
teaching @kingsfilm | editor @worldpicjournal | ‘the seduction of space’ @UMinnPress & ‘hotels’ @FordhamUP
London
Joined January 2021
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Jules O’Dwyer retweeted
Join @julesod2 at the @TheGardenCinema on Wednesday evening for a screening of Mystery Train and Q&A session to celebrate the publication of Hotels.
⏰ 19:50 BST, 14 May 2025
Book tickets here 🎟️:
thegardencinema.co.uk/film/h…
Shop the book:
combinedacademic.co.uk/97815…
@FordhamPress
Jules O’Dwyer retweeted
A highlight of SCMS this year was bagging a copy of this, by @julesod2 - perceptive and poetic, a wonderfully readable and eye-opening blend of history and theory. Unexpectedly, it’s also left me hankering for the anonymity of a key card and a tiny bottle of shower gel.
Jules O’Dwyer retweeted
One week left to submit a proposal for Sexual Ecologies! Academic papers, creative responses, video essays…all welcome! Details here: tinyurl.com/2b4tu8r6.
Generously funded by @CRASSHlive, @baftss and @MMLL_Cambridge.
Jules O’Dwyer retweeted
📣 Call for responses
Sexual Ecologies: Space, nature and queer cinema
A workshop which explores queer and ecological perspectives in cinema and the nexus of queerness, landscape, and lens-based art
Submit a contribution by 4 April 2025
Event on 30 May
crassh.cam.ac.uk/events/4640…
Jules O’Dwyer retweeted
Excellent new titles out today:
Capitalism Hates You: Marxism and the New Horror Film by @joshua_gooch
The Seduction of Space: Cruising French Cinema by @julesod2
#NewBooks #NewBooks2025
Jules O’Dwyer retweeted
Our new Issue 15: Next (Winter 2025) is live. Eight new essays plus an interview with critic Jonathan Rosenbaum. What's Next: worldpicturejournal.com/
Jules O’Dwyer retweeted
PhD candidate, Mynt Marsellus has published their essay in the latest issue of @JCMSJournal.
You can read "Dimension 20 and Collaborative Moral Imagination" at quod.lib.umich.edu/j/jcms/im….
Jules O’Dwyer retweeted
Lionel Soukaz est mort! Cinéaste PD d’avant garde, on lui doit certains des films les plus irrévérencieux sur le désir gay et la libération sexuelle, notamment ce chef d’œuvre documentaire Race Dep (1978) qui retrace un siècle de notre histoire communautaire.
Jules O’Dwyer retweeted
Just in and such a great start to the weekend: Jules O'Dwyer's @julesod2 The Seduction of Space
Jules O’Dwyer retweeted
"Des téléphones lancés contre les murs", un boy's club de direction aux méthodes de management toxique, de la "violence généralisée et banalisée" : plongée dans l'ambiance délétère de la Cinémathèque française, par @HugoBoursier, à lire sur @Politis_fr. politis.fr/articles/2025/01/…
Jules O’Dwyer retweeted
Announcing our Spring/Summer list of books—extra special as they will publish during our ✨centennial✨ in 2025.
Feat: @LeeSDean @DerekSDenman @petergeye @joshua_gooch @StaciaKalinoski @amyklobuchar @professahKwate @WilliLempert @AlexMenrisky @julesod2
z.umn.edu/ss25
Cambridge cinephiles, I’ll be giving a Stephen Hales talk at Leckhampton in @CorpusCambridge next Tuesday afternoon. feat Claire Denis’s hotels, then and now
Jules O’Dwyer retweeted
I am definitely here for the Serge Daney English-translation renaissance. "The Tracking Shot in Kapo" has gotta be contender for best longform film essay about a film the author hasn't seen.
Hugely looking forward to joining former colleague @lucyamcdonald to take part in this National Gallery / KCL event with for @PhilosophyArts in mid-April. I'll be talking about intimacy, screen love, cinephilia... philosophyarts.co.uk/events/…
Now the ink is dry, I’m happy to say that my second book, on the hotel in cinema, is forthcoming with @FordhamPress . A huge thanks to @_edb and @genevieveyue for including it in the Cutaways series
Please read and sign. Aberdeen has such a broad range of expertise in modern French cultural studies. This really amounts to an act of cultural vandalism
Now at 1054 signatures. Please keep signing and sharing to #SaveUoALanguages
second day of ‘Models’ conference with WP & ICI, Berlin. Such a pleasure to be in presence of such brilliant friends and colleagues .


































