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For your consideration, Our Patreon over at @spitball_media has over 1k hours of exclusive content for just 5 bucks a month! You get a dick ton of audible fun for cheap! Give it a shot! Take it from your wrestling scoops fund! You’re better off with us! patreon.com/spitballmedia
Jon Draper retweeted
gofundme.com/f/nrpx2a-suppor… Seriousl im trying to avoid losing my place and being out on the street and i got until the end of the week also have paypal venmo or i can give you the site of the place we have are house stuff at
Jon Draper retweeted
YOU CAN SEE EVERYTHING has crossed the $40M mark at the American box office, becoming the highest-grossing meta-documentary film of ALL TIME.
@A24 win streak this year is impressive.
This was fantastic. Definitely too long, and not for everyone, but regardless of how familiar you are with the subject matter, it’s just such a unique film experience.
Jon Draper retweeted
#youtube Roman Reigns INSULTS EVERYONE youtube.com/watch?v=L9j6kbNJ…
There’s no better way to get the weekend started than by checking out our weekly entertainment podcast! This week, we look back at horror films for Halloween from 1995 to 2000! Patreon members get access to thousands of hours of exclusive content! podcasts.apple.com/us/podcas…
Jon Draper retweeted
#youtube Nobody Wants To Go To Saudi Arabia youtube.com/watch?v=vfi5lmCD…
Jon Draper retweeted
Today I turn 88…I’ve seen some serious shit. The most serious of it all is love. I love my family, my friends, and my wonderful fans. The power of love remains.
Jon Draper retweeted
Happy 40th anniversary to legend!
Pro Wrestling (Super Famicon), released on this day in 1986.
Tonight at 7:30 on the East Coast, we’re wrapping up our Halloween horror countdown tonight looking at movies from 1996 to 2000. Let us know your favorites from that time period in the chat!
Join us tonight! At 7:30 eastern we finish our best horror movies discussion, going from 1996-2000.
youtube.com/live/1mBO-9Dy7IA…
Nothing sad than comedians who hate comedy.
If Shane Gillis were to come back to SNL, “I’m sure we would have a conversation … like a little kid” about what he could have done differently, @nbcsnl cast member @KenanThompson tells @sarafischer at #MediaTrendsLive.
Jon Draper retweeted
I thought the comparisons to wrestling were a bit cringe at first but now they are legitly calling each other stiff workers
Abella Danger Says Modern Adult Stars ‘F*cking Suck’, Willow Ryder Responds by Calling Her Stiff Details: buff.ly/rNXxkwG
Jon Draper retweeted
#youtube Max Caster Gets FIRED INSTANTLY youtube.com/watch?v=mnq5FCk_…
Jon Draper retweeted
So Josh Wilding’s negative CLAYFACE review has now been removed from Rotten Tomatoes.
And yeah, this is where things start getting really fucking weird.
Josh saw the movie at a public UK screening. He paid for his ticket. He wasn’t under the press embargo. Rotten Tomatoes accepted the review, let it sit there, and now it’s gone.
So who made the call?
Because Fandango owns Rotten Tomatoes, and Warner Bros. holds a minority stake in Fandango.
Am I saying Warner Bros. definitely called Rotten Tomatoes and told them to pull a negative CLAYFACE review?
No.
But if I were a betting man, I know where I’d put my money.
And even if Warner had nothing to do with it, that still leaves Rotten Tomatoes looking terrible.
They approved the review. Josh wasn’t bound by the embargo. Then after a bunch of DCU fans threw a collective shit-fit over a 2.5/5 review, suddenly it disappears?
Come on.
This is exactly why I put zero value into Rotten Tomatoes.
If a review can vanish because of studio pressure, public pressure, internal panic, or some arbitrary embargo concern that didn’t even apply to the critic, then what exactly are we supposed to trust here?
At this point the call feels like it’s coming from inside the house.
Dude is already thinking about going back…
Ilja Dragunov was asked if WWE's last offer to him included a raise or a paycut:
“To be honest, I’ve too much discreet and too much of a businessman and a gentleman myself to talk about these kinds of things. Everything I can say is that it was nothing that I felt satisfying, and nothing that gave me the perspective of, ‘Okay, I must stick with what I hear.’”
(@arielhelwani)































