https://teapawt.net/t.co/Dxx8O0AD6R | 9+ years in design | branding and websites
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Joined October 2021
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Roy retweeted
Everyone's using Claude Opus 5.5 to build entire worlds in #threejs.
I spent 7 days on a single human eye.
No textures. No 3D models. No photos. Just math, light and ~400 parameters.
Sound on 🔊 Link below 👇
The next skill for designers isn't better prompting, it's splitting work across agents like an art director briefs a team. Who gets the layout, who gets the copy, who only checks the details.
Hard to believe this is flat vectors and shaders.
Feed the fish 🎏 @rive_app
All 2D vectors and shaders. The koi are a handful of drawings, bendable with the new mesh on components.
Do you learn more rebuilding a reference by hand than prompting your way to something close?
I rebuild interactions to get the easing right, because that's where i actually learn the feel. but AI gets me 80% in minutes and the last 20% is where i keep second-guessing the hand-rebuild
Genuinely curious where other people draw the line 👀
Do you learn more through rebuilding a reference by hand than prompting your way to something close?
I rebuild interactions to get the easing right, because that's where I actually learn the feel. But AI gets me 80% in minutes and the last 20% is where I keep second guessing the hand rebuild.
Genuinely curious where other people draw the line 👀
Half of rebrand posts are 12 mockups and zero system. A logo against a flower field proves nothing. Show me the rules, and where they break, that's the actual brand.
I redesign my own site every few months and never launch it. Client work ships fine, my own taste is the worst client i've had.
Roy retweeted
One of the tricks I picked up from working at Google is a very simple way to make sure your interface feels on-brand:
Start with the core brand colour.
Let's say it's blue.
You create a palette of blue shades from light to dark, almost white to almost black, all with a blue tint.
The text isn't just pure white.
It's a very light blue.
The background isn't pure black.
It's a very dark blue.
Using these throughout the core elements will create an almost unnoticeable but present brand 'feeling' through the interface.
It works especially well for trading interfaces where the positive/negative colours can easily dominate, making it hard to incorporate your brand without it being jarring.
This technique works perfectly for any product and industry.
And if you're building with AI, you can just prompt it in:
"Take my brand's base colour and generate a tinted scale from near-white to near-black. Use those tints for every background, surface, border and text colour in the interface instead of pure greys."
