
ALT For example, it used to be a custom that a lot of people in the movement didn't get their picture taken. Family photo? include me out! You go to their house, no pictures of them, no photos of them at all. They were laughed at, "Oh man, you're just out of it! The cops have ten thousand pictures of you at demonstrations so why do you have to worry about that?" That's true, but the thing is, they like us have lots of room to mess up in daily life, in the daily details of work. We want to give them every opportunity on every practical detail to do it wrong, and we want to work it that way. So for example when Assata Shakur popped in New Jersey—so suddenly she's not buried in prison but a fugitive, suddenly she's gone, wanted posters go up all over the country put up by the FBI. One problem: the photo they used of Assata was a surveillance photo from what i could tell, and you actually would never recognize Assata meeting her on the street from that 40

ALT photograph. Funny thing happened: a group was putting out one of those support Assata posters, with a accurate picture of her face on it. And rads had to go tell them, "Hey, good work but you should blur her picture up some, make her less rec-ognizable." It never occurred to the comrades that the FBI had missed the ball completely and we didn't want to accidentally do some of their job for them. So why did they do it? Why did they use a non-functional wanted picture? Who knows. But i want to give them every chance to do it. That's not a stray thought, but a basic principle of our work. You better believe i'm not mailing photos to the FBI, because they can mess it up too.

ALT Marilyn Buck, the settler anti-imperialist urban guerrilla, exact same thing with her. She became a fugitive, escaped from prison, etc. They put out a government wanted poster. Photograph from what i could tell came from an old college newspaper, kind of like a junky social news article or some-thing. Absolutely would not recognize her after many years in prison and the struggle from that photograph. Their use of these things this is part of their political work. They're not doing it just to arrest us, they're doing it to criminalize us, to create fear, to picture us as the evil people, to get the people to be afraid, shouldn't be near them, etc. And we fight them on this.

ALT So they issued a special wanted poster. It wasn't your normal wanted poster. It went up in the subways. It was a long strip of 5 wanted felons' mug shots. There's her, the young woman artist in the middle, and there's 2 guys on each side of the strip: on each side there's one rapist and one murderer. A rapist and a murderer and then her. That's who she is supposed to be like. They don't think they're going to catch her that way. No, it's their whole part of criminalizing us, right? Like, they're saying "This wasn't a political struggle, it's these vicious, criminal, violent people." So there's this wave of spontaneous anger from the women's community in New York (she was a lesbian), from anti-war people who supported the struggle against apartheid in South Africa. People just saying, "I have a couple of hours this evening I'm going to the subway". People just walking the trains car to car ripping down these damn wanted posters. Within a week there weren't any, basically, people couldn'

























