
@0xbasement | @GrailersDAO | @tender_art | Building @100smallbets | Discord: herefor_this#5573 | Deca: https://xitter.cf/t.co/BWeU4IzOj2
Joined April 2021
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64/64 - Sketchbook A @williamapan
Well done William, @jamiegourlay, and the whole @verse_works team! Ending it with probably my favorite mints.
(left) #11 @drleenft
(right) me
Where I realized I could be an admirer and a collector. Glad I was here for @fx_hash_.
To everyone, thanks for the amazing years. It seems that the fxhash platform has come to a close. The artwork, however, lives on.
The lack of communication around the wind-down is regrettable. To clarify and provide some closure:
The entire fxhash team was let go in February, except for the founder. Currently, there appears to be no attempt being made to close on the loan offered to the company (the loan was previously mentioned in a post by ciphrd).
Therefore, no current or future development is being planned. The website is now offline, and it is unclear whether it will come back.
To all the people who made fxhash possible: artists, collectors, team members, enthusiasts, supporters, partners...in short, EVERYONE who took part in the special happening that was fxhash...THANK YOU!
We shared so much together and had a truly wild code-based ride. Thankfully, @verse_works @lerandomart @objktcom are supporting the viewing & exchange of artworks published on fxhash. Mega props to them for staying true to the mission through difficult times.
And former fxhash front-end developer @maerzhase3000 has developed a framework for keeping fxhash artwork available without relying on fxhash infrastructure: whitehash.m3000.io
It's too bad things ended like this. But between the monumental trove of artwork that formed a unique creative movement and the friends we made along the way, some might say we lived it to the fullest.
The discord community is indeed still online and active if you're looking for a place to hang and talk about the good ol' days.
Pictured: fxhash generative logo #1, minted 03 Nov 2021 @ 13:28 for 0.1 tez
Herefor_This retweeted
Erik Swahn | Soma
We are delighted to officially announce Erik Swahn’s upcoming SOLOS release, Soma.
A symphony of light, colour, music, and atmosphere.
🪡↓
Herefor_This retweeted
MERIDIAN MONDAYS
Left: Meridian #275 by @mattdesl on @artblocks_io in the collection of @herefor_this
Right: My photo of the Supertree Grove at the Gardens by the Bay, Singapore, May 2017.
MERIDIAN MONDAYS
Left: Meridian #353 by @mattdesl on @artblocks_io
Right: Photo taken while walking around Hong Kong in July 2018. The rich, warm hues in the photo reflect the city’s latent energy, and perhaps foretell the unfortunate chaos that would befall it the next year.
Herefor_This retweeted
The Near-Death of My Career As An Artist
I still remember the day my NFT project, Lebras, was supposed to change everything for me. It was March 11th, 2022, and I was sitting in front of my computer, hands shaking, heart racing.
Five minutes to launch, and I was convinced this was it – the project that would finally ‘put me on the map’. The pre-sale list was full. There seemed to be good engagement on my announcement tweets (yes tweets!). Everything seemed like a green light. But as the clock ticked down, that excitement turned to despair. The mints didn't come like I had expected them to. At the time the relative silence had felt deafening.
I had poured my heart and soul into Lebras, and its ‘failure’ felt like a personal rejection. I questioned everything: my art, my worth, my place in the NFT space. For months, I couldn't bring myself to create. I deleted projects, uninstalled software, and wondered if I had been delusional to think I could make it as a full-time artist at all.
But then, something unexpected happened. I casually scrolled through my feed and stumbled upon a logo design challenge on the Tezos platform, TEIA. Reluctantly, I grabbed the nearest sketchbook and started doodling an isometric cube, filled with letters that I called 'TEIA-sseract'. That casual experiment evolved into Tesseract, a project that would eventually mint out quickly and unexpectedly boost Lebras' sales.
Looking back, I realized that my attachment to the outcome had suffocated my creativity. I had been so focused on 'success' by the criteria of the space, that I forgot why I started creating in the first place – for the joy of it. Tesseract taught me that true freedom lies in detachment. When we create for the sake of creation, not for external validation, we tap into a deeper sense of purpose, that paradoxically seems to increase the likelyhood of favorable outcomes.
I know that letting go of attachment can sound like a cliché, a tired phrase that's easy to dismiss. But the truth is, it's the only method I've found that consistently works. It is counterintuitive, but the more we want something, the more we need to let go. It's a paradox that can be hard to wrap our heads around, but it is the only way to truly create sustainably without suffocating under the weight of our own expectations.
But here's the funny thing: creativity is not something we can turn away from or switch off easily. It is a part of us, a driving force that pushes us to create, even when (or especially when!) we think we've given up. It is a reminder that our passion and dedication are what truly matter.
As artists in the NFT space, we face unique pressures. We are driven by a desire for success, but the metrics we use to measure it – mint numbers, revenue, floor prices – they can be cold and unforgiving. It is easy to get caught up in the narratives and expectations of others. But we must resist. We must be kind to ourselves, acknowledging that our worth is not tied to our art's commercial success.
We must also work honestly and to the best of our ability at any given time. It is the only way to truly create something meaningful and authentic. When we pour our hearts and souls into our work, we open ourselves up to the possibility of failure, but also to the possibility of something truly remarkable.
Especially in a space like this, we must create with a lightness that comes from detachment. We can focus on the process, not the outcome. We can reward ourselves for taking risks and trying new things. And when the market is unpredictable, and our work seems invisible, we can hold on to the one thing that is always within our control – the act of creation itself.
If there is anything I have learnt over the past few years, it is that longevity in Web3 (as I see it) for most of us, will be the accumulation of small wins, the bravery to try, and the resilience to keep going. I often see great artists trickling out of the space, especially when the road ahead seems uncertain. It is understandable. However I wish for them to keep creating, and trust that the process will carry them through.
As I learned from my own journey, sometimes you have to go forward to cast light on what you've done before. And sometimes, that alone is enough.
🔴⚪️⚫️
Dragons by @williamapan vibes! 💙💛🧡
Love the movement in this. Well done @sfbatchelor 🥂
Thank you @Dalos, for helping bring this Entangled Pair together.
Congrats on such a captivating experience @_nonfigurativ_, @ciphrd, and the whole @fx_hash_ team!
Herefor_This retweeted
☕️🌞gm - next Linea releases on 2nd July with @verse_works ✨
Another grail added to the collection.
Dragons #210 by @williamapan
Now to find the right name for my new mythical friend...
When the calmness hits.
Autoscope #180 by @erikswahn on @verse_works
I couldn't help myself @elosayshello...
A @jessepollak Based Pop 💙💙💙
Meridian by @mattdesl has been a goal and a constant tenant in my mind. An extreme oversimplification of the feelings I'm having right now -
I'm excited to add Meridan #275 to the collection.
Thank you @ikcentrik!
I'm calling this one: "We can't live like this."
The world-building is riveting.
Barbarians by @jMarkusiewicz coming to @verse_works





































