannot be restored
Akihiro Kubota @hemokosa
"Collapsed Constellations" (2026)
"Poesia Povera" (2026)
Measuring a qubit consumes it, and that consumption is the computation
Toshi @toshiaki_takase
"@toshiaki_takase: Room" (2026)
His actual X account, open for anyone to delete from
🗓️ Oct 2 - 18 | 14:00 - 19:00
📍 NEORT++
two.neort.io/exhibitions/aut…
Talk
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Built to Break
An Exhibition of Auto-Destructive Art
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Today. Doors 17:30, starts 18:00
🗣️
Kensuke Sembo @exonemo
Zeroichi Arakawa @arandoros
Toshi @toshiaki_takase
Moderated by @themassagejp @NORIWTS
📍 NEORT++
RSVP ▶︎ luma.com/0mnc0yux
Exhibition
━━━━━━━━━━━━━━━
An Exhibition of Auto-Destructive Art
自己破壊芸術展
━━━━━━━━━━━━━━━
0xDEAFBEEF @_deafbeef
"Entropy" (2021)
Every transfer degrades the work, though nothing is actually lost
0xFFF @0xShiroi
"Diminishing Returns" (2026)
Thirty-two contracts. Every transfer wears down the connection it uses
Zeroichi Arakawa @arandoros
"assumevalid" (2026)
"upgradeTo(Leviathan)" (2026)
A blockchain that verifies nothing, and a hundred citizens switched one by one into a single body
Jonah Brucker-Cohen @coinop29
"Alerting Infrastructure!" (2003)
Visits to a website become damage to the building that website represents
exonemo @exonemo
"Hatch/et" (2026)
"断末魔ウス" (2007)
A computer guessing a passcode, and a mouse that cannot be restored
Akihiro Kubota @hemokosa
"Collapsed Constellations" (2026)
"Poesia Povera" (2026)
Measuring a qubit consumes it, and that consumption is the computation
Toshi @toshiaki_takase
"@toshiaki_takase: Room" (2026)
His actual X account, open for anyone to delete from
🗓️ Oct 2 - 18 | 14:00 - 19:00
📍 NEORT++
two.neort.io/exhibitions/aut…
exonemo retweeted
Thank you to @ragnar_art for collecting from the @exonemo series "Last Acres Of The Internet" in the group show WYSIWYG on eBay!
The net artwork is a generative ASCII topography experienced in the browser. View here ↓
the-last-acres-of-the-intern…
exonemo retweeted
The WEBSITES WEBSITES WEBSITES! (WWW!) exhibit closed last night in NY ❤️🔥
The exhibition brought together twenty artists and thirty years of art made for the browser, presented with @artxcode_io and @rhizome, and curated by @bennavkim @benoit_tokyo_ of LAN Party with Sofia Garcia of ARTXCODE.
Congratulations to the artists, and to every collector who added one of these works to their collection. What's unusual about collecting a website is that nothing disappears, the works stay live at their URLs, public and open, exactly where they've always been.
Thank you to everyone who visited 39 Great Jones Street, and to everyone who supported @rhizome's work as a memory institution for digital art through the sale.
Here's a round-up of some of the pieces collected ↓
⭑ The Last Acres of the Internet by @exonemo
Collected by @WAPSHOP_ETH
The work offers the web's least desirable real estate for sale. While short domain names sell for colossal amounts, like land in Manhattan, exonemo trades in the opposite: the duo registers meaningless domain names of 63 characters, the maximum length permitted, and grows an HTML wilderness generated from random strings on each one. Whoever buys a website owns both the domain and its wilderness, free to build there as they wish.
In contrast to artists raised within today's platform economy, exonemo reflect on what was lost as the web became centralized, asking who holds its territory and what remains for those arriving next.
exonemo retweeted
🚨TODAY! 🚨
@exonemo's The Last Acres of the Internet, part of the exhibition WEBSITES WEBSITES WEBSITES! (WWW!), goes to auction at 12 PM ET
⭑ Closes 24 hours after the first bid
⭑ Starting at $24, on Fellowship →🔗 fellowship.xyz/artwork/exone…
⭑ Proceeds directly support @rhizome's work as a memory institution for digital art.
The work offers the web's least desirable real estate for sale. While short domain names sell for colossal amounts, like land in Manhattan, exonemo trades in the opposite: the duo registers meaningless domain names of 63 characters, the maximum length permitted, and grows an HTML wilderness generated from random strings on each one. Whoever buys a website owns both the domain and its wilderness, free to build there as they wish.
Bidding opens at $24, the sum Dutch colonial director Peter Minuit is said to have paid the Lenape for Manhattan Island in 1626.
In contrast to artists raised within today's platform economy, exonemo reflect on what was lost as the web became centralized, asking who holds its territory and what remains for those arriving next.
To explore the full project, visit → the-last-acres-of-the-intern…
今日がThe Last Acresの最終日です。同時にサイレントオークションも終了します!
wiki.neort.io/auction
OPEN TODAY
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The Last Acres of the Internet
exonemo @exonemo
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Two days left 💥
⚠︎ Today and tomorrow only ⚠︎
🗓️ 14:00 - 19:00
📍 NEORT++
Secret auction closes tomorrow 19:00 JST
wiki.neort.io/auction
exonemo retweeted
DIGITAL ART SHOWS TO SEE IN NEW YORK DURING ARMORY WEEK 2026
From Auriea Harvey at Heft, to Jennifer & Kevin McCoy at bitforms, and Arthur Jafa at New Museum, galleries and museums have a varied program on offer around this year’s Armory Show
By Louis Jebb
rightclicksave.com/article/d…
OPEN TODAY
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The Last Acres of the Internet
exonemo @exonemo
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Back open, 14:00 to 19:00 🪧
Three days left!
🗓️ Sept 24, 25, 26 only
📍 NEORT++
the-last-acres-of-the-intern…
Exhibition
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The Last Acres of the Internet
exonemo @exonemo
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Own the last land left on the Internet 🌐
For one week NEORT++ becomes a real estate agency 🏘️
The plots are 63 character .land addresses, too long to remember and too long to say out loud ᝰ✍︎
@exonemo treats them as open country and puts them on the market
Come and take a look around
🗓️ Sept 20 to 26
📍 NEORT++
two.neort.io/exhibitions/the…
Exhibition
━━━━━━━━━━━━━━━
An Exhibition
of Auto-Destructive Art
自己破壊芸術展
━━━━━━━━━━━━━━━
Destruction is not what happens to a work. It is what the work is made of 💥
Gustav Metzger built decay into his works in 1959. Seven artists ask what that becomes in computation, where a process can hold the conditions for its own end
Artists:
@_deafbeef / @0xShiroi / @arandoros / @coinop29 / @exonemo / @hemokosa / @toshiaki_takase
🗓️ Oct 2 - 18 | 14:00 - 19:00
📍 NEORT++
two.neort.io/exhibitions/aut…
今週はNYでRhizomeの30周年、東京ではETH Global。インターネットにブロックチェーンという新たなレイヤーが重なっていく面白さを、それぞれの場所で祝う一週間になりそうです。
昨日はエキソニモ「The Last Acres of the Internet」のオープニングでした。雨の中お越しいただいた皆さま、ありがとうございました。インターネットの辺境に残された「区画」をめぐるこのプロジェクトに、懐かしさと、いまも世界がつながり続けている感触の両方を受け取っています。9/26までNEORT++で開催中です。
@neort_io @exonemo
プロジェクションされたマップには「浮遊感がある」という感想を多くいただきました。私自身、その浮遊感に少し酔いながら見ていました。
いま起きているAIの現象は、The New Internetなのか、それともインターネットを基盤とした新しいレイヤーなのか。答えを急がずに、多くの人と話しながら捉えていきたい。9月は展示を通じて、自分の感覚そのものを問い直す時間になりそうです。
その流れで、今週末9/27(日)はNYからAI Psychosis Summitを招き、渋谷Park in Parkで1日限りの展示/テック&音のミートアップを開催します。自分にはこの流れが地続きに感じている中での開催で面白いです。こちらもぜひお越しください。
@AIPSummit
psychosis.itm.studio/m/ai-ps…
exonemo retweeted
本日よりエキソニモのThe Last Acres of the Internetが開催。NEORTは今回、インターネット最果ての地を販売する不動産屋になります。
オンラインからも入札できます!
wiki.neort.io/auction
Exhibition
━━━━━━━━━━━━━━━
The Last Acres of the Internet
@exonemo
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Open now! 🪧🌐
Reception from 18:00 🥂
📍 NEORT++
Exhibition
━━━━━━━━━━━━━━━
The Last Acres of the Internet
exonemo @exonemo
━━━━━━━━━━━━━━━
Own the last land left on the Internet 🌐
For one week NEORT++ becomes a real estate agency 🏘️
The plots are 63 character .land addresses, too long to remember and too long to say out loud ᝰ✍︎
@exonemo treats them as open country and puts them on the market
Come and take a look around
🗓️ Sept 20 to 26
📍 NEORT++
two.neort.io/exhibitions/the…
OPENS TOMORROW 🏘️
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The Last Acres of the Internet
exonemo @exonemo
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⚠︎ Open 4 days only ⚠︎
🗓️ Sept 20, 24, 25, 26 | 14:00 - 19:00
🥂 Opening reception Sept 20, 18:00 - 21:00
RSVP ▶︎ luma.com/kpps2t2d
Own the last land left on the Internet
For one week NEORT++ becomes a real estate agency🧑💻
The plots are 63 character .land addresses, too long to remember and too long to say out loud.
exonemo treats them as open country and puts them on the market 🌐
📍 NEORT++
two.neort.io/exhibitions/the…
Exhibition
━━━━━━━━━━━━━━━
The Last Acres of the Internet
exonemo @exonemo
━━━━━━━━━━━━━━━
Own the last land left on the Internet 🌐
For one week NEORT++ becomes a real estate agency 🏘️
The plots are 63 character .land addresses, too long to remember and too long to say out loud ᝰ✍︎
@exonemo treats them as open country and puts them on the market
Come and take a look around
🗓️ Sept 20 to 26
📍 NEORT++
two.neort.io/exhibitions/the…
Exhibition
━━━━━━━━━━━━━━━
The Last Acres of the Internet
exonemo @exonemo
━━━━━━━━━━━━━━━
Opening reception Tomorrow 🥂
🗓️ Sept 20, 18:00 - 21:00
RSVP ▶︎ luma.com/kpps2t2d
📍 NEORT++
Exhibition
━━━━━━━━━━━━━━━
The Last Acres of the Internet
exonemo @exonemo
━━━━━━━━━━━━━━━
Own the last land left on the Internet 🌐
For one week NEORT++ becomes a real estate agency 🏘️
The plots are 63 character .land addresses, too long to remember and too long to say out loud ᝰ✍︎
@exonemo treats them as open country and puts them on the market
Come and take a look around
🗓️ Sept 20 to 26
📍 NEORT++
two.neort.io/exhibitions/the…
exonemo retweeted
Replying to @exonemo
@exonemo, Last Acres of the Internet on eBay …auction ending in less than 24 hours!
>>>>>>>>>>>>>
ebay.io/m/lQltZB
Exhibition
━━━━━━━━━━━━━━━
The Last Acres of the Internet
exonemo @exonemo
━━━━━━━━━━━━━━━
Own the last land left on the Internet 🌐
For one week NEORT++ becomes a real estate agency 🏘️
The plots are 63 character .land addresses, too long to remember and too long to say out loud ᝰ✍︎
@exonemo treats them as open country and puts them on the market
Come and take a look around
🗓️ Sept 20 to 26
📍 NEORT++
two.neort.io/exhibitions/the…
exonemo retweeted
WYSIWYG (And Other Things You Can Buy on eBay)
A show about materiality, embodiment, and platform polemics.
ebay.com/str/wysiwyggroup
exonemo retweeted
🔜
»The Last Acres of the Internet« by @exonemo sells domain names as land, paired with a generated HTML wilderness, a tribute to net art's pioneers. Note: the NFTs are proof of ownership; the artwork itself is the domain and its HTML.
9 September • 6 PM CET
Stories We Tell Online:
meet the artists. ✦
Three cities. Three curators. Three exhibitions exploring the stories we tell, share + become online.
curated by @kikanicolela
@hAyDiRoKeT ✦ @kev_esh ✦ @Salawaki_3000 ✦ @tinysoulgame
curated by @micolmicolmicol
@_nonfigurativ_✦ @emailyedelman ✦ @joelle_lb ✦ @_juanrg92 ✦ @LindaDouniaR ✦ @omgidrawedit ✦ @rheaplex
curated by @postanika
@speciesofvalue ✦ @exonemo ✦ @Georg_Eckmayr ✦ Jonathan Monaghan ✦ @malpractice_net ✦ @martnbruc ✦ Miltos Manetas ✦ @madebyoona ✦ @RebeccaRose ✦ @supperman ✦ @YuranYakon
Coming to Internet Cafés in Vienna, Linz + Berlin.
exonemo retweeted
Artists You Should Know → .✦ ݁˖ @exonemo .✦ ݁˖
exonemo is a Japanese artist duo formed on the internet in 1996 by Kensuke Sembo and Yae Akaiwa, based in New York since 2015. Their work explores the paradoxes of the digital and analog environments surrounding us, moving freely between computer networks and the physical world to expose the relationship between technologies and the people using them. Their own profile describes the method as wielding anger, laughter and a text editor, approaching every medium with a hacking sensibility.
Across nearly thirty years the move has stayed consistent: take something so ordinary online it has become invisible, a search engine homepage, a browser window, a desktop, a dead link, and drag it across the boundary between digital and physical until both sides look strange. Playing with randomness and error, they find a kind of humorous intimacy in tools and machines we normally treat as pure utility.
Their project The Road Movie won the Golden Nica in the Net Vision category at Prix Ars Electronica in 2006. They have been NEW INC members since 2015, founded the internet secret society IDPW in 2012, and in 2020 received a museum retrospective, UN-DEAD-LINK, at the Tokyo Photographic Art Museum. Their work is included in Rhizome's Net Art Anthology, and has been shown at the Whitney Museum, Aichi Triennale, YCAM, Art Tower Mito and NTT InterCommunication Center.
They will be part of WEBSITES WEBSITES WEBSITES! (WWW!) Opening September 21st in NY. websiteswebsiteswebsites.net…
↓ Below is an overview of their past projects

























