Visuals from behind the Iron Curtain. Soviet (and bits of pre/post-Soviet) photography, architecture & design. USSR propaganda art. Curated by @variainayurt

USSR
Joined May 2016
60年以上前、モンゴルと東ドイツが共同制作した幻想的な映画。色鮮やかに描かれる伝統文化に加え、独創的な美術や特撮的な映像表現も魅力。特に水中世界の描写は、その独特な造形も含めて記憶に残る。
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1 July in Russia is Military Veterans' Day This 1987 painting by Mikhail Uznikov, who fought for the USSR in Afghanistan, caught my attention at an exhibition in Yekaterinburg last year It's called "Зачем?" (What for?)
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Boris Talberg - Disco (USSR, 1969)
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The Space Race: The USSR or the U.S.? 13 Major Firsts (1957-1969) During the early years of the space race, the Soviet Union achieved most of the firsts, including launching the first satellite (Sputnik 1, 1957), sending the first human into space (Yuri Gagarin, 1961), sending the first woman into space (Valentina Tereshkova, 1963), and conducting the first spacewalk (1965).
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Alexander Dubček (1921–1992) was a Slovak statesman who led Czechoslovakia during the 1968 "Prague Spring" reform movement, attempting to create "socialism with a human face" before a Soviet-led invasion crushed the movement... He fought in the anti-Nazi Slovak National Uprising, during which his brother was killed. He joined the Communist Party in 1939, rose through regional ranks in Slovakia, studied law and at the Moscow Higher Party School, and became the First Secretary of the Communist Party of Slovakia in 1963. On August 21, 1968, troops and tanks from the Soviet Union and four other Warsaw Pact nations invaded Czechoslovakia to violently suppress the reforms. Dubček and other leaders were arrested by the KGB and flown to Moscow. Forced under duress to sign a rollback of the reforms, he returned to Prague, was stripped of his position in April 1969, and was officially expelled from the Communist Party in 1970. . . . A grease-stained garage on the outskirts of Bratislava held a clerk whom the Soviet empire had spent years trying to erase. Throughout the 1970s and 1980s, an unassuming, silver-haired man sat behind a metal desk at the regional forestry administration, filling out requisitions for tractor parts, tire replacements, and chainsaw oil. To visitors, he was just another municipal functionary in gray overalls. Yet a decade earlier, Alexander Dubček’s gentle smile had been recognized across the globe as the face of the Prague Spring—the daring reform movement that promised "socialism with a human face." Having sent half a million Warsaw Pact troops to crush his dream, the Kremlin chose not to execute Dubček or make him a courtroom martyr. Instead, they condemned him to a punishment uniquely favored by totalitarian regimes: fifteen years of state-enforced oblivion. Dubček’s rise had brought a brief, intoxicating thaw to the Cold War. Appointed First Secretary of the Communist Party of Czechoslovakia in January 1968, the charismatic Slovak politician began dismantling the apparatus of fear. He abolished press censorship, permitted open artistic expression, legalized independent civic clubs, and opened borders to the West. Dubček did not seek to overthrow socialism, but to humanize it, believing that a communist party could govern through democratic consent rather than terror. For eight euphoric months, Prague became the cultural and political capital of European hope. But to Soviet leader Leonid Brezhnev, democratic socialism was a contagious disease that threatened the entire Warsaw Pact. The hammer fell on the night of August 20, 1968. In the largest European military mobilization since World War II, five hundred thousand Warsaw Pact soldiers and six thousand tanks swept across Czechoslovak borders. Soviet airborne commandos stormed the Central Committee building in Prague, kicking open Dubček’s office doors and arresting him at gunpoint. Bound with telephone wire and loaded into an armored personnel carrier, Dubček and his closest allies were flown covertly to an isolated military base in Ukraine, then brought to the Kremlin. There, isolated and terrified that resistance would plunge his country into a bloodbath, a weeping Dubček was forced to sign the humiliating Moscow Protocol, surrendering the Prague Spring and accepting the indefinite occupation of his homeland. #archaeohistories
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Soviet Armenia in the works of photojournalist Armen Gharibyan, 1980s.
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Sergei Parajanov’s “The Color of Pomegranates” (1969) is a masterpiece of extraordinary beauty. The film is based on the life & work of the Armenian poet Sayat-Nova. Visually, Parajanov’s film is poetry brought to life. It tells story through symbols, colors objects & gestures.
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this role gave her some beautiful nicknames. White Swan, Beauty of Son-Köl (a sacred lake) and later Pearl of Kyrgyz Cinema. but it's oddly poetic that she passed away so young when her legacy is tied to the most famous woman with a tragic fate in Kyrgyz folklore
Tattybübü Tursunbayeva in Ak-Möör (1969) the film that made her a national icon in Kyrgyzstan with her first major screen role
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The laboratory tower of the Russian State Scientific Center for Robotics and Technical Cybernetics in Saint Petersburg, built between 1973 and 1986 by architects S. Savin and B. Artyushin. Popularly known as the "White Tulip", it is a famous example of Soviet modernism and brutalism—and it truly looks like a large tulip.
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The Soviet Union developed laser pistols in the 1980s for use by their cosmonauts to disable American spy satellites in orbit. In 1971 the Soviet government saw development of the American space shuttle as a vehicle intended to capture spy satellites out of orbit or even to carry a nuclear warhead into space in order to bomb Moscow with no warning. Soviet scientists immediately began developing countermeasures to this perceived weaponization of near space by the United States. Scientists at the Military Academy of the Strategic Missile Forces in Moscow designed and tested two different pistols. Initial requirements were for a laser that could burn through an American astronaut’s space suit, disable satellite optical instruments, and even function as a cauterizer for any wounds suffered by the cosmonauts. They created a prototype which met these requirements using a fiber optic cable as a laser resonator but was several meters long. What was needed was a pistol-sized weapon that could be used within the confines of one of the planned Salyut space battle stations. The first pistol design partially met this need by winding the fiber optic cable around a spool to reduce its overall length and developing one-time-use flash lamps the size and shape of 10mm bullets. The flash lamps were filled with zirconium foil and pure oxygen and ignited by a tungsten-rhenium filament, producing a 10-millisecond flash of light that generated up to five joules of energy on target. The breech of the pistol tilted up to expel the used flash lamp, and the next one was loaded from the 8-shot magazine in the grip via a bolt action lever. The laser could be safely fired through the windows of Soviet spacecraft when targeting American optical instruments. The second design was a semiautomatic pistol which held six flash lamps in a revolving cylinder, allowing for faster follow-up shots. There is no record of either pistol ever making it into orbit with Soviet cosmonauts and the project was shelved in 1989. It was not revealed to the world until 2011. #cosmonaut #space #laser #ussr #coldwar
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Map of Berlin following the construction of the Berlin Wall, 1960s.
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Viktor Tsoi and Kino band, USSR TV, 1988.
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#otd 1956: Hungary rises against Soviet rule. Thousands take to Budapest’s streets. Stalin’s statue is toppled. Security forces open fire. The protests become a revolution. Within two weeks, Soviet tanks will crush the uprising Listen to the story in tomorrow’s episode.
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I just love how the majority of the aircraft from the Soviet Union had turquoise colored cockpits to reduce eye strain and maintain a calm environment during long stressful flights Honestly it’s quite a unique piece of aviation history
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Белые росы 1983 г. 🎥- Что же ты не рассказал, как всё было?
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Raw concrete meets unexpected elegance. This is the ultimate "brutal charm" of Soviet roadside design—proving that even the most functional, forgotten stops could hide avant-garde freedom. I love it!!
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The historic Soviet research station at the Southern Pole of Inaccessibility in Antarctica, established in December 1958 and topped with a bust of Vladimir Lenin. Over the decades, the station was largely buried by snow, leaving the statue exposed.... The Southern Pole of Inaccessibility is the point in Antarctica farthest from any ocean. It sits more than 12,000 feet above sea level, about 545 miles from the actual South Pole. An 18-man Soviet expedition reached it in December 1958, during a push to explore and claim scientific ground across the continent. They set up a small hut, raised the Soviet flag and mounted the bust of Lenin on the roof, deliberately turned to face Moscow. After they left, very few people ever came back. Soviet teams returned in 1964 and 1967, and an American traverse arrived in 1965. Then the site went almost untouched for 40 years. In 2007, a British team finally made it back, using giant kites to pull them across the ice. By then, decades of drifting snow had swallowed the building entirely. Today the site is protected as a historic monument under the Antarctic Treaty, and the handful of explorers who reach it still stop to take a photo with Lenin. The Pole of Inaccessibility has the coldest average yearly temperature on Earth, about −72.8°F (−58.2°C). #archaeohistories
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"Alcohol reduces the accuracy of rifle fire. When you are sober, 7/100 shots are misses. When alcohol is consumed the night before shooting and accompanied by half a glass of vodka on the day: 27/100 shots are misses" Soviet military poster, 1930s
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Are You Ready? Unisex Sweatshirt inspired by 1949 Soviet poster captioned: "I am ready to work in winter conditions. Are you ready?" stratonaut.shop/p…/are-you-ready-unisex-sweatshirt-2
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