
Visuals from behind the Iron Curtain. Soviet (and bits of pre/post-Soviet) photography, architecture & design. USSR propaganda art. Curated by @variainayurt
USSR
Joined May 2016
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Soviet Visuals retweeted
60年以上前、モンゴルと東ドイツが共同制作した幻想的な映画。色鮮やかに描かれる伝統文化に加え、独創的な美術や特撮的な映像表現も魅力。特に水中世界の描写は、その独特な造形も含めて記憶に残る。
Soviet Visuals retweeted
1 July in Russia is Military Veterans' Day
This 1987 painting by Mikhail Uznikov, who fought for the USSR in Afghanistan, caught my attention at an exhibition in Yekaterinburg last year
It's called "Зачем?" (What for?)
Soviet Visuals retweeted
The Space Race: The USSR or the U.S.? 13 Major Firsts (1957-1969)
During the early years of the space race, the Soviet Union achieved most of the firsts, including launching the first satellite (Sputnik 1, 1957), sending the first human into space (Yuri Gagarin, 1961), sending the first woman into space (Valentina Tereshkova, 1963), and conducting the first spacewalk (1965).
Soviet Visuals retweeted
Alexander Dubček (1921–1992) was a Slovak statesman who led Czechoslovakia during the 1968 "Prague Spring" reform movement, attempting to create "socialism with a human face" before a Soviet-led invasion crushed the movement...
He fought in the anti-Nazi Slovak National Uprising, during which his brother was killed. He joined the Communist Party in 1939, rose through regional ranks in Slovakia, studied law and at the Moscow Higher Party School, and became the First Secretary of the Communist Party of Slovakia in 1963.
On August 21, 1968, troops and tanks from the Soviet Union and four other Warsaw Pact nations invaded Czechoslovakia to violently suppress the reforms. Dubček and other leaders were arrested by the KGB and flown to Moscow. Forced under duress to sign a rollback of the reforms, he returned to Prague, was stripped of his position in April 1969, and was officially expelled from the Communist Party in 1970.
. . .
A grease-stained garage on the outskirts of Bratislava held a clerk whom the Soviet empire had spent years trying to erase. Throughout the 1970s and 1980s, an unassuming, silver-haired man sat behind a metal desk at the regional forestry administration, filling out requisitions for tractor parts, tire replacements, and chainsaw oil. To visitors, he was just another municipal functionary in gray overalls. Yet a decade earlier, Alexander Dubček’s gentle smile had been recognized across the globe as the face of the Prague Spring—the daring reform movement that promised "socialism with a human face." Having sent half a million Warsaw Pact troops to crush his dream, the Kremlin chose not to execute Dubček or make him a courtroom martyr. Instead, they condemned him to a punishment uniquely favored by totalitarian regimes: fifteen years of state-enforced oblivion.
Dubček’s rise had brought a brief, intoxicating thaw to the Cold War. Appointed First Secretary of the Communist Party of Czechoslovakia in January 1968, the charismatic Slovak politician began dismantling the apparatus of fear. He abolished press censorship, permitted open artistic expression, legalized independent civic clubs, and opened borders to the West. Dubček did not seek to overthrow socialism, but to humanize it, believing that a communist party could govern through democratic consent rather than terror. For eight euphoric months, Prague became the cultural and political capital of European hope. But to Soviet leader Leonid Brezhnev, democratic socialism was a contagious disease that threatened the entire Warsaw Pact.
The hammer fell on the night of August 20, 1968. In the largest European military mobilization since World War II, five hundred thousand Warsaw Pact soldiers and six thousand tanks swept across Czechoslovak borders. Soviet airborne commandos stormed the Central Committee building in Prague, kicking open Dubček’s office doors and arresting him at gunpoint. Bound with telephone wire and loaded into an armored personnel carrier, Dubček and his closest allies were flown covertly to an isolated military base in Ukraine, then brought to the Kremlin. There, isolated and terrified that resistance would plunge his country into a bloodbath, a weeping Dubček was forced to sign the humiliating Moscow Protocol, surrendering the Prague Spring and accepting the indefinite occupation of his homeland.
#archaeohistories
Soviet Visuals retweeted
Sergei Parajanov’s “The Color of Pomegranates” (1969) is a masterpiece of extraordinary beauty.
The film is based on the life & work of the Armenian poet Sayat-Nova. Visually, Parajanov’s film is poetry brought to life. It tells story through symbols, colors objects & gestures.
Soviet Environmental Poster Hoodie
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Soviet Visuals retweeted
this role gave her some beautiful nicknames. White Swan, Beauty of Son-Köl (a sacred lake) and later Pearl of Kyrgyz Cinema. but it's oddly poetic that she passed away so young when her legacy is tied to the most famous woman with a tragic fate in Kyrgyz folklore
"Godless crocodile" was a satirical anti-religion Soviet magazine in 1920s.
Godless Crocodile V-Neck Tee
stratonaut.shop/products/god…



























