Laura Lynn Bolan retweeted
Dragon’s blood, Indian yellow, imperial purple, peach black, wagon green, Tyrolean green, Paris violet, Bismarck brown…
Two extraordinary color charts from the Nouveau Larousse illustré, c. 1900, cataloguing colors and names used in painting, industry, textiles and maps.
Laura Lynn Bolan retweeted
There’s a lot of tiny treasure in this new find-the-tiny-silver-owl photo. I’d *so* love to hear what your favourite v small handmade/antique/found thingy is from this image (oh & when you find the owl your brain will release dopamine, lifting mood, so maybe RT if you think your followers might need a small lift/break from scrolling) 🗝️:
Laura Lynn Bolan retweeted
Falling Slowly
I'm heartbroken to hear of the passing of Glen Hansard. His music has been the soundtrack to my life for as long as I can remember.
This was one of the very first pieces I shared here during the Covid pandemic. I remember how nervous I felt posting it. Not long afterwards, I received a message from Glen himself telling me he loved my version. Those few kind words, coming from an artist I admired so deeply, meant more than I can say. They gave me the confidence to keep sharing my music, and they played a significant part in the path that followed.
So many evenings were spent lying on the floor of my cottage beside the fire with my dog Nisha, listening to Glen's songs. I still can't quite believe he's gone.
This is Falling Slowly from the film Once. Glen and his co-star, Markéta Irglová, won the Academy Award for Best Original Song in 2008.
The world feels quieter today. My heart goes out to his family, his friends, and to everyone whose life was touched by his music. I'll be listening to his songs for the rest of my life.
Laura Lynn Bolan retweeted
"Thus were the stars of heaven
created like a golden chain
to bind the Body of Man
to heaven
from falling into the Abyss."
~ William Blake
'Vala, or The Four Zoas'
Laura Lynn Bolan retweeted
Listening now to the beautifully forlorn 1901 Japanese melody Kojo No Tsuki or "Moon over the Desolate Castle". Played by Goro Yamaguchi (shakuhachi) & Toshiko Yonekawa (koto) (1973 Lp)
Song describes the moonlight over a ruined castle longing for the heyday of the castle.
Laura Lynn Bolan retweeted
My depression’s severe & dark just now but talking to folk here gives me a sense of belonging which I really need to try to hold on to.
Making this photo helped my brain & looking for the tiny silver owl hidden in it will help yours-the botanical fractals will dial ⬇️ stress & your brain will release dopamine if you find🦉:
Laura Lynn Bolan retweeted
Wolf had found the evening paper in Old Fox's desk. He took it to his room & slowly read the names aloud, into the silence. Luis Gustavo Núñez Cáceres, Geraldo Lunas Campos, Victor Manuel Díaz, Heber Sánchez Domínguez, Renee Nicole Good, Parady La, Alex Jeffrey Pretti, Luis Beltran Yanez-Cruz.
He thought of each soul, earthy & loved as roses, high & holy as falcons, fire stars raken into the breath of night. He imagined each name as a child, their first steps, moving towards smiling faces, outstretched arms of love and care, playing in the street on endless summer afternoons, the sidewalk burning hot, laughing until their bellies hurt, blowing out birthday candles, wishing for the future, the rich unlived life beyond. And then he thought of their murderers, and the dark sky seemed to shatter, falling into cold irretrievable fragments.
Laura Lynn Bolan retweeted
This is one of the bronze doors of the Ljubljana Cathedral (Cathedral of St. Nicholas) Ljubljana, Slovenia 🇸🇮.
Laura Lynn Bolan retweeted
Without doubt, an essential poem for this time of year.
'Snowdrops'
by Louise Glück
Laura Lynn Bolan retweeted
Rostropovich playing at Andrei Tarkovsky's funeral. at the St. Alexander Nevski Russian Orthodox Church.
Paris
Laura Lynn Bolan retweeted
Philip Larkin's last great poem, Aubade, a masterpiece of insomnia, existential despair & suburban misery, was published - of course - in the Christmas edition of the TLS in 1977
an aubade normally is a hymn to the morning or a love song so the ironies begin w the title:
Laura Lynn Bolan retweeted
Enrobed in a heavy dress
of Damask blue
The Night
Stretches herself
across the lasping horizon
Fled is the Day, ruled by place and time
Memories come, cold and staggering
Unwelcome friends
My life a mishmash
Of dreams and reverie
Film strips left on the cutting room floor
#poem
Enrobed in a heavy dress
of Damask blue
The Night
Stretches herself
across the lasping horizon
Fled is the Day, ruled by place and time
Memories come, cold and staggering
Unwelcome friends
My life a mishmash
Of dreams and reverie
Film strips left on the cutting room floor
#poem
Laura Lynn Bolan retweeted
“But we cannot simply sit and stare at our wounds forever.”
― Haruki Murakami
Laura Lynn Bolan retweeted
The Fifteenth Window. Paris, 15th December 1930. The magnificent performance of Wagner's Lohengrin had just finished at the Palais Garnier and the audience was slowly leaving, looking for taxis and gathering on the steps.
It had begun to snow and silk umbrellas were raised like flowers opening in a garden.
On the far right, there was a figure quite unlike the others. His top hat was worn and dusty and lopsided, his white tie yellowing and undone, one trouser leg was shredded and his unpolished shoes flapped open.
He sat there, rocking, occasionally crying out, a greasy cigarette butt held in a shaking hand. Everyone ignored him. He was known around there, in the cafes and in the opera house, and due to the peculiar poignancy of his tragedy - the sudden loss of a wife and child three years previously - they let him be.
Even if a jewelled and feathered patron complained, they let him be. But that night, someone noticed him.
An angel, passing by on a minor task outside her usual arrondissement. As she flew over, she felt a twisting vastness of pain, a despair as dark and echoing as Garnier's damp, corpsed cellars.
Invisible, she swooped, gossamer wings taut, arms filled with red roses and violets and delphiniums. The man looked up and in the now soaking rain, refracted in the lamp light, he suddenly thought he saw his wife, smiling, auburn hair wreathed in summer blooms, holding their daughter on her lap - all is well, all is well, my love.
A few moments later, a waiter dashed through the traffic and bent down, his kindly, worn features shining with good news for this poor figure - your supper's been paid for, and a room for the next two weeks, a rich lady came in just now, she'd noticed you, she lost her brother and told me to tell you, she understands - I'll help you - I have some spare trousers in the kitchen - I'll help you - don't be frightened - come now - you come with me now – you're safe now, you're safe.
And the Angel stood and watched and smiled to herself - "tout ira bien", she sang, "tout ira bien."

























