
Aspiring Comics writer. Some kind of inhuman cave ape. #ComicsGate for life and proud of it. Writer and Creator of SKELETON CORPS.
Joined October 2018
- Tweets9.2K
- Following537
- Followers323
- Likes33.5K
SkeletonCorpsComics retweeted
Come join us for spooky games. 🎉🎉🎉
Going LIVE with Katydid, Cursed Heart, Infamous Mr. Cursed, and Sweet Tooth in a little bit! Hanging out and doing some horror games! @KatyDidClips @CursedHeartK @rinzler00 @tooththehothead #ComicsGate #BackMeBro
Horror & Halloween Games with Friends! IM SCARED YALL! | Hail ComicsGate... youtube.com/live/55eRPfU9S2A… via @YouTube
SkeletonCorpsComics retweeted
Mike Baron's "How to Make a Comic" panel, recorded at For the Fans Fest, is on YouTube now. 25 years of hand-drawn pages, the three rules of writing, the birth of Nexus, and hooking readers on page one. Watch it on the For the Fans Fest channel: youtu.be/7PMvL_zdHFk
SkeletonCorpsComics retweeted
Replying to @NiceGuyMersh
Bro, Australia has internet laws to protect Australian pre teen girls from being bullied to suicide, called E-Safety Commission. They have a mandate to demand YouTube take down content and/or deliver strikes if you know the right words to say to them. Liam has presented himself as a helpless, bullied retard to the Australian E-Safety Commission, and has been able to take down channels and videos by having them demand YouTube comply.
This faggot must be stopped.
SkeletonCorpsComics retweeted
Sunday Cross Over #17 xitter.cf/i/broadcasts/1wxWjlXnj…
SkeletonCorpsComics retweeted
Lady Midnight - Devils Dwell in Silent Springs is just a few backers away from cross $8000 on Kickstarter! Thank you very much to everyone who's supported the project so far! 😎
SkeletonCorpsComics retweeted
Feminists have cried for years about being ‘gatekept’, but ironically when women take over something they are much more discriminatory against men and what we enjoy. They took over publishing, ruined reading for men then ask why men don’t read as much now.
WHY ARE BOYS AND MEN TURNING AWAY FROM BOOKS? PERHAPS PUBLISHING SHOULD LOOK IN THE MIRROR.
A provocative new @Quillette article by Adam Szetela, “How to Suppress Men’s Writing”, exposes a remarkable transformation in the publishing industry. And it raises uncomfortable questions about ideological conformity, institutional bias and the neglect of male readers.
quillette.com/2026/10/23/why…
Consider the figures Szetela cites:
• Over 70% of employees at America's Big Five publishers are women.
• Over 70% of editors and interns are women.
• Over 60% of publishing executives are women.
• The industry disproportionately recruits graduates from elite universities.
Yet these same institutions frequently proclaim their commitment to diversity, inclusion and representing marginalised voices.
The hypocrisy is blatant and extreme. Their diversity doesn't include men.
Szetela argues that contemporary publishing increasingly privileges leftist ideological narratives, identity politics and particular conceptions of female experience, while marginalising traditionally masculine storytelling, interests and perspectives.
His most provocative contention?
“Young men don’t hate reading—they hate the books these women publish.”
Consider David Goggins' Can't Hurt Me: an unapologetically masculine account of adversity, discipline, resilience and extraordinary achievement. Goggins self-published it, subsequently selling millions of copies.
Meanwhile, boys' reading engagement and literacy outcomes remain deeply concerning...
Of course, smartphones, gaming, educational practices and other factors also contribute. Nor does female representation itself establish discrimination. But Szetela raises an important question: Why do institutions routinely examine their own biases when minority groups are underrepresented, yet so rarely apply the same scrutiny when boys and men disengage?
Having personally reviewed more than 300 books during the last seven years, and also having recently published 100 of the Best Books for Men, I know there’s an extraordinary wealth of literature capable of inspiring, challenging and enriching male readers… Read my book for free at the National Library of Australia:
nla.gov.au/nla.obj-423988221…
We should celebrate books about courage, adventure, fatherhood, competition, sacrifice, responsibility, achievement and the distinctive experiences of men and boys.
The answer isn't fewer books for women. It's more great books for everyone, especially including men and boys.
Publishing should embrace genuine intellectual diversity, rather than ideological gatekeeping…
Men and boys deserve literature that speaks to their interests, aspirations and potential.
#MensIssues #BoysEducation #MaleLiteracy #Publishing #Masculinity #Reading #Quillette
@Adam_Szetela
SkeletonCorpsComics retweeted
I sometimes get sappy about this space, ya just gotta deal with it!
Last night, at the last minute, I jumped on @LOGOScomics Comicsgate Commandos show to have a beer and listen to stories of them being guests at a recent comic convention.
I did not mention my recently launched comic campaign, but Patrick was gracious enough to pull it up, and it resulted in some nice praise, and frickin backers!!
I think it even resulted in another backer for the older Indiegogo campaign!
It was a show filled with folks on the panel and in the chat that have killer books, great creators and supporters of others in the indie scene, it made my night and I can’t thank ‘em enough.
@CharactrCreatr @ScribeComics @CallMeClippa @CorpsComics @MarkWahhhid @BootleggerComic @CorpsComics @KatyDidClips and others on the show and chat, I’m hungover, forgive me!
kickstarter.com/projects/gna…
SkeletonCorpsComics retweeted
The person who should be copyright striking and perhaps suing Liam is WhaleRain. If she chooses to engage in that conflict, ComicsGate will back her fully.
So now @retroboy1983 is crying "false flagger"... But, Liam, I thought if YT agrees it's not false?
He also claims I retroactively created a character to strike him. Unfortunately, for Liam YT needed extensive evidence before submitting the strike. We went back and forth for days. I provided the stream with the first use of the name, "Dark Grift" on my channel from back in 2022, the avatar being used since 2023/2024, the theme song for the character in 2024, and other links to show the timeline.
The video I made the other day was a warning. You're just too stupid to realize it.
SkeletonCorpsComics retweeted
I appreciate everyone’s creativity but I can’t promote everyone’s comic. There’s only so much time in a day.
SkeletonCorpsComics retweeted
Darkgift is right, we were in the trenches daily making sure everyone's books got the attention they deserved. @JonMalin gave me a chance when no one else would and helped fund my first book, and if your book was good enough, @EthanVanSciver could blast it into orbit.
I heard @retroboy1983 say he was the "main promotional channel back in the day" 😂 🤣 😂
Saying he promoted 5 books other than his own is being generous. The main promotional channels back in the day were Mandy Summers, Michael Bancroft and Graded Point 5. I did a fair amount and The Chat was a go-to, also. But no, not Liam Gray. No one thought of Liam amd promotion together... Ever.
SkeletonCorpsComics retweeted
Hang out, chat, cheer on Katy and Skelly!!!
@KatyDidClips @CorpsComics
Just a Simple Gaming Stream! ❤️🎮Hail #ComicsGate!
Live on YT, RUMBLE & TWITCH!
Like | Subscribe | Share
youtube.com/live/K6Hpg9nu-bU…
SkeletonCorpsComics retweeted
9 Lives Comics: 9livescomics.com/projects/sh…
BMB: backmebro.com/project/9lives…
SkeletonCorpsComics retweeted
Inglorious Rex 4 hits $85k! Marching onto $86k! Thank you!
The FtFF cover is gone, and the Ultra Beast Box and 12-pack blind bag will be gone at the end of 60, so don't miss out!
SkeletonCorpsComics retweeted
This is such a cool looking book before we even add color to it.
I've always loved a graveyard battleground and in Terror in the Trenches I get to unleash it and then some! This is the most brutal fight I've ever written. #TerrorintheTrenches2
Discussion on Rippaverse Discord is that Eric isn't delivering comics. For a year! HOT N READY GUUUUUUUUUUUUYS!
@EthanVanSciver @VLolosOfficiel
SkeletonCorpsComics retweeted
🚨 UNMASKING ANOTHER ART THIEF 🚨
A warning to fellow creators and comic book fans.
The account @Juliet_te07 is presenting artwork created by other artists as its own.
While reviewing this account's portfolio, I noticed significant inconsistencies in artistic style and skill level. Looking closer, I discovered pieces that appear to be taken directly from published comic books, including artwork from Saga.
This isn't about artistic inspiration or differing styles. It's about taking another creator's work and presenting it as your own.
Artists spend years developing their skills and deserve recognition for their work.
Credit belongs to the original creators.
I'll include examples so you can see the evidence and judge for yourselves.
Protect artists. Respect their work. Don't support art theft.
— Bootlegger Comics
SkeletonCorpsComics retweeted
Again, ComicsGate is just a bunch of creators doing their own thing as their own mini-publishers, aligned by friendship and philosophy and nothing else. We aren't a single company with bills and overhead and payroll. Aggregating our revenue year to year means nothing, especially when most of it in the initial years seems to be CyberFrog and Reignbow the Brute, two books of which are still forthcoming.
We can shrink drastically during a recession and still survive. Not so with Rippaverse. He must grow in volume during a recession, as you can see.
Caanan is asking for work. He is a freelancer working on YOUNG ISOM for now. It won't fund a series, and he'll be gone soon.
He doesn't seem to be the Art Director, or on the payroll, anymore.
Kara "left" the same moment Gothix and the Soskas did. Most agreed to be quiet, but Kara made a statement.
I don't believe the statement. For "health" reasons? The "perfect" time to put yourself out of work.
Seems like she was being kind to Eric by making an excuse for him.
The Soskas, in addition to being writers, were also "Keepers of the Lore" and on the payroll. Now they aren't. They were obviously fired.
For some reason, they unfollowed Eric and took "Rippaverse" off of their Twitter profile masthead. Why would that be? They were calling him a genius on his phone at 4 AM two years ago, making lovey documentaries about him.
What happened?
Meanwhile, I have messages from two freelancers who are telling me Eric is chronically late paying them, owes them royalties, and ghosts them for months at a time. How is any of this happening during a year where Eric made $5 million? Was any of that revenue profit?
Keep those blinders on, dummy! #TRASHCAST
Replying to @EthanVanSciver @Lombarsi
1st para see graph upto 2025.
2nd para - caanan still there. Kara left due lifestyle/health changes. Soskas are contactors & was not renewed. Happens all the time in comics. You dont have a clue what rippa finances are except what he chooses to share $5m+ sales excl taxes+ship.
SkeletonCorpsComics retweeted
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DO IT TODAY!
$5 ticket admission, archive access, new comics.
DO IT NOW!🫵
patreon.com/Vasilislolos/pos…
COMICSGATE CONFIDENTIAL EP 1 IS LIVE!
COME JOIN NOW!
7 PAGES LIVE ON PATREON.COM/VASILISLOLOS
$5 TICKET ADMISSION/ WEEKLY-ISH UPDATES.
ComicsGate Confidential, an autobio first hand insight of the most talked about side of the comic industry.
When the "Great Comicbook Artist Canceling Trials" of 2018 reached their height, a group of ostracized, cancelled *and other* professionals of the Comic Book Industry got together to make comics via crowdfunding. That was met with never-before-seen extreme pushback from the industry, and gigantic financial rewards from the hordes of disfranchised comic-book readers.
With great buzz comes greater trouble.
And with greater trouble, comes monumental internet-spergery.
This is my life with the thrill-kill-comicbook-cult.
A REAL LIFE “the OFFICE” meets COMICBOOK CLERKS RIGHT IN OUR COMICSGATE BACKYARD. THE DIRT! THE REVOLVING DOOR OF COLORFUL CHARACTERS!
And -you-.
patreon.com/Vasilislolos/pos…


































