'The gender roles ruling Alex Huston Fischer and Eleanor Wilson’s Wicker are meant to be obvious — something the viewer immediately recognizes and knows as true to the world, even without the ability to discern an exact time or place. That foundation allows the real work to begin, and this sophomore feature reveals the filmmaking duo’s central preoccupation: relationships, and how they are shaped by and vulnerable to the outside world. The duo’s follow-up to 2020’s Save Yourselves! also confirms that their dark sense of humor and taste for the absurd isn’t something they’ll shy away from anytime soon. Wicker is, in a word, weird.' inreviewonline.com/2026/10/2…